About the Song

Toby Keith, a country music titan known for his unwavering patriotism and celebration of American values, takes a unique approach in “Call a Marine”. This track, featured on his 2013 album “Drinks After Work”, isn’t your typical flag-waving anthem. Instead, it offers a gritty and action-oriented perspective, highlighting the unwavering resolve of the Marines.

“Call a Marine” functions as a battle cry, a call to action when things get tough. The opening lines paint a scenario gone wrong, with a “jackass” causing trouble and the narrator feeling the need to take control. However, instead of resorting to violence themselves, they propose a more strategic solution: “Call a Marine”.

The song isn’t just about glorifying military might. The lyrics “They’re built to improvise, adapt and overcome” highlight the core training and skills that make Marines a formidable force. It’s a testament to their resourcefulness and ability to handle any situation, no matter how dire.

“Call a Marine” taps into a sense of national pride, a belief in American strength and the unwavering dedication of its Marines. Keith’s signature vocals, gruff and confident, perfectly deliver the message of empowerment and self-reliance. The song’s underlying message is clear: When faced with adversity, there’s a sense of security knowing the Marines are there, ready to “improvise, adapt and overcome” any challenge.

However, “Call a Marine” has also sparked debate. Some critics view it as an endorsement of violence, advocating for a militaristic solution to everyday problems. Others see it as a tongue-in-cheek celebration of Marine ingenuity and a humorous twist on relying on 911 for emergencies.

Regardless of interpretation, “Call a Marine” is a song that undeniably stirs emotions. It’s a testament to the unwavering spirit of the Marines and a reflection of the complex relationship between American civilians and their military. Whether you see it as a serious call to action or a lighthearted tribute, “Call a Marine” is a song that is sure to leave a lasting impression.

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Lyrics: Call a Marine

I was sittin’ in a bar, boozin’ and losin’
And some jackoff walks up cruisin’ for a bruisin’
Poppin’ off and makin’ my whole redneck red
He asked my girl if she’d like to dance
He had three buddies so I had no chance
I looked around the room for a friend and I saw Fred
A quick evaluation of the situation
And we entered into a conversation
It seemed to last the better part of the next two songs
Now I didn’t say and they didn’t ask
But Fred did two tours over in Iraq
And, son, it was over before it was even on.Call a Marine
Instead of 911
They’re built to improvise, adapt and overcome
When you’re in knee deep and you’re up shit’s creek
And you’ve tried everything
Tell you what you do
Call a Marine!Now my sister’s husband didn’t love her no more
And he runned off with a skinny little whore
And left her sittin’ around the house with a couple of kids
She just lays around in that muumuu gown
Old girl put on about 35 pounds
One day I went over to her house and I said, “Hey, sis”
If you wanna fix what troubles you
Just ease down to the VFW
And you’ll walk through the door and turns those boys’ heads
For most of those boys it’s been awhile
Just show a little leg and that Marlboro smile
And if that don’t work out for you, girl, ask for Fred.Call a Marine
Instead of 911
They’re built to improvise, adapt and overcome
If you’re in knee deep and you’re up shit’s creek
You’ve tried everything
Tell you what you do
Call a Marine!Some douche bag rises up and overthrows his government
Diplomacy ain’t workin’ and the ammos all been spent
The world is in a crisis and the media’s a curse
I’ll tell you what to do
When it goes from bad to worse

Call a Marine
Instead of 911
They’re built to improvise, adapt and overcome
When you’re in knee deep and you’re up shit’s creek
And you’ve tried everything
Tell you what you do
Call a Marine!

Tell you what to do, baby
You can call…
Call a Marine!
Yeah! Yeah!

You Missed

“I CAN’T JUST LEAVE HER WITHOUT TELLING HER HOW IT IS,” RAY PRICE WHISPERED TO HIS ENGINEER IN THE STUDIO DARKNESS. He didn’t care about the chart positions or the industry accolades that had defined his career since the fifties. He needed the technology to capture a sincerity he had spent decades hiding behind the polish of the Ray Price Sound, ensuring the silence of his house wouldn’t be absolute. Ray Price and Janie Phillips shared a life defined by the rhythmic hum of the honky-tonk circuit and the quiet machinery of the music business. By 2012, however, the terminal weight of pancreatic cancer began to dictate the pace of their days. While the chemotherapy drained the vitality from his frame, Ray insisted on returning to the microphone. He chose a collection of love songs that felt like a long-overdue confession, building them out in a Nashville studio while keeping the project shielded from the one person who had been his professional and personal anchor for decades. Janie was kept at a distance, unaware that the distance was intentional. Ray was crafting a final, hidden correspondence. Each session at the microphone required a monumental effort, a man straining against his own biology to ensure the pitch remained true and the phrasing stayed sharp. He finished the work in October 2013, exhausted but satisfied, calling the record the finest thing he had ever managed to capture. He died in December, before the world ever heard a note. When the record eventually surfaced, Janie found herself standing in the spotlight she had spent forty-three years avoiding. She stepped into the radio stations and the silence of their home, carrying the voice of a man who had finally learned how to say what mattered most once he was no longer there to speak it himself.