Boz Scaggs - Lido Shuffle (HD/Lyrics)

About the Song

“Lido Shuffle” by Boz Scaggs is a high-energy, infectious track that perfectly blends rock, jazz, and R&B influences. Released in 1976 as part of his successful Silk Degrees album, this song became one of Scaggs’ most well-known hits, reaching No. 11 on the Billboard Hot 100 and remaining a staple of classic rock radio.

The song tells the story of a man, Lido, who seems to be living a life of excitement and risk, chasing freedom and escape through gambling. The lyrics paint a picture of a man on the run, trying to find his way in a world of choices and consequences. With lines like, “Lido’s gettin’ ready to go, he’s got the world on a string,” the song invites listeners into the world of a carefree yet uncertain life. There’s a sense of nostalgia, but also a realization that Lido’s choices are leading him down a path that is as exhilarating as it is dangerous.

Musically, “Lido Shuffle” stands out for its upbeat, jazz-inflected rhythm and groove. The track opens with a lively piano riff, and the energetic shuffle beat gives it a danceable quality. The horns and dynamic bass line add layers of sophistication, while Scaggs’ smooth vocals glide effortlessly over the instrumental arrangement. The song’s production, which incorporates elements of soul and rock, helped define the signature sound of Silk Degrees and contributed to the album’s success.

The musicianship on “Lido Shuffle” is also notable, with the future members of Toto—including David Paich, Jeff Porcaro, and David Hungate—contributing to the track. Their influence is evident in the tight rhythm section and polished production, which elevates the song to a level of musical mastery.

With its catchy chorus, memorable melody, and infectious rhythm, “Lido Shuffle” continues to be a fan favorite, encapsulating the essence of 1970s pop-rock. Its blend of smooth storytelling, intricate musicianship, and lively beat makes it a classic that remains relevant and fun to listen to, even decades after its release.Look What You've Done to Me - song and lyrics by Boz Scaggs | Spotify

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Lyrics: Lido Shuffle

Lido missed the boat that day
He left the shack
But that was all he missed
And he ain’t comin backAt a tombstone bar
In a jukejoint car
He made a stop
Just long enough
To grab a handle off the topNext stop Chi town
Lido put the money down let em roll
He said one more job ought to get it
One last shot ‘fore we quit it
One for the roadLido.. woah oh oh oh
He’s for the money
He’s for the show
Lido’s waiting for the go

Lido.. woah oh oh oh
He said one more job ought to get it
One last shot ‘fore we quit it
One more for the road

Lido will be runnin’
Havin’ great big fun
Until he got the note
Sayin’ tow the line or blow it
And that was all she wrote

He’ll be makin’ like a bee line
Headin’ for the border line
Goin’ for broke
Sayin’ one more hit ought to do it
This joint aint nothin’ to it
One more for the road

Lido.. whoah oh oh oh
He’s for the money
He’s for the show
Lido’s waiting for the go

Lido.. woah oh oh oh oh oh oh
One more job ought to get it
One last shot then we quit it
One more for the road

Lido.. woah oh oh oh
He’s for the money
He’s for the show
Lido’s a waitin’ for the go
Lido.. woah oh oh oh

You Missed

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?