The Greatest Oldies Music

Country

Toby Keith – Every Dog Has Its Day

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About the Song

Toby Keith, a country music titan known for his bravado and anthems about American life, takes a more lighthearted approach with “Every Dog Has Its Day.” This upbeat, tongue-in-cheek song, released in 2009 on his album “American Ride,” celebrates the idea that everyone gets a chance to shine, even if the spotlight isn’t always permanent.

The song opens with a bang, setting the scene in a typical barroom encounter. Keith, with his signature gruff charm, recounts a night out where his girlfriend catches the eye of a drunken patron who dares her to dance. Her response, delivered coolly and confidently, forms the core of the song’s message: “Every dog has its day, dog / And today, dog, just ain’t yours.”

“Every Dog Has Its Day” is more than just a catchy barroom story. The lyrics, penned by Bobby Pinson, John Waples, and Keith himself, encapsulate the universal concept of taking your turn and making the most of an opportunity. While the song is lighthearted and humorous, it carries a subtle message of self-belief and seizing the moment.

The upbeat tempo and driving rhythm section create a celebratory atmosphere, perfectly complementing the theme of the song. Keith’s vocals exude confidence, further emphasizing the idea of embracing your chance to shine, even if it comes at the expense of someone else’s moment.

“Every Dog Has Its Day” isn’t without a touch of playful competitiveness. The song playfully acknowledges the ebb and flow of life, where opportunities come and go. There’s a sense of camaraderie woven into the lyrics, a reminder that everyone gets their shot, and sometimes, a little friendly competition can be a good thing.

More than just a country song, “Every Dog Has Its Day” is a relatable anthem that transcends genre. It resonates with anyone who has ever felt overlooked or underestimated. The song serves as a reminder to believe in yourself, wait for your moment, and seize the opportunity when it arrives. It’s a message of encouragement wrapped in a lighthearted package, making it a perfect singalong for any occasion.Picture background

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Lyrics: Every Dog Has Its Day

I was hangin’ out a last night at the top cat when the band slowed down to Merle
Man I hit it ‘cross the bar room trying to find my baby girl
Some drunk tried to punk me, and ask my baby “do you dance” she said “yes I do, but not with you, I’m waitin’ on my man”See every dog has it’s day dog, when the big dog throws him a bone
One moment in the sunshine when your ducks lined up in a row
Lucky dog get a big ol’ bed, stray dog gets the porch
Every dog has it’s day dog, but today dog just aint yoursWell I flipped her around and I kissed her and she said lets do one more
And we were half way through a two step when he stepped out on the floor
He jerked me back and said “im cuttin’ in, girl lets docee do” she doubled up her fist and caught him right square on the noseEvery dog has it’s day dog, when the big dog throws him a bone
One moment in the sunshine when the ducks line up in a row
Lucky dog gets a big ol’ bed, stray dog gets the porch
Every dog has it’s day dog, but today dog just aint yoursFat dog, skinny dog, little itty bitty dog, hot dog, kurd dog, weenie dog, bird dog, hound dog, cow dog, bow wow wow dog, wonder dog, barkin’ dog, chasing’ parked car dog.Every dog has it’s day dog, when the big dog throws him a bone
One moment in the sunshine, when your ducks line up in a row
Yeah lucky dog gets gets a big ol’ bed, stray dog gets the porch
Every dog has it’s day dog, but today dog just aint yours
Every dog has it’s day dog, but today dog just aint yours

 

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HIS FATHER TOLD HIM TO PUT DOWN THE GUITAR. NASHVILLE FORGOT HIM. TWICE. HE CAME BACK IN A WHEELCHAIR AND STILL WOULDN’T SHUT UP. Vern Gosdin grew up hauling rocks and chopping cotton in Woodland, Alabama. His father tried music once, failed, and forbade his son from ever touching a guitar. Vern left home and never looked back — never saw his father again. He moved to California. Then Chicago. Then Nashville. Two record labels went bankrupt under him. Nobody called. Nobody came looking. So he quit, moved to Georgia, and sold glass for a living. But he kept a guitar in his truck. In the late ’70s, he crawled back to Nashville — older, broker, and angrier than every pretty boy on country radio. He didn’t sound trendy. He sounded like a man who’d been through hell and could prove it. Then he wrote “Chiseled in Stone” and beat every superstar in town for CMA Song of the Year. Tammy Wynette called him “the only singer who can hold a candle to George Jones.” In 1998, a stroke stole his voice. He kept writing from a wheelchair. 101 songs. Still fighting. They called him “The Voice.” Nashville called him too late. Does knowing how many times Vern Gosdin had to start over make “Chiseled in Stone” hit even harder now?

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THEY LOOKED LIKE FOUR OUTLAWS WHO COULD OUTRUN TIME ITSELF. BUT WHEN YOU WATCH THE HIGHWAYMEN SING “BIG RIVER” TODAY, THE EMPTY MICROPHONES BREAK YOUR HEART. Onstage, Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson looked untouchable. Four weathered men, four different wounds, four voices that made country music sound dangerous, honest, and free. When they traded verses on Cash’s “Big River,” it wasn’t just another performance. It was four old brothers chasing the same song down the same river, each one carrying a piece of the road in his voice. Cash brought the thunder. Waylon brought the grit. Kris brought the broken-poet soul. Willie floated above it all with that calm, aching grace only he could carry. Back then, the stage lights made it easy to believe they would always be there. That was the beautiful lie of watching legends stand side by side. But time does what no outlaw ever could: it catches everyone. Today, Cash is gone. Waylon is gone. Kris has crossed the river too. Willie is the only one left, still playing, still standing, still carrying a brotherhood that can never fully gather again. That is why “Big River” feels different now. It is no longer just a song about chasing something you cannot hold. It feels like time itself moving past four men we were not ready to lose. The song remains. But three microphones are empty. Does “Big River” feel heavier now that Willie is the only one left to sing it?

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