Introduction

Teena Marie’s “Lovergirl” is more than just a song; it’s an iconic R&B masterpiece that has stood the test of time. This legendary track, released in 1984, continues to captivate listeners with its sensual melodies and Teena Marie’s soulful voice. In this article, we’ll delve into the enchanting world of “Lovergirl” and also uncover fascinating facts about the artist herself.Remembering Teena Marie Today on What Would Have Been Her 67th Birthday  (Born 3/5/56)

Did You Know?

1. The Ivory Queen of Soul: Teena Marie, born Mary Christine Brockert, earned the title “The Ivory Queen of Soul” for her remarkable vocal talent and contributions to the R&B genre.

2. Musical Prodigy: Teena Marie was a multi-instrumentalist, proficient in playing the guitar, keyboards, and congas, showcasing her diverse musical abilities.

3. Iconic Collaboration: She collaborated with the legendary Rick James, producing chart-topping hits like “Fire and Desire” and “I’m a Sucker for Your Love.”

4. Breaking Barriers: Teena Marie was one of the first white artists to sign with Motown Records, breaking racial barriers in the music industry.

5. “Lovergirl” Legacy: “Lovergirl” became one of Teena Marie’s signature songs, known for its infectious rhythm and unforgettable lyrics.Teena Marie

Video

Lyrics: Lovergirl 

[Intro]
Hee…

Shoop-de-bop
Funky pops

[Verse 1]
Coffee, tea or me, baby, touché au lait
My opening line might be a bit passé, yes
But don’t think that I don’t know what I’m feeling for you
‘Cause I got a vibe on you the first time that I saw you, saw you

[Pre-Chorus]
I need your love and I won’t bring no pain
A little birdie told me that you feel the same
I’m for the real and for you I’m true blue
Let’s make a deal, sugar, all I wanna do is be your one and only lover

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey

[Verse 2]
Hook, line and sinker baby, that’s how you caught me
My second verse might be a bit old hat
But don’t think that I don’t know what it’s doing to me
‘Cause I got a vibe on you the first time you saw through me, through me

[Pre-Chorus]
I need your love and I won’t bring no pain
A little birdie told me that you feel the same
I’m for the real and for you I’m true blue
Let’s make a deal, sugar, all I wanna do is be your one and only lover

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey, hey

[Instrumental Break]

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey

[Instrumental Break]

[Bridge]
Baby, let me groove you
Let me groove into your love
I just want to be your lovergirl
Let me prove it to you
Baby, let me rock your world
I just want to rock your world
Coffee, tea or me, baby, touché au lait
My opening line might be a bit passé
But don’t think that I don’t know what I’m feeling for you
‘Cause I got a vibe on you the first time that I saw you, whoa-oh

[Outro]
When the push comes to shove
And you need a little love
Let me put some rock into your world
Call me up, don’t be shy
For my love will make you high
I just wanna be your lovergirl

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.