During the early days of Terri Clark’s Nashville career, a meeting in an agent’s office turned into a story that Terri Clark and John Anderson would remember whenever their paths crossed.

Bobby Roberts, John Anderson’s agent, had invited Terri Clark to the office. Terri Clark happened to have a guitar along and began singing “Swingin’,” copying the distinctive voice that  country fans knew immediately.

Bobby Roberts picked up the telephone, called John Anderson, and let John Anderson listen while Terri Clark continued singing.

According to Terri Clark’s recollection, John Anderson laughed so hard that the incident became a recurring joke between the two artists. Whenever Terri Clark and John Anderson met afterward, the story came up again.

A country fan looking for a place to sing

Long before that memory became part of a tribute, Terri Clark had arrived in Nashville with the enthusiasm of a young  country music fan.

In a 2010 interview with My Kind of Country, Terri Clark recalled visiting Tootsie’s Orchid Lounge during the first week in town. Terri Clark was 18 and had gone inside with a mother and a friend. Having read about the country music landmark beforehand, Terri Clark wanted to see the place in person.

There were very few people inside. Terri Clark asked the musician performing there for a chance to sing a few songs. The musician agreed.

As Terri Clark performed, people began coming through the open door. Management noticed, and the visit led to a job paying $15 a day plus tips.

That modest beginning gives the later telephone story some of its warmth. Terri Clark’s affection for country music had already become part of the daily work of earning a living.

The voices that helped bring people through the door

An early biographical account records that Terri Clark’s Tootsie’s performances included impressions of John Conlee, John Anderson, and George Jones. Those recognizable voices helped attract listeners from the street.

The impressions were one part of a much longer apprenticeship. Terri Clark also worked in a boot store and waited tables while pursuing music. A Mercury Records contract followed in 1994, with a debut album arriving in 1995.

Success brought Terri Clark an audience for original recordings, but the impressions remained part of the live performances.

Writing in 2010, interviewer J.R. Journey remembered hearing Terri Clark imitate John Anderson at an Ohio fair in 2003. Another concert review, covering a November 3, 2021, performance at The Birchmere with Pam Tillis and Suzy Bogguss, specifically noted Terri Clark’s rendition of “Swingin’” in John Anderson’s style.

Those accounts place the impression in Terri Clark’s shows across many years. Audiences who discovered Terri Clark through radio hits could also hear a little of the country fan who had first walked into Tootsie’s.

A memory worth keeping

In the tribute reported by Everything Nash, Terri Clark described John Anderson as a childhood hero and remembered imitating John Anderson while playing for tips. Terri Clark also shared the office telephone story and said the impressions still occasionally appeared in performances.

For listeners, an impression offers the pleasure of recognizing a familiar voice. This particular memory offers something more personal: John Anderson getting to hear that affectionate imitation and enjoying the moment enough to keep bringing it up.

Terri Clark closed the tribute with a few simple words:

“We’ll miss you, John. Nobody’s gonna fill those shoes.”

You Missed

Roy Orbison’s voice had made loneliness familiar to millions. Then, within two years, he lost his wife and two of their children. Claudette died in a motorcycle accident in June 1966. Left with three young sons, Orbison continued working while trying to care for his family. His career was already losing the momentum of “Only the Lonely,” “Crying,” and “Oh, Pretty Woman.” In 1968, while he was touring England, a fire destroyed his home near Nashville. Ten-year-old Roy Dewayne and six-year-old Anthony died. His youngest son, Wesley, survived. Orbison kept performing, particularly overseas, where audiences continued to welcome him as a major star. He later acknowledged that work helped him endure the grief. At home in America, his visibility diminished. He wrote less, and rebuilding a private life took precedence over pursuing another chart success. His return gathered strength in the 1980s. Bruce Springsteen, George Harrison, Tom Petty, and Bono were among the younger musicians who openly celebrated his influence. Television appearances introduced him to new listeners, and the Traveling Wilburys placed him alongside artists who admired him. He also completed *Mystery Girl* before dying of a heart attack in 1988, aged fifty-two. The dark glasses and extraordinary voice became enduring images of rock history. Behind them was a father and husband who had continued living and working through devastating losses. His songs had given heartbreak a sound long before listeners understood how much of it he carried himself.

Phil Kaufman believed he owed Gram Parsons one final trip to Joshua Tree. Keeping that promise led him to steal his friend’s coffin from Los Angeles International Airport. Parsons died of an overdose at the Joshua Tree Inn on September 19, 1973. He was twenty-six. His work had helped establish country rock, influencing musicians including Emmylou Harris and the Eagles, but his brief career ended in a desert town he had visited repeatedly. His family planned to fly his body east for burial. Kaufman, his road manager, remembered a different arrangement: he and Parsons had agreed that whoever died first would be cremated at Joshua Tree. With a borrowed hearse and a friend’s assistance, Kaufman persuaded airline employees that the funeral plans had changed. They collected the coffin, bought five gallons of gasoline and a case of beer, and headed into the desert. Near Cap Rock, Kaufman soaked the coffin with gasoline and ignited it. The attempt fell far short of a cremation. The fire left Parsons’ body partially burned, and authorities recovered his remains the following morning. Kaufman and his accomplice were arrested. California reportedly had no statute specifically covering the theft of a corpse, so the penalties concerned the stolen and destroyed coffin. Parsons’ remains were ultimately buried in Louisiana. The desert nevertheless became central to how fans remembered him. Decades later, visitors continued leaving flowers, guitar picks, and handwritten messages near Cap Rock. What Kaufman regarded as honoring his friend’s wishes became an extraordinary—and deeply troubling—chapter in Parsons’ story. His burial took place elsewhere, but the failed farewell bound his memory to Joshua Tree.