Introduction

“In the Ghetto,” a haunting and poignant ballad, is a song that touches the depths of the human soul with its powerful lyrics and soulful melodies. Written by the legendary songwriter Mac Davis and originally recorded by the iconic Elvis Presley, this timeless classic has left an indelible mark on the music world since its release in 1969.Elvis Presley's Life in Photos - Rare Photos of Elvis Presley

Did You Know?

About the Song

  • “In the Ghetto” was released as a single by Elvis Presley in 1969 and later featured on his album “From Elvis in Memphis.” The song was an instant hit, reaching the top of the charts in the United States and several other countries.
  • The song’s lyrics paint a vivid picture of urban poverty and its impact on a young child, offering a poignant commentary on the cycle of poverty and the need for social change. It struck a chord with listeners, resonating with their empathy and social consciousness.
  • The distinctive arrangement of “In the Ghetto” combines Presley’s powerful voice with a memorable backing choir, creating a powerful and emotional listening experience. The song has since been covered by numerous artists, further solidifying its place in music history.

About the Artist

  • Elvis Presley, often referred to as the “King of Rock and Roll,” was one of the most influential and celebrated musicians of the 20th century. He was known for his charismatic stage presence and the versatility of his music, which ranged from rock and roll to gospel, country, and soul.
  • Presley’s impact on the music industry is immeasurable, and he continues to be a source of inspiration for artists across genres. His legacy lives on, with a dedicated fan base and countless awards and honors in his name.

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Video

Lyrics: In The Ghetto 

As the snow flies
On a cold and gray Chicago mornin’
A poor little baby child is born
In the ghettoAnd his mama cries
‘Cause if there’s one thing that she don’t need
It’s another hungry mouth to feed
In the ghetto

People, don’t you understand
The child needs a helping hand
Or he’ll grow to be an angry young man some day
Take a look at you and me,
Are we too blind to see?
Do we simply turn our heads and look the other way?

Well, the world turns
And a hungry little boy with a runny nose
Plays in the street as the cold wind blows
In the ghetto

And his hunger burns
So he starts to roam the streets at night
And he learns how to steal, and he learns how to fight
In the ghetto

Then one night in desperation
The young man breaks away
He buys a gun,
Steals a car,
Tries to run,
But he don’t get far
And his mama cries

As a crowd gathers ’round an angry young man
Face down on the street with a gun in his hand
In the ghetto

And as her young man dies,
On a cold and gray Chicago mornin’,
Another little baby child is born
In the ghetto

And his mama cries

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HE SOLD 40 MILLION RECORDS. BUT SOME OF HIS MOST IMPORTANT WORDS WERE NEVER HEARD BY THE PUBLIC. For three decades, Toby Keith was everywhere. On the radio. On stage. Halfway across the world, standing in front of soldiers who needed something that sounded like home. He didn’t just build a career. He built a presence. But near the end, while he was quietly fighting stomach cancer… something changed. The spotlight got smaller. The room got quieter. And instead of singing to crowds, he started calling people. Not the famous ones. Not the ones already established. Young artists. Some he barely knew. No cameras. No announcements. Just a phone call. And on the other end— a voice that had nothing left to prove… still choosing to give something back. He didn’t talk about success. He talked about the sound. What it meant. What it used to be. What it shouldn’t lose. The kind of things you don’t write in a hit song… but carry for the rest of your life. Some of the artists who got those calls said the same thing— They didn’t expect it. And they’ll never forget it. Because it didn’t feel like advice. It felt like something being passed down. Not fame. Not status. Something deeper. — “I don’t need people to remember my name. I need them to remember what country music is supposed to sound like.” — And maybe that’s the part most people never saw. Not the records. Not the crowds. But a man, near the end, making sure the music would outlive him. —