No. 23: Linda Ronstadt - Country's Most Powerful Women

About the Song

Linda Ronstadt’s powerful vocals and emotive delivery have made her a beloved figure in the world of rock and pop music. Her 1975 hit song, “You’re No Good,” showcases her ability to convey raw emotion and vulnerability through her music.

The song tells the story of a woman who is coming to terms with the end of a relationship. She sings about her feelings of betrayal and heartbreak, but also her determination to move on. Ronstadt’s voice conveys a range of emotions, from anger and sadness to hope and resilience.

The song’s simple yet poignant lyrics and catchy melody have made it a timeless classic. The song’s message of empowerment and self-love has resonated with audiences for generations.

“You’re No Good” is a testament to Ronstadt’s talent as a singer and songwriter. Her ability to connect with listeners on a deep emotional level is evident in every note. The song’s enduring popularity is a testament to its timeless appeal.

Linda Ronstadt’s “You’re No Good” is a classic rock anthem that continues to inspire and entertain listeners today. Its raw emotion, relatable lyrics, and catchy melody have made it a beloved song for generations. Whether you are a fan of Ronstadt’s music or simply appreciate great songwriting, “You’re No Good” is a track that is sure to leave a lasting impression.Linda Ronstadt on New Doc, #MeToo and Life After Singing

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Lyrics: You’re No Good

Feelin’ better, now that we’re through
Feelin’ better, cause I’m over you
I’ve learned my lesson, it left a scar
Now I see how you really areYou’re no good, you’re no good, you’re no good
Baby, you’re no good (I’m gonna say it again)
You’re no good, you’re no good, you’re no good
Baby, you’re no goodI broke a heart, that’s gentle and true
Well, I broke a heart over someone like you
I’ll beg his forgiveness on bended knee
I wouldn’t blame him if he said to meYou’re no good, you’re no good, you’re no good
Baby, you’re no good (I’m gonna say it again)
You’re no good, you’re no good, you’re no good
Baby, you’re no good[Musical Interlude]I’m telling you now baby, that I’m goin’ my way
Forget about me baby, ’cause I’m leaving this day

You’re no good, you’re no good, you’re no good
Baby, you’re no good (I’m gonna say it again)
You’re no good, you’re no good, you’re no good
Baby, you’re no good
Oh, oh, no
You’re no good, you’re no good, you’re no good
Baby, you’re no good

 

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THE WALL AT 160 MPH — CHARLOTTE MOTOR SPEEDWAY, OCTOBER 1974 “If Marty hadn’t turned into the wall, it’s highly likely I might not be here today.” — Richard Childress Marty Robbins had two seconds to decide. Five years earlier, in 1969, he’d had his first heart attack. Doctors told him three major arteries were blocked and gave him a year to live without an experimental new procedure. He became one of the first men in history to undergo a triple bypass — and three months after surgery, he was back behind the wheel of a NASCAR stock car. He sang at the Grand Ole Opry from 11:30 to midnight. He raced at 145 mph on weekends. He had sixteen #1 country hits. He wrote “El Paso.” His doctors begged him to stop racing. He didn’t. At the Charlotte 500 on October 6, 1974, a young driver named Richard Childress — the man who would later own Dale Earnhardt’s #3 car — sat dead in his stalled vehicle, broadside across the track. Marty was coming up behind at 160 mph. He could T-bone Childress and probably kill him. Or he could turn into the concrete wall. Marty turned into the wall. He took 37 stitches across his face, a broken tailbone, broken ribs, and two black eyes. The scar between his eyes never faded — he carried it for the rest of his life. Richard Childress went on to build one of the most legendary teams in NASCAR history. What does a man owe a stranger — when he has two seconds, a wall on his right, and his own life already running on borrowed time?