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Charley Pride – Kiss an Angel Good Morning

Charley Pride – Kiss An Angel Good Mornin' Lyrics | Genius Lyrics

About the Song

In the realm of country music, there are few names that evoke such warmth and tenderness as Charley Pride. With his velvety baritone and heartfelt lyrics, Pride painted vivid portraits of rural life, capturing the joys, sorrows, and simple truths of everyday experiences. Among his many enduring classics, “Kiss an Angel Good Morning” stands out as a poignant and tender ode to love and loss.

Released in 1971, “Kiss an Angel Good Morning” marked Pride’s first single from his album “Charley Pride Sings Heart Songs”. The song immediately resonated with listeners, reaching number one on the Billboard Hot Country Singles chart and number 74 on the Billboard Hot 100. Its success cemented Pride’s status as a country music icon and established the song as a timeless favorite.

“Kiss an Angel Good Morning” is a ballad built upon a simple yet evocative melody, carried along by Pride’s gentle vocals. The lyrics, penned by songwriter Ben Peters, narrate the story of a man grieving the loss of his beloved wife. Each verse paints a picture of their shared life, from their first meeting to their final moments together. The chorus, with its poignant refrain of “I kissed an angel good morning today”, serves as a bittersweet reminder of the love they shared and the void her absence has left.

Pride’s delivery imbues the song with an aching tenderness that resonates deeply with listeners. His voice, imbued with emotion, conveys the profound grief and lingering love that the narrator feels. The lyrics, though simple, are profound, capturing the universality of love and loss in a way that transcends time and genre.

“Kiss an Angel Good Morning” is more than just a country song; it’s a testament to the enduring power of love and the beauty of cherished memories. Pride’s heartfelt performance and the song’s timeless message have made it a staple of country music radio, a favorite among generations of listeners, and a poignant reminder of the love that lingers long after goodbye.Charley Pride, Country Music's First Major Black Star, Dies At 86 : NPR

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Lyrics: Kiss an Angel Good Morning

… When ever I chance to meet, old friends on the streetThey wonder how does a man get to be this wayAlways got a smiling face, anytime and any placeAnd every time they ask me why I just smile and say
… ‘Cause you’ve got to kiss an angel good morningAnd let her know you think about her when you’re goneKiss an angel good morningAnd love her like the devil when you get back home
… Though people may try to guess, the secret of our happinessBut some of them never learn it’s a simple thingThe secret I’ma speaking of, is a woman and a man in loveAnd the answer is in this song that I always sing
… ‘Cause you’ve got to kiss an angel good morningAnd let her know you think about her when you’re goneKiss an angel good morningAnd love her like the devil when you get back home
… Kiss an angel good morningAnd let her know you think about her when you’re goneKiss an angel good morningAnd love her like the devil when you get back home

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A cot waited in a rehearsal hall at RCA Victor’s New York studio while Jimmie Rodgers made his final recordings. Between songs, he lay down to recover enough strength for another take. It was May 1933. Rodgers was 35 and had battled tuberculosis since 1924. As his health deteriorated, his earnings had dwindled. Victor was paying $250 per recorded side, and he wanted to provide for his wife, Carrie, and their daughter, Anita. The sessions started on May 17. Within days, standing to sing became impossible. He worked from an easy chair, supported by pillows that brought him close enough to the microphone, then returned to the cot. On May 24, two musicians accompanied him through three songs. After they left, Rodgers recorded one more with only his guitar: “Years Ago.” He had completed twelve songs in eight days. The following night at the Taft Hotel, severe coughing gave way to hemorrhaging in his lungs. The hotel doctor could not be located. Rodgers fell into a coma and died on May 26, roughly 36 hours after his last recording. Before music made him famous, he had worked as a railroad brakeman. A Southern Railway train carried his body home to Meridian, Mississippi, in a baggage car. According to accounts of the journey, the engineer kept sounding the whistle along the way.

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Lorrie Morgan saved the card Keith Whitley gave her at the Nashville airport for her flight home. When she finally opened it, her husband was dead. It was early May 1989. Lorrie was heading to Alaska to promote her first RCA album, while Keith was enjoying the strongest run of his career. Just weeks earlier, “I’m No Stranger to the Rain” had become his third consecutive No. 1. At home, success had brought little reassurance. Keith had struggled with alcohol for years. A period of sobriety beginning in 1987 lasted about six months. Lorrie later described the fear surrounding his drinking as living with a ticking time bomb. In her 1997 memoir, she recalled tying her leg to his while they slept so she would know if he got up to drink. During her trip, he began drinking again that weekend. On Tuesday morning, May 9, his brother-in-law, Lane Palmer, visited the house in Goodlettsville. They drank coffee and discussed golf and lunch. Palmer left around 8:30 a.m. When he returned roughly an hour later, Keith was lying on the bed, fully dressed and unconscious. The medical examiner determined that he died from acute alcohol poisoning. Traveling back to Nashville, Lorrie read the card she had set aside. She later said its words left her feeling that Keith had been trying to tell her something—a feeling she was left to carry without the chance to ask him.

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A cot waited in a rehearsal hall at RCA Victor’s New York studio while Jimmie Rodgers made his final recordings. Between songs, he lay down to recover enough strength for another take. It was May 1933. Rodgers was 35 and had battled tuberculosis since 1924. As his health deteriorated, his earnings had dwindled. Victor was paying $250 per recorded side, and he wanted to provide for his wife, Carrie, and their daughter, Anita. The sessions started on May 17. Within days, standing to sing became impossible. He worked from an easy chair, supported by pillows that brought him close enough to the microphone, then returned to the cot. On May 24, two musicians accompanied him through three songs. After they left, Rodgers recorded one more with only his guitar: “Years Ago.” He had completed twelve songs in eight days. The following night at the Taft Hotel, severe coughing gave way to hemorrhaging in his lungs. The hotel doctor could not be located. Rodgers fell into a coma and died on May 26, roughly 36 hours after his last recording. Before music made him famous, he had worked as a railroad brakeman. A Southern Railway train carried his body home to Meridian, Mississippi, in a baggage car. According to accounts of the journey, the engineer kept sounding the whistle along the way.

Country

Randy Owen sometimes stopped his tour bus at truck stops to call radio DJs from pay phones. Alabama had already made him a country star. These calls were about persuading stations to help children at St. Jude. He knew what it meant to grow up with little. On his family’s sharecropper farm near Fort Payne, Alabama, he picked cotton and corn to help put food on the table. At school, other children mocked his scarred hands and the cotton dust on his clothes. Years later, after millions of record sales, Owen met St. Jude founder Danny Thomas in Atlanta. Thomas asked him to bring the country music community into the hospital’s fundraising work. When illness prevented Thomas from speaking at Nashville’s Country Radio Seminar, Owen took his place and proposed a nationwide radio effort. Winning support required persistence. He later described himself as “begging, pleading” with DJs. Some stations remained unconvinced. The first Country Cares radiothon aired on November 19, 1989: twelve hours, 45 artists and more than 800 stations. It raised approximately $1 million. By its 35th year in 2024, the initiative had brought in more than $1 billion. Owen has said helping St. Jude may be his most important work beyond being a husband and father. That enormous total began with individual requests, including calls made beside the highway between shows. Owen kept asking stations to participate. Across the country, their listeners kept answering.

Country

Lorrie Morgan saved the card Keith Whitley gave her at the Nashville airport for her flight home. When she finally opened it, her husband was dead. It was early May 1989. Lorrie was heading to Alaska to promote her first RCA album, while Keith was enjoying the strongest run of his career. Just weeks earlier, “I’m No Stranger to the Rain” had become his third consecutive No. 1. At home, success had brought little reassurance. Keith had struggled with alcohol for years. A period of sobriety beginning in 1987 lasted about six months. Lorrie later described the fear surrounding his drinking as living with a ticking time bomb. In her 1997 memoir, she recalled tying her leg to his while they slept so she would know if he got up to drink. During her trip, he began drinking again that weekend. On Tuesday morning, May 9, his brother-in-law, Lane Palmer, visited the house in Goodlettsville. They drank coffee and discussed golf and lunch. Palmer left around 8:30 a.m. When he returned roughly an hour later, Keith was lying on the bed, fully dressed and unconscious. The medical examiner determined that he died from acute alcohol poisoning. Traveling back to Nashville, Lorrie read the card she had set aside. She later said its words left her feeling that Keith had been trying to tell her something—a feeling she was left to carry without the chance to ask him.

Country

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