Crosby, Stills, Nash & Young - This Day In Music

About the Song

Few albums in the history of rock music have captured the spirit of an era as profoundly as Crosby, Stills, Nash & Young’s 1970 masterpiece, Déjà Vu. The title track, simply titled “Déjà Vu,” is a hauntingly beautiful exploration of time, memory, and the cyclical nature of life. Written by David Crosby, this song stands as a testament to the band’s unparalleled harmonies and their ability to blend intricate musicianship with deeply introspective lyrics.

From the moment the song begins, “Déjà Vu” envelops the listener in a dreamlike atmosphere. The gentle acoustic guitar, paired with the band’s ethereal harmonies, creates a sound that is both soothing and otherworldly. Crosby’s lyrics are a stream-of-consciousness meditation on the passage of time and the feeling of reliving moments from the past. Lines like “If I had ever been here before, I would probably know just what to do” evoke a sense of mystery and introspection, inviting listeners to reflect on their own experiences of déjà vu and the interconnectedness of life.

What sets “Déjà Vu” apart is its layered complexity. The song’s structure is unconventional, shifting between soft, melodic verses and dramatic, almost orchestral crescendos. This dynamic arrangement mirrors the ebb and flow of memory, creating a sense of emotional depth that is both captivating and thought-provoking. The addition of subtle instrumentation, including piano, organ, and percussion, adds texture and richness to the track, making it a sonic journey as much as a lyrical one.

The song also showcases the unique chemistry of Crosby, Stills, Nash & Young. Each member brings their own distinct voice and musical sensibility to the table, yet they come together in perfect harmony. Crosby’s visionary songwriting, combined with Stephen Stills’ intricate guitar work, Graham Nash’s melodic sensibility, and Neil Young’s raw emotional intensity, creates a sound that is greater than the sum of its parts.

For fans of folk-rock and timeless music“Déjà Vu” is a must-listen. It’s a song that captures the essence of Crosby, Stills, Nash & Young’s artistry and their ability to create music that is both deeply personal and universally resonant. With its haunting melodiespoetic lyrics, and unforgettable harmonies, this track remains a shining example of why Déjà Vu is considered one of the greatest albums of all time. Whether you’re hearing it for the first time or revisiting it after many years, “Déjà Vu” is a reminder of the enduring power of music to transport, transform, and transcend.

Crosby, Stills, Nash and Young on their favourite CSNY songs

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Lyrics: Deja Vu

[Scat singing]
One Two Three Four
If I had ever been here before
I would probably know just what to do
Don’t you?
If I had ever been here before on another time around the wheel
I would probably know just how to deal
With all of you
And I feel
Like I’ve been here before
Feel
Like I’ve been here before
And you know it makes me wonder
What’s going on under the ground, hmmm
Do you know? Don’t you wonder?
What’s going on down under you
We have all been here before, we have all been here before
We have all been here before, we have all been here before
We have all been here before, we have all been here before

 

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.