The Greatest Oldies Music

Oldies Musics

Elvis Presley – Do The Clam

Introduction

Elvis Presley’s musical legacy is a treasure trove of timeless classics, and one hidden gem that showcases his fun and infectious side is “Do The Clam.” Released in 1965, this lively tune is a testament to Elvis’s ability to infuse even the simplest dance instructions with his unmistakable charm. Let’s take a closer look at the toe-tapping joy of “Do The Clam.”

Did You Know?

Unearth some fascinating facts about “Do The Clam” and the iconic artist behind it:

  1. Film Tie-In: “Do The Clam” was featured in the 1965 musical film “Tickle Me,” where Elvis Presley starred as a singing rodeo cowboy. The song, accompanied by Elvis’s energetic dance moves, added a memorable touch to the film.
  2. Dance Craze: The song introduces listeners to the “Clam” dance, a quirky and delightful routine that became a sensation during the ’60s. Explore how this dance craze captivated audiences and contributed to the song’s popularity.
  3. Chart Success: Despite being a departure from Elvis’s typical rock sound, “Do The Clam” found its way onto music charts, showcasing the artist’s ability to experiment with different styles while maintaining his chart-topping status.
  4. Recording Anecdotes: Delve into the behind-the-scenes stories of the song’s recording process. From Elvis’s playful approach to the collaboration with musicians, discover the creative dynamics that shaped “Do The Clam.”
  5. Cultural Impact: Examine the song’s impact on popular culture, both in the ’60s and beyond. Uncover how “Do The Clam” left an imprint on dance trends and influenced subsequent generations of artists.

Video

Lyrics: Do The Clam

Hey everybody gather round
N’ listen to that bongo sound
Grab the first one in your reach
Now we’re going to shake the beachDo the Clam, do the Clam
Grab your barefoot baby by the hand
Turn n’ tease, hug n’ squeeze
Dig right in n’ do the ClamYou can get your heart to spin
On the outside looking in
Moon ain’t gonna last all night
Well, let’s work up an appetiteDo the Clam, do the Clam
Grab your barefoot baby by the hand
Turn n’ tease, hug n’ squeeze
Dig right in n’ do the Clam

Everybody’s got that beat
Well, listen to those happy feet
Ain’t you glad that you found out
What the Clam is all about

Do the Clam, do the Clam
Oh and grab your barefoot baby by the hand
Turn n’ tease, hug n’ squeeze
Dig right in n’ do the Clam

Do the Clam, do the Clam
Oh and grab your barefoot baby by the hand
Turn n’ tease, hug n’ squeeze
Dig right in n’ do the Clam
Dig right in n’ do the Clam

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.