David Essex (album) - Wikipedia

About the Song

“A Winter’s Tale” by David Essex is a beautifully melancholic ballad that captures the quiet sadness of lost love during the coldest season of the year. Released in 1982, this song became one of Essex’s most memorable hits, reaching No. 2 on the UK Singles Chart. Written by Mike Batt (known for his work with The Wombles) and Tim Rice (famed for his collaborations with Andrew Lloyd Webber), the song combines poetic lyricism with a haunting melody, making it a perfect soundtrack for reflective winter nights.

Lyrically, “A Winter’s Tale” tells a story of heartbreak and longing. The song’s narrator finds himself alone as winter sets in, reminiscing about a lost love and struggling to come to terms with their absence. Lines like “The nights are colder now, maybe I should close the door” and “I can’t believe she’s gone” convey the deep sense of sorrow and nostalgia. The imagery of winter—often associated with isolation and endings—mirrors the emotional chill of heartbreak, making the song all the more poignant.

Musically, the song is delicate and understated, allowing Essex’s warm yet sorrowful vocals to take center stage. The arrangement features gentle piano, subtle orchestration, and a soft, steady rhythm that enhances the song’s reflective mood. Unlike the upbeat and theatrical style of some of his earlier hits like “Rock On”, this track showcases a more mature, vulnerable side of David Essex, proving his versatility as an artist.

Though it’s not a traditional Christmas song, “A Winter’s Tale” has often been associated with the holiday season due to its winter imagery and release timing. Over the years, it has remained a favorite among fans who appreciate its heartfelt lyrics and emotional depth.

For anyone who has ever felt the sting of love lost during the colder months, “A Winter’s Tale” is a song that truly resonates. It’s a timeless ballad that continues to evoke deep emotions, proving that some songs, much like memories of lost love, never fade away.David Essex -

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Lyrics: A Winter’s Tale 

The nights are colder now
Maybe I should close the door
And anyway the snow has covered all your footsteps
And I can follow you no more
The fire still burns at night
My memories are warm and clear
But everybody knows it’s hard to be alone at this time of yearIt was only a winter’s tale
Just another winter’s tale
And why should the world take notice
Of one more love that’s failed?
A love that could never be
Though it meant a lot to you and me
On a world-wide scale we’re just another winter’s taleWhile I stand alone
A bell is ringing far away
I wonder if you hear, I wonder if you’re listening
I wonder where you are today
Good luck, I wish you well
For all that wishes may be worth
I hope that love and strength
Are with you for the length of your time on Earth

It was only a winter’s tale
Just another winter’s tale
And why should the world take notice
Of one more love that’s failed?
It’s a love that could never be
Though it meant a lot to you and me
On a world-wide scale we’re just another winter’s tale

It was only a winter’s tale
Just another winter’s tale
And why should the world take notice
Of one more love that’s failed?
It’s a love that could never be
Though it meant a lot to you and me
On a world-wide scale we’re just another winter’s tale

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.