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Alan Jackson – Right on the Money

Alan Jackson Songs | Spotify

About the Song 

“Right on the Money” by Alan Jackson is a brilliant example of the country music legend’s ability to combine a catchy, upbeat melody with insightful, sometimes humorous storytelling. Released in 2000 as part of his When Somebody Loves You album, this track immediately stands out with its playful, yet sharp lyrics and classic country sound. Jackson, known for his distinctive voice and timeless country style, delivers this song with his usual charm, making it not only enjoyable but also memorable.

The lyrics of “Right on the Money” center around a man who knows exactly how to please his partner, with every gesture and word hitting the mark. The phrase “right on the money” suggests a perfect understanding and an effortless connection between the two, underscoring the satisfaction and success of their relationship. This theme of hitting the right note in love resonates with listeners, capturing the joy and fulfillment that comes from truly knowing someone. The playful tone in the lyrics adds a fun, lighthearted vibe, making it a perfect feel-good anthem.

Musically, “Right on the Money” features the kind of classic country instrumentation that fans have come to expect from Alan Jackson—tight rhythm guitars, steel guitar licks, and a catchy melody that makes you want to tap your feet. The infectious chorus and Jackson’s smooth vocals enhance the playful, upbeat feel of the song, and the easygoing tempo gives it a relaxed, fun vibe that sticks with you long after the song ends.

For fans of Alan Jackson or anyone who appreciates a well-crafted country tune, “Right on the Money” is a delightful addition to his catalog. It captures both the simplicity and wit that are hallmarks of great country music, blending storytelling and music in a way that feels both familiar and fresh. Whether you’re a longtime admirer of Alan Jackson or new to his music, this song will likely have you humming along and smiling, as it celebrates the art of getting love just “right.”About | Alan Jackson

Video 

Lyrics: Right on the Money

Well let’s begin with the day I met her
How fast this good old boy’s world got better
Sky got bluer, the grass got greener
Just the first few seconds after I first seen her

Like my favorite song on a new set of speakers
My best old jeans and my broke in sneakers
A home run pitch floating right down the middle
The sweet music made when the bow hits the fiddle

She’s right on the money
She goes direct to my heart
And when it comes to loving me
She’s everything, I mean bulls eye perfect
She’s right on the money

She’s no red lights when I’ve overslept
She’s a three point jump shot that’s nothing but net
A hand full of aces, the dealer’s done dealing
I’m forever on a roll, that’s how she’s got me feeling

She’s right on the money
She goes direct to my heart
And when it comes to loving me
She’s everything, I mean bulls eye perfect
She’s right on the money

She’s the best cook that’s ever melted cheese
I ain’t much around the house, but I aim to please
There’s absolutely no reason to doubt her
When she says, I wouldn’t last ten minutes without her

She’s right on the money
She goes directly to my heart
When it comes to loving me
She’s everything, I mean bulls eye perfect

She’s right on the money
She goes directly to my heart
When it comes to loving me
She’s everything, I mean bulls eye perfect
She’s right on the money

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Randy Owen sometimes stopped his tour bus at truck stops to call radio DJs from pay phones. Alabama had already made him a country star. These calls were about persuading stations to help children at St. Jude. He knew what it meant to grow up with little. On his family’s sharecropper farm near Fort Payne, Alabama, he picked cotton and corn to help put food on the table. At school, other children mocked his scarred hands and the cotton dust on his clothes. Years later, after millions of record sales, Owen met St. Jude founder Danny Thomas in Atlanta. Thomas asked him to bring the country music community into the hospital’s fundraising work. When illness prevented Thomas from speaking at Nashville’s Country Radio Seminar, Owen took his place and proposed a nationwide radio effort. Winning support required persistence. He later described himself as “begging, pleading” with DJs. Some stations remained unconvinced. The first Country Cares radiothon aired on November 19, 1989: twelve hours, 45 artists and more than 800 stations. It raised approximately $1 million. By its 35th year in 2024, the initiative had brought in more than $1 billion. Owen has said helping St. Jude may be his most important work beyond being a husband and father. That enormous total began with individual requests, including calls made beside the highway between shows. Owen kept asking stations to participate. Across the country, their listeners kept answering.

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A cot waited in a rehearsal hall at RCA Victor’s New York studio while Jimmie Rodgers made his final recordings. Between songs, he lay down to recover enough strength for another take. It was May 1933. Rodgers was 35 and had battled tuberculosis since 1924. As his health deteriorated, his earnings had dwindled. Victor was paying $250 per recorded side, and he wanted to provide for his wife, Carrie, and their daughter, Anita. The sessions started on May 17. Within days, standing to sing became impossible. He worked from an easy chair, supported by pillows that brought him close enough to the microphone, then returned to the cot. On May 24, two musicians accompanied him through three songs. After they left, Rodgers recorded one more with only his guitar: “Years Ago.” He had completed twelve songs in eight days. The following night at the Taft Hotel, severe coughing gave way to hemorrhaging in his lungs. The hotel doctor could not be located. Rodgers fell into a coma and died on May 26, roughly 36 hours after his last recording. Before music made him famous, he had worked as a railroad brakeman. A Southern Railway train carried his body home to Meridian, Mississippi, in a baggage car. According to accounts of the journey, the engineer kept sounding the whistle along the way.

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Randy Owen sometimes stopped his tour bus at truck stops to call radio DJs from pay phones. Alabama had already made him a country star. These calls were about persuading stations to help children at St. Jude. He knew what it meant to grow up with little. On his family’s sharecropper farm near Fort Payne, Alabama, he picked cotton and corn to help put food on the table. At school, other children mocked his scarred hands and the cotton dust on his clothes. Years later, after millions of record sales, Owen met St. Jude founder Danny Thomas in Atlanta. Thomas asked him to bring the country music community into the hospital’s fundraising work. When illness prevented Thomas from speaking at Nashville’s Country Radio Seminar, Owen took his place and proposed a nationwide radio effort. Winning support required persistence. He later described himself as “begging, pleading” with DJs. Some stations remained unconvinced. The first Country Cares radiothon aired on November 19, 1989: twelve hours, 45 artists and more than 800 stations. It raised approximately $1 million. By its 35th year in 2024, the initiative had brought in more than $1 billion. Owen has said helping St. Jude may be his most important work beyond being a husband and father. That enormous total began with individual requests, including calls made beside the highway between shows. Owen kept asking stations to participate. Across the country, their listeners kept answering.

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Lorrie Morgan saved the card Keith Whitley gave her at the Nashville airport for her flight home. When she finally opened it, her husband was dead. It was early May 1989. Lorrie was heading to Alaska to promote her first RCA album, while Keith was enjoying the strongest run of his career. Just weeks earlier, “I’m No Stranger to the Rain” had become his third consecutive No. 1. At home, success had brought little reassurance. Keith had struggled with alcohol for years. A period of sobriety beginning in 1987 lasted about six months. Lorrie later described the fear surrounding his drinking as living with a ticking time bomb. In her 1997 memoir, she recalled tying her leg to his while they slept so she would know if he got up to drink. During her trip, he began drinking again that weekend. On Tuesday morning, May 9, his brother-in-law, Lane Palmer, visited the house in Goodlettsville. They drank coffee and discussed golf and lunch. Palmer left around 8:30 a.m. When he returned roughly an hour later, Keith was lying on the bed, fully dressed and unconscious. The medical examiner determined that he died from acute alcohol poisoning. Traveling back to Nashville, Lorrie read the card she had set aside. She later said its words left her feeling that Keith had been trying to tell her something—a feeling she was left to carry without the chance to ask him.

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