Boston (band) - Wikipedia

About the Song

Emerging from the vibrant music scene of Boston, Massachusetts, in the mid-1970s, Boston took the world by storm with their self-titled debut album, released in 1976. The album’s lead single, “More Than a Feeling”, quickly became an enduring rock anthem, captivating listeners with its soaring melodies, powerful guitar riffs, and Tom Scholz’s distinctive vocals.

“More Than a Feeling” is a prime example of Boston’s unique brand of symphonic rock, seamlessly blending elements of hard rock, progressive rock, and classical music. The song opens with a majestic introduction, featuring a lush arrangement of keyboards and guitars, setting the stage for Scholz’s impassioned vocals.

The lyrics of “More Than a Feeling” are as evocative as the music itself, painting vivid imagery of love, hope, and overcoming adversity. Scholz’s words resonate with a universal human experience, capturing the essence of striving for something greater than oneself.

The song’s chorus is an unforgettable moment, with its soaring harmonies and triumphant declaration: “Is this more than a feeling?” The question lingers in the listener’s mind long after the song has ended, prompting reflection on the deeper meaning of life and the power of human connection.

“More Than a Feeling” has had a profound impact on popular culture, appearing in countless films, television shows, and commercials. The song has also been covered by numerous artists, including Garth Brooks, Aerosmith, and Trisha Yearwood, further cementing its status as a rock and roll classic.

Boston’s legacy is forever intertwined with “More Than a Feeling”. The song stands as a testament to the band’s musical prowess and their ability to create timeless anthems that continue to inspire and uplift listeners generations after their release.The Genius Of... Boston by Boston

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Lyrics: More Than a Feeling

I looked out this morning and the sun was gone
Turned on some music to start my day
I lost myself in a familiar song
I closed my eyes and I slipped away

It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
I begin dreaming (more than a feeling)
Till I see Marianne walk away
I see my Marianne walkin’ away

So many people have come and gone
Their faces fade as the years go by
Yet I still recall as I wander on
As clear as the sun in the summer sky

It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
I begin dreaming (more than a feeling)
Till I see Marianne walk away
I see my Marianne walkin’ away

When I’m tired and thinking cold
I hide in my music, forget the day
And dream of a girl I used to know
I closed my eyes and she slipped away
She slipped away

It’s more than a feeling (more than a feeling)
When I hear that old song they used to play (more than a feeling)
I begin dreaming (more than a feeling)
Till I see Marianne walk away

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Before he ever stepped up to center stage under his own name, Cal Smith spent years standing quietly in the shadows as a sideman, playing guitar behind country legend Ernest Tubb. Born Calvin Shofner in Oklahoma and raised in California, he paid his dues in clubs and on radio before joining the Texas Troubadours in the early 1960s, watching other stars soak up the applause while his own solo ambitions moved at a crawl. By 1972, Smith was well into his late thirties with little more than modest chart placings to show for his efforts. Everything flipped when fellow songwriter Bill Anderson handed him “The Lord Knows I’m Drinking,” a sharp track about a man taking heat from a churchgoer whose own hands weren’t exactly clean. The single struck a nerve, shooting straight to No. 1. The true lightning strike arrived soon after. In December 1973, Smith walked into Bradley’s Barn to lay down Don Wayne’s “Country Bumpkin.” Tracing an ordinary man’s journey through marriage, children, and the devastating loss of his wife, the song packed an entire lifetime into a few poignant verses and climbed to the top of the charts in 1974. The accolades poured in, sweeping Single Record and Song of the Year at the ACM Awards, alongside a CMA Song of the Year honor for the writing. Smith quickly proved he wasn’t a one-hit wonder by following up with another chart-topper, “It’s Time to Pay the Fiddler.” After more than a decade of holding down the rhythm section for everyone else, Cal Smith’s long-delayed moment in the sun finally arrived—forever stamping his voice onto one of the defining country anthems of the 1970s.