Rod Stewart is gearing up for an epic return to the Glastonbury Festival this weekend, marking a historic moment as he becomes the first artist to headline the event twice – once back in 2002 and now, years later, in the legendary “Legend’s Slot.” At 79, the rock icon promises a 75-minute set packed with his most beloved classics and surprise guest appearances.

But while fans are buzzing with excitement, Stewart made a shocking revelation in a recent BBC interview: he doesn’t remember a single thing about his original 2002 performance at Worthy Farm. “I don’t remember a thing,” he confessed, admitting that after years of touring, his past concerts have blurred into one continuous show. Despite the fact that his 2002 headlining set is considered one of the festival’s most memorable moments, Stewart’s own recollection is completely gone.

This candid admission adds a humbling layer to his larger-than-life persona. As he prepares for his 2024 slot, fans are reminded that even rock legends are not immune to the effects of time.Rod Stewart says Britain should 'give Farage a chance' - LBC

The “Tea Time” Slot and Stewart’s Surprising Honesty

When asked about his 2002 headlining gig, Stewart’s response was blunt: “I don’t remember a thing.” Performing alongside Coldplay and Stereophonics, the legendary rocker admitted that the sheer number of shows he’s played over the years has caused all his concerts to blur together. It’s a rare, unguarded glimpse into a life spent under the spotlight.

In the same interview, Stewart also took issue with the term “tea time slot” for his upcoming 2024 performance. “That sounds like pipe and slippers, doesn’t it?” he quipped. While the “Legend’s Slot” is highly revered, Stewart’s comments reveal he’s not exactly thrilled with the outdated branding.

Even with the memory loss and the “tea time” jabs, Stewart is still fully committed to delivering an unforgettable show. He acknowledged the shorter set time of 75 minutes (compared to his usual two-hour sets) and hinted that some fan favorites might be cut. “I’m not gonna make any announcements between songs,” he joked. “I’ll do one number, shout ‘next’, and go straight into the next one.”Rod Stewart makes heartbreaking confession about ex-wife | Celebrity News | Showbiz & TV | Express.co.uk

Surprise Guests and Stewart’s “Cup Final” Mindset

Stewart isn’t going solo for this performance. In a recent Radio Times interview, he teased that three surprise guests would join him onstage. While he’s keeping most of their names under wraps, he did confirm that Ronnie Wood, his longtime bandmate from the Faces, would be among them.

With such a star-studded lineup, Stewart is bringing extra energy to the stage. Comparing his Glastonbury performance to a “cup final” in football, Stewart acknowledged the pressure and excitement that comes with playing at such a prestigious event. “You’re trying to treat it like another game. But, of course, it’s not. It’s special,” he said.

Scheduled for 3:45pm on June 28th, Stewart’s performance is already one of the festival’s most anticipated events. Whether or not he remembers every moment, he’s determined to make this Glastonbury appearance one to remember for years to come.

Video

You Missed

HE BUILT A BILLION-DOLLAR LEGACY ON SHEER RED WHITE AND BLUE DEFIANCE, YET HIS FINAL ACT WAS PROVING THAT A TRUE COWBOY FACES THE DARKEST HORIZON WITH A SMILE ON HIS FACE. Toby Keith never asked for the industry’s permission, and he certainly never asked for your pity. For over thirty years, he operated as country music’s ultimate independent force—writing anthems for the blue-collar backbone of America, bringing his guitar to war zones where others wouldn’t dare tread, and thumbing his nose at Nashville executives whenever they tried to hand him a rulebook. He was larger than life, a towering figure whose swagger matched his catalog of chart-topping hits. But when stomach cancer ambushed him in 2021, it stripped away his physical strength, setting the stage for a battle that would test the core of everything he stood for. Yet, true to form, Toby refused to let the disease author his final chapter. When he stepped onto a Las Vegas stage in December 2023 for three triumphant, sold-out performances, he was fighting a losing war in his own body, but his spirit remained entirely unbowed. Flashing that trademark, unapologetic grin, he sang for a crowd that watched a legend make peace with his legacy in real-time. When he passed away on February 5, 2024, at just 62 years old, he didn’t leave behind a tragedy—he left behind a masterclass in grit. He reminded millions that while life might corner you at the end, a man with steel in his spine and a song in his throat gets to decide how he meets the curtain call.

HE RECORDED IT AS A PRIVATE PRAYER FOR THE TROOPS IN THE DIRT, NEVER WANTING IT TO TOUCH A RADIO—YET TWENTY-FOUR YEARS LATER, LONG AFTER HE LAID DOWN HIS GUITAR, THAT EXACT ANTHEM SHATTERED EVERY CHART RECORD HE EVER SET. When Toby Keith wrote “Courtesy of the Red, White and Blue (The Angry American)” in the aftermath of September 11, he never intended it for commercial radio play or Billboard positioning. It was born as a raw, visceral tribute meant exclusively for the men and women serving overseas, a private salute to soldiers in the field. Music executives had to twist his arm just to get it onto an album, fearing its uncompromising fury was too explosive for mainstream airwaves. Yet, the nation heard it loud and clear, turning a song he almost kept locked away into a defining cultural touchstone of the post-9/11 era. Even so, the most astonishing chapter of the song’s life didn’t unfold until long after the smoke cleared. Following America’s milestone 250th birthday celebrations, the track surged back onto the Billboard Hot 100 with a vengeance, rocketing all the way to No. 11—obliterating the peak of “Red Solo Cup” and smashing its original 2002 high of No. 25. Pulling in a staggering 15.3 million official streams in a single week to capture No. 2 on both Streaming Songs and Digital Song Sales, the anthem proved that true defiance doesn’t have an expiration date. Toby wasn’t around to witness the milestone, but the resurgence offered a poignant, thunderous truth: a song written for the heart of America will always find its way back home, singing just as fiercely with a crowd that refuses to let the music die.

THEY SPENT DECADES IGNITING RUMORS ACROSS STAGES WORLDWIDE, YET THE TRUE MAGIC OF THEIR BOND LIVED IN THE STOIC RESTRAINT THAT KEPT THEM PLATONIC, TIMELESS, AND COMPLETELY UNTOUCHED BY ORDINARY HEARTBREAK. For over thirty years, Kenny Rogers and Dolly Parton navigated a relentless wave of public speculation that asked the same question over and over: how could two people sing about romance with that much electric chemistry and never actually cross the line? When “Islands in the Stream” rocketed to the top of the charts in 1983, fans were certain a real-life romance was hiding behind the melody. But both artists understood a fundamental law of artistic survival: crossing that line would have broken the spell. By keeping their connection strictly platonic, they preserved a tension that made every single performance crackle with an authenticity most real-life couples couldn’t sustain. Their final duet, “You Can’t Make Old Friends,” became an accidental eulogy for a partnership defined by mutual respect and razor-sharp wit—best captured by Dolly bluntly warning Kenny that she simply couldn’t bear to sing at his funeral. When Kenny passed away in March 2020, Dolly didn’t offer a polished musical tribute right away; she sat in front of a camera with a photograph and a shattered heart, proving that her grief was entirely human. They never married, they never fell into the messy trap of a breakup, and in doing so, they protected something much rarer. They built a friendship that outlasted the trends, the gossip, and eventually, life itself—proving that sometimes the most enduring love story is the one you deliberately choose not to risk.