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Canned Heat – On The Road Again

Of Owl and Bear: The Tragic and Glorious Story of Canned Heat | Ultimate Guitar

About the Song 

Canned Heat is an American blues rock band formed in 1965. Their music combined elements of blues, boogie woogie, rock and roll, and R&B, creating a unique and exciting style. On The Road Again is one of Canned Heat’s most famous songs, first released in 1968 on the album Boogie with Canned Heat.

On The Road Again is a classic blues song with a fast and upbeat tempo. The song was written by Floyd Jones, an American blues musician, and was re-recorded by Canned Heat with some changes. Canned Heat’s version features a distinctive blues guitar riff and the powerful, soulful vocals of Bob Hite, the band’s lead singer.

The lyrics of On The Road Again tell the story of a blues musician traveling all over the country. The singer sings about the hardships and challenges of life on the road, but also expresses his passion and love for music.

On The Road Again has become a beloved song by many generations of music listeners. The song has been covered by many different artists, including Willie Nelson, John Mayall, and Eric Clapton.

Canned Heat performed On The Road Again at many venues around the world, including the Woodstock Music and Art Fair in 1969. The song has become an important part of rock and roll and blues music culture.

Here are some reasons why On The Road Again is a famous song:

  • Fast and upbeat tempo: The song has a classic blues tempo that makes people want to dance and sing along.
  • Distinctive blues guitar riff: The guitar riff in the song is very memorable and creates a great blues atmosphere.
  • Powerful, soulful vocals of Bob Hite: Bob Hite sings the song with a lot of emotion, making the listener feel his passion and love for music.
  • Meaningful lyrics: The lyrics of the song tell the story of a traveling blues musician, a topic that many people can relate to.

On The Road Again is a classic blues rock song with a fast, upbeat tempo and meaningful lyrics. The song has become an important part of rock and roll and blues music culture, and is loved by many generations of music listeners.

Canned Heat: the 10 best songs from America's greatest boogie band | Louder

Video

Lyrics: On The Road Again

Well, I’m so tired of crying
But I’m out on the road again
I’m on the road again
Well, I’m so tired of crying
But I’m out on the road again
I’m on the road againI ain’t got no woman
Just to call my special friendYou know the first time I traveled
Out in the rain and snow
In the rain and snow
You know the first time I traveled
Out in the rain and snow
In the rain and snow

I didn’t have no payroll
Not even no place to go

And my dear mother left me
When I was quite young
When I was quite young
And my dear mother left me
When I was quite young
When I was quite young

She said, “Lord, have mercy
On my wicked son.”

Take a hint from me, mama
Please don’t you cry no more
Don’t you cry no more
Take a hint from me, mama
Please don’t you cry no more
Don’t you cry no more

‘Cause it’s soon one morning
Down the road I’m going

But I ain’t going down
That long old lonesome road
All by myself
But I ain’t going down
That long old lonesome road
All by myself

I can’t carry you, baby
Gonna carry somebody else

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Oldies Musics

Tucked away in a private drawer, far from the polished sets of her television show, lay a bundle of 341 letters. These were not press clippings or scripts; they were brittle, handwritten testimonies from servicemen stationed in remote barracks, deep in war-torn tunnels, and across desolate battlefields. During the long years of the Second World War, as Hollywood presented a glossy, curated image of American life, Donna Reed spent her nights reading these letters and, more remarkably, personally answering them. This was the quiet, invisible work that defined her, long before the public labeled her the quintessential television mother. Behind the camera during her production years, Reed was a different person entirely. She was rarely seen holding a script for a scene; she was more likely to be found hunched over lighting diagrams or studying the intricacies of cinematography. She possessed an uncredited producer’s mind, constantly analyzing how the frame could better reflect the reality of the family she was trying to depict. The studio environment was frequently cold and high-pressured, but she moved through it with a meticulous attention to detail that frustrated those who wanted to treat her as merely another pretty face in the cast. These tactile remnants—the stacks of ink-stained paper and the forgotten notes on camera angles—tell the story of a woman who never truly fit the box Hollywood built for her. While the world remembers the steady, comforting image of a television home, she lived a life carved out of hard labor and deep empathy. She carried the weight of those soldiers’ stories and the technical burdens of the studio floor until her final days, forever balancing the fragility of her public image against the demanding, gritty reality of her actual life.