Steve Smith: Engelbert Humperdinck brings the romance, Kiss strips down – Daily News

About the Song

Engelbert Humperdinck, whose rich, velvety baritone has captivated audiences for decades, stands as one of the most iconic figures in popular music. Often dubbed the “King of Romance,” Humperdinck’s career has spanned over five decades, yielding a treasure trove of chart-topping hits and enduring classics. Among his most beloved songs is the timeless ballad, “Love Is All.”

Released in 1976, “Love Is All” marked a turning point in Humperdinck’s artistic journey. While he had previously achieved success with upbeat pop tunes like “Release Me” and “Jivago,” “Love Is All” showcased his ability to deliver heartfelt ballads with an emotional depth that resonated with listeners worldwide.

The song’s opening notes, a delicate interplay of piano and strings, set the stage for Humperdinck’s captivating vocals. His voice, imbued with a warmth and sincerity that disarm even the most jaded hearts, weaves a tapestry of love’s enduring power. The lyrics, penned by the renowned songwriting duo of Carole Bayer Sager and Bruce Kifer, paint vivid imagery of a love that transcends trials and tribulations, emerging stronger with each passing day.

“Love Is All” is more than just a song; it’s an anthem for romantics and dreamers, a testament to the transformative power of love. Humperdinck’s delivery elevates the song from a mere ballad to an emotional masterpiece, imbuing each word with an aching vulnerability that resonates deeply with listeners.

The song’s enduring popularity is a testament to its universal appeal. “Love Is All” has been covered by countless artists, from Barbra Streisand and Celine Dion to Luther Vandross and Elton John, each bringing their unique interpretation to the beloved ballad. Yet, it is Humperdinck’s definitive rendition that remains etched in the hearts of millions, a timeless reminder of love’s enduring power.

“Love Is All” is a cornerstone of Humperdinck’s illustrious career, a song that has solidified his status as a true icon of romantic music. With its poignant lyrics, captivating melody, and Humperdinck’s masterful vocals, “Love Is All” stands as a timeless testament to the enduring power of love, a song that will continue to touch hearts for generations to come.Engelbert Humperdinck and his wife Pat present their new

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Lyrics: Love Is All

Yesterday
I knew the games to play
I thought I knew the way
Life was meant to be
But now there’s you
My foolish games are through
Now at least I have found
Just what makes this whole world
Turn aroundLove is all I have to give
Love is all, as long as I shall live
So take it all
And I’ll always be there when you call my name
I know now that love is allEvery night
I long to hold you tight
Until the mornin’ light
Shines in your eyes
So love me now
We’ll get along somehow
Won’t you please take my hand
And together, forever, we’ll stay

Love is all I have to give
Love is all, as long as I shall live
So take it all
And I’ll always be there when you call my name
I know now that love is all

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SHE STEPPED UP TO THE MICROPHONE TO SING A LOVE SONG WITH A MAN WHO WAS ALREADY GONE. When Lorrie Morgan walked into the studio to record “‘Til a Tear Becomes a Rose,” she wasn’t just performing a track for a Greatest Hits album. She was stepping into a haunting, high-stakes duet with her late husband, Keith Whitley, who had passed away just a year earlier. The technology was simple, but the emotional weight was crushing. Keith’s voice was already on the tape, preserved from an old demo he’d recorded with his friend Ricky Skaggs. There was no studio collaboration, no sharing a smile between takes, and no husband to hold once the final note faded. Lorrie had to stand in the silence, put on her headphones, and wait for Keith’s voice to come through—then harmonize with a ghost. When the song was released in 1990, it didn’t just climb the charts; it hit a nerve that few country songs ever reach. It felt raw, immediate, and painfully real. That fall, when the industry gathered for the CMA Awards, the song took home the trophy for Vocal Event of the Year. The two names—Lorrie Morgan and Keith Whitley—were etched together on the award, a cruel reminder of a partnership that had been tragically severed in its prime. While Lorrie stood alone to accept the honor, the recording remained a permanent monument to what they had been. It wasn’t just a song about sorrow or a performance about heartbreak; it was a widow using her own voice to reach across the silence and sing one last time with the man she couldn’t hold again. It stands today as a testament to the fact that while death can end a marriage, it can’t always silence the music that two people built together.

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