Introduction

Teena Marie’s “Lovergirl” is more than just a song; it’s an iconic R&B masterpiece that has stood the test of time. This legendary track, released in 1984, continues to captivate listeners with its sensual melodies and Teena Marie’s soulful voice. In this article, we’ll delve into the enchanting world of “Lovergirl” and also uncover fascinating facts about the artist herself.Remembering Teena Marie Today on What Would Have Been Her 67th Birthday  (Born 3/5/56)

Did You Know?

1. The Ivory Queen of Soul: Teena Marie, born Mary Christine Brockert, earned the title “The Ivory Queen of Soul” for her remarkable vocal talent and contributions to the R&B genre.

2. Musical Prodigy: Teena Marie was a multi-instrumentalist, proficient in playing the guitar, keyboards, and congas, showcasing her diverse musical abilities.

3. Iconic Collaboration: She collaborated with the legendary Rick James, producing chart-topping hits like “Fire and Desire” and “I’m a Sucker for Your Love.”

4. Breaking Barriers: Teena Marie was one of the first white artists to sign with Motown Records, breaking racial barriers in the music industry.

5. “Lovergirl” Legacy: “Lovergirl” became one of Teena Marie’s signature songs, known for its infectious rhythm and unforgettable lyrics.Teena Marie

Video

Lyrics: Lovergirl 

[Intro]
Hee…

Shoop-de-bop
Funky pops

[Verse 1]
Coffee, tea or me, baby, touché au lait
My opening line might be a bit passé, yes
But don’t think that I don’t know what I’m feeling for you
‘Cause I got a vibe on you the first time that I saw you, saw you

[Pre-Chorus]
I need your love and I won’t bring no pain
A little birdie told me that you feel the same
I’m for the real and for you I’m true blue
Let’s make a deal, sugar, all I wanna do is be your one and only lover

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey

[Verse 2]
Hook, line and sinker baby, that’s how you caught me
My second verse might be a bit old hat
But don’t think that I don’t know what it’s doing to me
‘Cause I got a vibe on you the first time you saw through me, through me

[Pre-Chorus]
I need your love and I won’t bring no pain
A little birdie told me that you feel the same
I’m for the real and for you I’m true blue
Let’s make a deal, sugar, all I wanna do is be your one and only lover

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey, hey

[Instrumental Break]

[Chorus]
I just want to be your lovergirl
I just want to rock your world
Hey, hey, hey

[Instrumental Break]

[Bridge]
Baby, let me groove you
Let me groove into your love
I just want to be your lovergirl
Let me prove it to you
Baby, let me rock your world
I just want to rock your world
Coffee, tea or me, baby, touché au lait
My opening line might be a bit passé
But don’t think that I don’t know what I’m feeling for you
‘Cause I got a vibe on you the first time that I saw you, whoa-oh

[Outro]
When the push comes to shove
And you need a little love
Let me put some rock into your world
Call me up, don’t be shy
For my love will make you high
I just wanna be your lovergirl

You Missed

“I JUST WANT TO SING IT THE WAY I ALWAYS HAVE.” That’s what Toby Keith said. No dramatic pause. No swelling music behind the statement. Just a simple sentence delivered the way he delivered everything else in his life — straight and unpolished. And somehow, that simplicity made the room feel heavier than any grand farewell ever could. This final night wasn’t built around spectacle. There were no fireworks designed to distract from reality, no desperate swing for nostalgia. What filled the air instead was something steadier — grit. The kind that comes from songs that rode shotgun through people’s hardest seasons, songs that were there when nothing else quite knew what to say. You could hear the difference in the pauses. See it in the way the audience didn’t rush to clap, as if they were afraid to interrupt something sacred. Every lyric landed slower, deeper, not because he sang it differently, but because time had added weight to every word. These weren’t just melodies anymore. They were years. Memories. Battles fought quietly. It didn’t feel like a goodbye wrapped in sorrow. It felt like a man standing exactly where he had always stood — not retreating, not reinventing himself to soften the moment. Just singing it straight. Letting the songs do the heavy lifting. Trusting them to say the things he never needed to spell out. And maybe that was the most Toby Keith thing of all. No grand exit. No final speech. Just the music — steady, honest, and strong enough to carry everything.