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Alan Jackson & Brad Paisley – “It’s Five O’ Clock Somewhere”

Alan Jackson, Brad Paisley, Steven Tyler Join CMA Holiday Special | The BIG 98 WSIX

About the Song

In the realm of country music, there are songs about heartbreak, loss, and the beauty of the rural landscape. And then there are songs like “It’s Five O’ Clock Somewhere” by Alan Jackson and Brad Paisley, a lighthearted anthem that celebrates the simple joys of unwinding after a long day of work.

Released in 2003, “It’s Five O’ Clock Somewhere” quickly became a country music staple, topping the Billboard Country Airplay chart and earning a Grammy Award for Best Country Performance by a Duo or Group with Vocal. The song’s enduring popularity lies in its relatable message and infectious melody, making it a go-to choice for country radio stations, barbecues, and tailgates.

The song’s premise is simple: no matter where you are in the world, there’s always a place where it’s 5 o’clock and time to start enjoying a cold drink. This sentiment is particularly appealing to those who have spent long hours at work or on the road, yearning for the moment they can finally relax and let loose.

Jackson and Paisley’s vocals perfectly complement each other, with Jackson’s smooth baritone providing a steady foundation for Paisley’s playful twang. The lyrics are full of clever wordplay and witty observations, painting a vivid picture of the characters’ shared desire to escape the daily grind and embrace the carefree spirit of happy hour.

“It’s Five O’ Clock Somewhere” is more than just a drinking song; it’s an ode to the universal human need for relaxation and camaraderie. It’s a reminder that even in the midst of life’s challenges, there’s always time to find moments of joy and connection with others.

Whether you’re a seasoned country music fan or a casual listener, “It’s Five O’ Clock Somewhere” is a song that’s sure to put a smile on your face and get your toes tapping. So the next time you find yourself feeling stressed or overwhelmed, just remember: it’s probably 5 o’clock somewhere. Grab a cold one, crank up the volume, and let the good times roll.Alan Jackson and Brad Paisley perform during the 51st annual CMA Awards at the Bridgestone Arena on November 8, 2017 in Nashville, Tennessee.

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Lyrics: It’s Five O’ Clock Somewhere

The sun is hot and that old clock is movin’ slow,
And so am I.
Work day passes like molasses in wintertime,
But it’s July.
I’m gettin’ paid by the hour, and older by the minute.
My boss just pushed me over the limit.
I’d like to call him somethin’,
I think I’ll just call it a day.Pour me somethin’ tall and strong,
Make it a “Hurricane” before I go insane.
It’s only half-past twelve but I don’t care.
It’s five o’clock somewhere.Oh, this lunch break is gonna take all afternoon,
And half the night.
Tomorrow mornin’, I know there’ll be hell to pay,
Hey, but that’s all right.
I ain’t had a day off now in over a year.
My Jamaican vacation’s gonna start right here.
If the phone’s for me,
You can tell ’em I just sailed away.And pour me somethin’ tall and strong,
Make it a “Hurricane” before I go insane.
It’s only half-past twelve but I don’t care.
It’s five o’clock somewhere.I could pay off my tab,
put myself in a cab,
And be back to work before two.
At a moment like this I can’t help but wonder,
What would Jimmy Buffett do?

Funny you should ask, Alan. I’d say,

Pour me somethin’ tall and strong,
Make it a “Hurricane” before I go insane.
It’s only half-past twelve but I don’t care.

Pour me somethin’ tall and strong,
Make it a “Hurricane” before I go insane.
It’s only half-past twelve but I don’t care.

He don’t care.
I don’t care.

It’s five o’clock somewhere.

What time zone am I on? What country am I in?
It doesn’t matter, it’s five o’clock somewhere.
It’s always on five in Margaritaville, come to think of it.
Yeah, I heard that.
You been there, haven’t you?
Yes sir.
I seen your boat there.
I’ve been to Margaritaville a few times.
All right, that’s good.
Stumbled all the way back.
OK. Just wanna make sure you can keep it between the navigational beacons.
Between the buoys, I got it.
All right. Well, it’s five o’clock. Let’s go somewhere.
I’m ready, crank it up.
Let’s get out of here.
I’m gone.

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CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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