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Kid Rock brought patriotism and a country cover to the Super Bowl halftime show.

Kid Rock brought patriotism and a country cover to the Super Bowl halftime show.

Ahead of the show, Kid Rock, TUPSA’s headliner and an outspoken conservative, teased his performance in a video message, saying that fans can expect “exactly what they think I will do” as well as “the unexpected.” He also made it clear that he and the other artists tapped for the halftime show are doing it simply to give their fanbase that “loves America” and “loves Jesus” an opportunity to be entertained.

Kid Rock promised energy, and he delivered! He opened his 8-minute set with a rowdy rendition of “Bawitdaba,” one of his most popular singles released in 1999.

One of the biggest surprises of the show was Kid Rock’s performance of Cody Johnson’s “‘Til You Can’t.” The singer called it “one of the greatest written songs that I’ve heard in a long time.”

He added a new verse to the end of the song that wasn’t included in Cody Johnson’s version and will be releasing it to streaming services on Monday (Feb. 9). He told listeners that “somebody” told him that there was a verse that still needed to be written.

“There’s a book that’s sitting in your house somewhere
That could use some dusting off
There’s a man who died for all our sins
Hanging from the cross
You can give your life to Jesus
And he’ll give you a second chance
‘Til you can’t”

“We recorded it a while back, and I said, ‘Man, if we’re going to play it, why don’t we put it out for people that night?’”

Hear Kid Rock sing “‘Til You Can’t” below:

 

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“I SPENT SO MUCH TIME IN THE HOSPITAL… BUT I MISSED YOU FOLKS MORE THAN ANYTHING ELSE.” It was Toby Keith’s first show after months of cancer treatment. The lights came up. The crowd stood. Applause rolled across the room like thunder. He walked slowly to the microphone, thinner than before, but smiling the same old smile. “I’ve spent so much time in the hospital,” he said, pausing, “I almost applied to be a full-time employee.” The room went quiet. In that moment, it wasn’t about charts or fame. It was about a man who had stared down pain and still chose humor. A man who could have stayed home… but came back to where his heart was. That night, Toby Keith didn’t just sing songs. He reminded everyone listening that even after hospitals, needles, and long nights — there are still crowds worth returning to. And lives worth living out loud.

THE DOCTOR SAID: “STOP SINGING.”HE SAID: “MILLIONS OUT THERE ARE STILL WAITING.” They told him the damage was real. That the pain wasn’t something you could outwork anymore. That it was time to rest, to protect what little voice he had left. But Toby Keith never built his life by listening to people who told him to sit down. When the diagnosis came, fear wasn’t the first thing he felt. Purpose was. He had spent decades turning grit into songs, anger into anthems, and truth into something people could lean on—and he wasn’t ready to walk away quietly. The doctor spoke in warnings. Toby answered with meaning. “I still have people waiting on me.” Waiting for a voice that never pretended. Waiting for songs that didn’t apologize. He didn’t sing because it was easy or safe anymore. He sang because it mattered. And when you know your time is limited, you don’t get softer—you get honest. Sometimes, that’s the loudest stand a man can ever take. So what really happened in that room—and why did Toby Keith refuse to stop singing when everyone else told him to be quiet?

THE OUTLAW’S FINAL STAND Arizona, 2001. Nashville never tamed him. Addiction didn’t end him. And even as diabetes took his strength — and his left foot — Waylon Jennings refused to kneel. He sat center stage on a stool, leather-bound Telecaster in hand. Older. Worn. In pain. But when the spotlight hit, the same outlaw glare returned — sharp, unbroken. The first notes rang out like a desert gunshot. “I’ve Always Been Crazy.” Not nostalgia. A statement. He didn’t stand tall that night. He didn’t need to. Because even sitting down, Waylon Jennings was still the tallest man in the room — proving that the body may slow, but the outlaw never backs down.

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Country

Kid Rock brought patriotism and a country cover to the Super Bowl halftime show.

Country

“I SPENT SO MUCH TIME IN THE HOSPITAL… BUT I MISSED YOU FOLKS MORE THAN ANYTHING ELSE.” It was Toby Keith’s first show after months of cancer treatment. The lights came up. The crowd stood. Applause rolled across the room like thunder. He walked slowly to the microphone, thinner than before, but smiling the same old smile. “I’ve spent so much time in the hospital,” he said, pausing, “I almost applied to be a full-time employee.” The room went quiet. In that moment, it wasn’t about charts or fame. It was about a man who had stared down pain and still chose humor. A man who could have stayed home… but came back to where his heart was. That night, Toby Keith didn’t just sing songs. He reminded everyone listening that even after hospitals, needles, and long nights — there are still crowds worth returning to. And lives worth living out loud.

Country

THE DOCTOR SAID: “STOP SINGING.”HE SAID: “MILLIONS OUT THERE ARE STILL WAITING.” They told him the damage was real. That the pain wasn’t something you could outwork anymore. That it was time to rest, to protect what little voice he had left. But Toby Keith never built his life by listening to people who told him to sit down. When the diagnosis came, fear wasn’t the first thing he felt. Purpose was. He had spent decades turning grit into songs, anger into anthems, and truth into something people could lean on—and he wasn’t ready to walk away quietly. The doctor spoke in warnings. Toby answered with meaning. “I still have people waiting on me.” Waiting for a voice that never pretended. Waiting for songs that didn’t apologize. He didn’t sing because it was easy or safe anymore. He sang because it mattered. And when you know your time is limited, you don’t get softer—you get honest. Sometimes, that’s the loudest stand a man can ever take. So what really happened in that room—and why did Toby Keith refuse to stop singing when everyone else told him to be quiet?

Country Oldies Musics

THE OUTLAW’S FINAL STAND Arizona, 2001. Nashville never tamed him. Addiction didn’t end him. And even as diabetes took his strength — and his left foot — Waylon Jennings refused to kneel. He sat center stage on a stool, leather-bound Telecaster in hand. Older. Worn. In pain. But when the spotlight hit, the same outlaw glare returned — sharp, unbroken. The first notes rang out like a desert gunshot. “I’ve Always Been Crazy.” Not nostalgia. A statement. He didn’t stand tall that night. He didn’t need to. Because even sitting down, Waylon Jennings was still the tallest man in the room — proving that the body may slow, but the outlaw never backs down.