SLADE - Celebrate 50 years of Cum On Feel The Noize & Merry Christmas Everybody are back on tour this December 2023! - All About The Rock

About the Song

Few songs embody the unbridled chaos and jubilant energy of the glam rock era like “Mama Weer All Crazee Now” by Slade. Released in 1972 as the lead single from their album Slayed?, the track rocketed to #1 on the UK Singles Chart and became a defining anthem of the band’s career. Written by the unstoppable duo of Noddy Holder and Jim Lea, the song captures the rebellious spirit of rock ‘n’ roll with a fiery passion that still resonates decades later.

From the very first blast of guitar feedback and stomping drumbeat, “Mama Weer All Crazee Now” grabs listeners by the collar and drags them headfirst into a party they’ll never forget. Dave Hill’s crunchy guitar riff sets the stage for a performance brimming with attitude, while Don Powell’s thundering drums provide the propulsive backbone that drives the track forward. The production is loud, raw, and unapologetically raucous—perfectly aligned with Slade’s signature sound.

At the heart of the song is Noddy Holder’s iconic voice, delivering every lyric with a gravelly, almost gleeful ferocity. The chorus is a sing-along masterpiece, designed to unite audiences in a collective shout of carefree rebellion: “So come on feel the noise / Girls grab the boys!” It’s not just a call to action; it’s an invitation to throw caution to the wind and revel in the moment. The playful, intentionally misspelled title adds to the charm, reinforcing Slade’s irreverent approach to rock.

Lyrically, “Mama Weer All Crazee Now” reflects the chaos of life on the road and the euphoric, larger-than-life atmosphere of live performances. The song was inspired by the band’s own experiences of seeing audiences lose themselves in the music, capturing the essence of those unrestrained, joyous moments.

“Mama Weer All Crazee Now” isn’t just a song—it’s an experience. When it was performed live, it had an almost cathartic effect, with crowds chanting along, clapping, and stomping their feet in unison. It’s a track that taps into something primal and universal, a celebration of the wild, untamed side of life.

Decades later, “Mama Weer All Crazee Now” remains a cornerstone of Slade’s legacy and a defining moment in glam rock history. Its influence can be felt far and wide, with artists like Quiet Riot covering the track in the 1980s, introducing it to a whole new generation of rock fans. Whether played on vinyl, blasted through speakers at a party, or sung drunkenly with friends, this song continues to ignite the same sense of fun and freedom it did back in 1972. It’s not just a rock anthem—it’s a declaration of the joy and madness that make life worth living.

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Lyrics: Mama Weer All Crazee Now

I don’t want to drink my whiskey like you do
I don’t need to spend my money but still do[Chorus]
Don’t stop now a c’mon
another drop now c’mon
I wanna lot now so c’mon
That’s right, that’s right
I said Mama but we’re all crazy now
I said Mama but we’re all crazy now
I said Mama but we’re all crazy nowA you told me fool fire water won’t hurt me
A you tease me and all my ladies desert me

[Chorus]

I don’t want to drink my whiskey but still do
I had enough to fill up “H” Hill’s left shoe

[Chorus]

Mama mama mama mama oh yeah…

 

You Missed

For Vince Gill, the memory of singing with Dolly Parton came down to their final note together at the 1995 CMA Awards. Thirty-one years later, on the day she died, he shared that performance again. “We are all crushed here at our house,” he wrote. He called the closing note of their duet one of the most beautiful sounds he had ever heard. Their recording of “I Will Always Love You” began with Dolly’s album *Something Special*. That summer, she revisited three of her classics, including the farewell she had written for Porter Wagoner in 1973. It had already topped the country chart twice in her own voice, and Whitney Houston’s 1992 recording had brought it to listeners worldwide. For this version, Dolly invited Vince to join her. They performed it on the Grand Ole Opry on August 26, 1995, during a TNN broadcast. Radio programmers began playing the duet before Columbia officially issued it as a single. That unsolicited airplay carried it onto Billboard’s country chart at No. 53. On October 4, they sang it again at the CMA Awards. Vince, then 38, was hosting the broadcast at the Grand Ole Opry House. He stepped away from those duties to sing beside the woman who had written the song when he was sixteen. As the performance ended, their voices met on one sustained note. Decades later, that was the moment he singled out. Released as a single that November, the duet reached No. 15, received a Grammy nomination and won the 1996 CMA award for Vocal Event of the Year. But Vince’s remembrance centered on what he had heard standing beside her. Dolly died in Nashville on August 25, 2026, at 80, after a brief battle with cancer. Two days later, Vince appeared at the Midland Theatre in Kansas City. He told the audience how deeply his family was hurting, then began “I Will Always Love You.” This time, he sang it alone. Fan footage captured him struggling with his emotions throughout the performance. When he stepped back to compose himself, people in the audience carried the words. Musicians behind him wiped their eyes. He reached the closing note without Dolly’s voice beside his. After finishing, he moved away from the microphone, placed a hand over his chest and lowered his head.