Introduction

Enter the lively realm of rock ‘n’ roll with Elvis Presley’s “Kissin’ Cousins,” a musical escapade released in 1964. The King of Rock effortlessly blends his charismatic voice with infectious beats, creating a soundtrack that embodies the energy and spirit of the era. Join us as we explore the vibrant world behind this iconic tune.

Did You Know?

“Kissin’ Cousins” not only showcases Elvis’s musical prowess but also marks his venture into the realm of cinema. Did you know that this song served as a title track for an Elvis film of the same name? Delve into the fascinating connection between Elvis’s musical journey and his on-screen presence as we uncover the synergies that make “Kissin’ Cousins” a standout in the King’s repertoire.

For an in-depth exploration of the musical and cinematic fusion in “Kissin’ Cousins” and to relive the era of Elvis’s rock ‘n’ roll magic, continue reading our blog posts. Let the rhythm of the King’s music carry you away into a world of joyous nostalgia. 🎶🎥

Video

Lyrics: Kissin’ Cousins

Well I’ve got a gal, she’s as cute as she can be
She’s a distant cousin but she’s not too distant with meWe’ll kiss all night
I’ll squeeze her tight
But we’re kissin’ cousins ‘n that’s what makes it all right
All right, all right, all rightOh I’ve got a girl and she taught me how to live
She can give a lot and she’s got a lot to give

We’ll kiss all night
I’ll squeeze her tight
But we’re kissin’ cousins ‘n that’s what makes it all right
All right, all right, all right

Yes we’re all cousins, that’s what I believe
Because we’re children of Adam and Eve
I got a girl and she wants a lot of love
That’s the kind of trouble I need plenty of

We’ll kiss all night
I’ll squeeze her tight
But we’re kissin’ cousins ‘n that’ll make it all right
All right, all right, all right
We’ll be kissin’ cousins that’ll make it all right
All right, all right, all right

Yes we’re all cousins, that’s what I believe
Because we’re children of Adam and Eve
I got a girl and she wants a lot of love
That’s the kind of trouble I need plenty of

We’ll kiss all night
I’ll squeeze her tight
But we’ll be kissin’ cousins ‘n that’ll make it all right
All right, all right, all right
We’ll be kissin’ cousins that’ll make it all right
All right, all right, all right
We’ll be kissin’ cousins that’s what makes it all right
All right, all right, all right

You Missed

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?