The Greatest Oldies Music

Oldies Musics Rock

Slade – Mama Weer All Crazee Now

SLADE - Celebrate 50 years of Cum On Feel The Noize & Merry Christmas Everybody are back on tour this December 2023! - All About The Rock

About the Song

Few songs embody the unbridled chaos and jubilant energy of the glam rock era like “Mama Weer All Crazee Now” by Slade. Released in 1972 as the lead single from their album Slayed?, the track rocketed to #1 on the UK Singles Chart and became a defining anthem of the band’s career. Written by the unstoppable duo of Noddy Holder and Jim Lea, the song captures the rebellious spirit of rock ‘n’ roll with a fiery passion that still resonates decades later.

From the very first blast of guitar feedback and stomping drumbeat, “Mama Weer All Crazee Now” grabs listeners by the collar and drags them headfirst into a party they’ll never forget. Dave Hill’s crunchy guitar riff sets the stage for a performance brimming with attitude, while Don Powell’s thundering drums provide the propulsive backbone that drives the track forward. The production is loud, raw, and unapologetically raucous—perfectly aligned with Slade’s signature sound.

At the heart of the song is Noddy Holder’s iconic voice, delivering every lyric with a gravelly, almost gleeful ferocity. The chorus is a sing-along masterpiece, designed to unite audiences in a collective shout of carefree rebellion: “So come on feel the noise / Girls grab the boys!” It’s not just a call to action; it’s an invitation to throw caution to the wind and revel in the moment. The playful, intentionally misspelled title adds to the charm, reinforcing Slade’s irreverent approach to rock.

Lyrically, “Mama Weer All Crazee Now” reflects the chaos of life on the road and the euphoric, larger-than-life atmosphere of live performances. The song was inspired by the band’s own experiences of seeing audiences lose themselves in the music, capturing the essence of those unrestrained, joyous moments.

“Mama Weer All Crazee Now” isn’t just a song—it’s an experience. When it was performed live, it had an almost cathartic effect, with crowds chanting along, clapping, and stomping their feet in unison. It’s a track that taps into something primal and universal, a celebration of the wild, untamed side of life.

Decades later, “Mama Weer All Crazee Now” remains a cornerstone of Slade’s legacy and a defining moment in glam rock history. Its influence can be felt far and wide, with artists like Quiet Riot covering the track in the 1980s, introducing it to a whole new generation of rock fans. Whether played on vinyl, blasted through speakers at a party, or sung drunkenly with friends, this song continues to ignite the same sense of fun and freedom it did back in 1972. It’s not just a rock anthem—it’s a declaration of the joy and madness that make life worth living.

Video 

Lyrics: Mama Weer All Crazee Now

I don’t want to drink my whiskey like you do
I don’t need to spend my money but still do[Chorus]
Don’t stop now a c’mon
another drop now c’mon
I wanna lot now so c’mon
That’s right, that’s right
I said Mama but we’re all crazy now
I said Mama but we’re all crazy now
I said Mama but we’re all crazy nowA you told me fool fire water won’t hurt me
A you tease me and all my ladies desert me

[Chorus]

I don’t want to drink my whiskey but still do
I had enough to fill up “H” Hill’s left shoe

[Chorus]

Mama mama mama mama oh yeah…

 

Related Post

BOB SEGER TRANSFORMED A HUMILIATING MIDNIGHT ENCOUNTER AT A WISCONSIN TRUCK STOP INTO “TURN THE PAGE,” AN IMMORTAL ANTHEM CAPTURING THE GRIMY, UNGLAMOROUS REALITY OF LIFE ON THE HIGHWAY. Driving through the Midwest in the early hours of the morning years before his massive arena breakthrough, a long-haired Bob Seger and his band stopped for a late-night meal only to face vicious mockery from locals who hurled insults and called them “girls.” Choosing to swallow their pride and walk away rather than risk a fight that could derail their tour, Seger retreated the next night to a cheap Holiday Inn bathroom with an acoustic guitar. Channeling that raw sting of humiliation alongside the crushing exhaustion of endless highways, strange motels, and homesick miles, he birthed a masterpiece. Though originally recorded for Back in ’72, the haunting road-weary classic exploded into legendary status through his 1976 Live Bullet album, proving that the most enduring songs are often born from moments when walking away is the hardest thing a musician can do.

There is something deeply bittersweet about imagining Elvis Presley singing “I Will Always Love You.” Dolly Parton later recalled that Elvis loved the song and wanted to record it, an opportunity that thrilled her. She admired Elvis enormously, and the thought of hearing one of the world’s most recognizable voices sing words she had written was overwhelming. But before the recording could happen, Colonel Tom Parker’s business terms changed everything. According to Dolly, Parker required a substantial share of the song’s publishing rights. For a songwriter who had fought to own her work, that was something she simply could not surrender.

There was something unusual about Elvis Presley’s beauty that photographs never completely explained. His dark hair, blue eyes, strong features, and famous smile were obvious, but people who encountered him in person often remembered something harder to describe. His face seemed to change with his emotions. When he laughed, the superstar disappeared and something almost boyish appeared. When he became quiet, his eyes could suddenly look distant and vulnerable. Elvis was striking not because his face was always perfect, but because it was extraordinarily expressive.

You Missed

Country

TOBY KEITH QUIETLY SLIPPED BEHIND THE STAGE AFTER A USO SHOW TO LEAVE AN UNMARKED ENVELOPE CONTAINING A LIFE-CHANGING CHECK FOR THE FAMILY OF A FALLEN SOLDIER, DEMONSTRATING A DEEP GENEROSITY THAT HE NEVER ONCE SPOKE ABOUT PUBLICLY. Far away from the roaring crowds, bright lights, and patriotic anthems that defined his legendary career, Toby Keith maintained a fierce commitment to honoring military families away from the cameras. When a backstage inquiry revealed a soldier who never made it back, he bypassed public gestures entirely, leaving a substantial, anonymous check to ensure a grieving family was taken care of without ever seeking praise or recognition. Reflecting a life built on grit, authenticity, and profound quiet respect for those who served, the untold story captures the true measure of an American icon who used his platform not to be seen, but to notice who was missing and quietly make things right.

Country

Fifty thousand voices filled the arena as a single red solo cup rested quietly on a stool beside an empty microphone stand. Jason Aldean stepped out onto the stage while the familiar opening notes of “Should’ve Been a Cowboy” echoed through the crowd. A brief hush fell over the audience as folks waited for a voice they knew wouldn’t sound. Then that massive sea of people simply took over the singing. They carried every verse, lifted the chorus high, and turned the quiet air into something truly breathing. Aldean kept completely silent, holding his red cup up toward the heavens in a gesture that spoke louder than any spoken words. Midway through the song, the concert stopped feeling like a regular ticketed show. It felt more like a family gathering, with one vacant spot reminding everybody who was gone. Through the power of those everyday folks singing out loud, it almost felt like Toby Keith had walked right back on stage.

Country

Dolly Parton turned a simple handmade coat into one of the most powerful songs of her life because to her, it was never really about the fabric. “Coat of Many Colors” sprang directly from Dolly’s growing-up years in East Tennessee. Her mother, Avie Lee, pieced the jacket together by sewing colorful rags the family already owned. Cash was mighty tight, so there was no running down to the store for brand-new clothes. Instead, Avie Lee took what was on hand and stitched together something warm for her little girl to wear. While the needle flew, she shared the Bible story of Joseph and his coat of many colors, turning an ordinary piece of clothing into something special in Dolly’s eyes. Proudly wearing that coat to school, Dolly felt rich, but the other kids saw it differently. They laughed at the patches and teased her for having so little. Years down the road, Dolly penned those childhood memories into “Coat of Many Colors.” Released in 1971, the tune became a shining example of why her songwriting touched so many souls. She never tried to hide hard times or dress up her youth to look prettier than it was. She simply laid the sting of teasing side-by-side with the deep love that stitched the coat together, letting that honest truth speak for itself. The song eventually grew far beyond that original vinyl record. Its spirit inspired the 2015 television movie Dolly Parton’s Coat of Many Colors, followed by Christmas of Many Colors: Circle of Love the very next year. Those films opened a window into Dolly’s mountain home, introducing folks to the hardworking parents and siblings who shaped her long before the bright lights found her. By then, Dolly had worn glittering stage gowns worth more than her family could ever have dreamed. Yet the garment folks remember best remains that humble little coat stitched by a mother’s loving hands when buying something new simply wasn’t in the cards. That is why the memory stayed alive. The scraps faded away, but the lesson underneath never did.

Oldies Musics Rock

BOB SEGER TRANSFORMED A HUMILIATING MIDNIGHT ENCOUNTER AT A WISCONSIN TRUCK STOP INTO “TURN THE PAGE,” AN IMMORTAL ANTHEM CAPTURING THE GRIMY, UNGLAMOROUS REALITY OF LIFE ON THE HIGHWAY. Driving through the Midwest in the early hours of the morning years before his massive arena breakthrough, a long-haired Bob Seger and his band stopped for a late-night meal only to face vicious mockery from locals who hurled insults and called them “girls.” Choosing to swallow their pride and walk away rather than risk a fight that could derail their tour, Seger retreated the next night to a cheap Holiday Inn bathroom with an acoustic guitar. Channeling that raw sting of humiliation alongside the crushing exhaustion of endless highways, strange motels, and homesick miles, he birthed a masterpiece. Though originally recorded for Back in ’72, the haunting road-weary classic exploded into legendary status through his 1976 Live Bullet album, proving that the most enduring songs are often born from moments when walking away is the hardest thing a musician can do.