Boz Scaggs - Lido Shuffle (HD/Lyrics)

About the Song

“Lido Shuffle” by Boz Scaggs is a high-energy, infectious track that perfectly blends rock, jazz, and R&B influences. Released in 1976 as part of his successful Silk Degrees album, this song became one of Scaggs’ most well-known hits, reaching No. 11 on the Billboard Hot 100 and remaining a staple of classic rock radio.

The song tells the story of a man, Lido, who seems to be living a life of excitement and risk, chasing freedom and escape through gambling. The lyrics paint a picture of a man on the run, trying to find his way in a world of choices and consequences. With lines like, “Lido’s gettin’ ready to go, he’s got the world on a string,” the song invites listeners into the world of a carefree yet uncertain life. There’s a sense of nostalgia, but also a realization that Lido’s choices are leading him down a path that is as exhilarating as it is dangerous.

Musically, “Lido Shuffle” stands out for its upbeat, jazz-inflected rhythm and groove. The track opens with a lively piano riff, and the energetic shuffle beat gives it a danceable quality. The horns and dynamic bass line add layers of sophistication, while Scaggs’ smooth vocals glide effortlessly over the instrumental arrangement. The song’s production, which incorporates elements of soul and rock, helped define the signature sound of Silk Degrees and contributed to the album’s success.

The musicianship on “Lido Shuffle” is also notable, with the future members of Toto—including David Paich, Jeff Porcaro, and David Hungate—contributing to the track. Their influence is evident in the tight rhythm section and polished production, which elevates the song to a level of musical mastery.

With its catchy chorus, memorable melody, and infectious rhythm, “Lido Shuffle” continues to be a fan favorite, encapsulating the essence of 1970s pop-rock. Its blend of smooth storytelling, intricate musicianship, and lively beat makes it a classic that remains relevant and fun to listen to, even decades after its release.Look What You've Done to Me - song and lyrics by Boz Scaggs | Spotify

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Lyrics: Lido Shuffle

Lido missed the boat that day
He left the shack
But that was all he missed
And he ain’t comin backAt a tombstone bar
In a jukejoint car
He made a stop
Just long enough
To grab a handle off the topNext stop Chi town
Lido put the money down let em roll
He said one more job ought to get it
One last shot ‘fore we quit it
One for the roadLido.. woah oh oh oh
He’s for the money
He’s for the show
Lido’s waiting for the go

Lido.. woah oh oh oh
He said one more job ought to get it
One last shot ‘fore we quit it
One more for the road

Lido will be runnin’
Havin’ great big fun
Until he got the note
Sayin’ tow the line or blow it
And that was all she wrote

He’ll be makin’ like a bee line
Headin’ for the border line
Goin’ for broke
Sayin’ one more hit ought to do it
This joint aint nothin’ to it
One more for the road

Lido.. whoah oh oh oh
He’s for the money
He’s for the show
Lido’s waiting for the go

Lido.. woah oh oh oh oh oh oh
One more job ought to get it
One last shot then we quit it
One more for the road

Lido.. woah oh oh oh
He’s for the money
He’s for the show
Lido’s a waitin’ for the go
Lido.. woah oh oh oh

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.