The Greatest Oldies Music

Oldies Musics

Connie Francis – “V-A-C-A-T-I-O-N”

About the Song

“V-A-C-A-T-I-O-N” is a song written by Gary Weston and Hank Hunter and recorded by American pop singer Connie Francis. It was released in 1962 as the second single from her album of the same name. The song reached number 9 on the Billboard Hot 100 chart in the United States and number 10 on the UK Singles Chart.

The song is a cheerful, upbeat ode to the joys of vacation. Francis sings about the excitement of packing her bags, the anticipation of the journey ahead, and the fun of spending time away from home. The song’s lyrics are simple but effective, and Francis’s sunny delivery captures the carefree spirit of the song.

“V-A-C-A-T-I-O-N” was a popular hit upon its release, and it has remained a beloved classic in the years since. The song has been covered by many artists, including The Beach Boys, The Beatles, and The Carpenters. It has also been featured in numerous films and television shows, including “Grease” and “The Wonder Years”.

“V-A-C-A-T-I-O-N” is a timeless song that captures the universal appeal of travel and relaxation. Its catchy melody and upbeat lyrics make it a perfect choice for any summer playlist.

Some additional information about the song:

  • The song was inspired by Francis’s own love of travel. She had always dreamed of visiting exotic places, and she was able to realize that dream when she began her music career.
  • The song’s title is spelled out in the lyrics, which is a common technique used in pop songs. This helps to make the song more memorable and singable.
  • The song was originally released as a 45-rpm single. The B-side of the single was “Second Hand Love”.
  • The song has been featured in several films and television shows, including “Grease“, “The Wonder Years”, and “The Simpsons“**.
  • “V-A-C-A-T-I-O-N” is a popular choice for karaoke singers. It is a fun and easy song to sing, and it is sure to get everyone in the party mood.

Video 

Lyrics: Vacation

V-A-C-A-T-I-O-N in the summer sun

Put away the books, we’re out of school
The weather’s warm but we’ll play it cool
We’re on vacation, havin’ lots of fun
V-A-C-A-T-I-O-N in the summer sun

We’re gonna grab a bite at the pizza stand
Write love letters in the sand
We’re on vacation and the world is ours
V-A-C-A-T-I-O-N under summer stars

Yeah, we’ll hop in a jalopy to a drive-in movie and never look at the show
We’re gonna hug and kiss just like this and I can’t wait to go, go, go

We’re gonna mashed potato to a jukebox tune
Park your car ‘neath an August moon
We’re on vacation till the start of the fall

V-A-C-A-T-I-O-N, we’re gonna have a ball, go!!

[sax interlude]

V-A-C-A-T-I-O-N, gonna have a ball

Uh-huh, we’ll hop in a jalopy to a drive-in movie and never look at the show
We’re gonna hug and kiss just like this and I can’t wait to go, go, go

We’re gonna mashed potato to a jukebox tune
Park your car ‘neath an August moon
We’re on vacation till the start of the fall

V-A-C-A-T-I-O-N, we’re gonna have a ball, yeah

[FADE]
V-A-C-A-T-I-O-N, (yeah) gonna have a ball

Related Post

THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.

HE SOLD 75 MILLION RECORDS. HE STILL WAKES UP BEFORE SUNRISE TO CHECK ON HIS CATTLE. Randy Owen could have lived anywhere. Nashville mansion. Beach house. Penthouse with a view of Music Row. Instead, he went back to Fort Payne, Alabama — the same dirt he grew up on. He bought the land his family once sharecropped. Turned it into a 3,000-acre cattle ranch. Herefords and Angus. He grew up picking cotton. Dropped out of school in ninth grade. A principal talked him into going back. He got an English degree, then helped build the best-selling country band in history — 42 number ones, 75 million records. Most mornings, he eats lunch at a gas station café where nobody treats him like a star. They just hadn’t seen him in a few days and wanted to know what he’d been up to. Today’s country stars sing about dirt roads from studio apartments in Nashville. Randy Owen bought the dirt road.

You Missed

Country

THE FINAL SONG WASN’T FOR THE CROWD — IT WAS FOR TRICIA. 40 years of life, laughter, and trials led to this one moment. They say that at the very end, what remains isn’t the fame or the hits, but the people who stood by you when the world was watching, and more importantly, when it wasn’t. Toby Keith spent his life singing for millions, but his most important performance was always for the woman who knew him before the world did. In his final, quietest hours, he didn’t need a stage. He needed the hand that had held his through every season of his life. That is the true story of a country legend. Not the drama of the headlines, but the simple, unshakeable loyalty of a man who knew exactly who mattered most when the lights finally dimmed.

Country

CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

Country Oldies Musics

THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

Country Oldies Musics

NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.