David Cassidy Dead: 'Partridge Family' Star Was 67

About the Song

“I Woke Up in Love This Morning” by David Cassidy and The Partridge Family is a vibrant, feel-good pop hit that perfectly captures the excitement of young love. Released in 1971 as a single from the album Sound Magazine, the song became a fan favorite, reaching No. 13 on the Billboard Hot 100. With its upbeat tempo, catchy melody, and David Cassidy’s effortlessly charming vocals, this track remains one of the most beloved songs from The Partridge Family era.

The lyrics tell a simple yet universal story—waking up in the morning, feeling overwhelmed with love, and cherishing the happiness that comes with it. Lines like “Last night, I closed my eyes and saw you in my dreams. Now I’m so glad I was dreaming” perfectly capture the joy of being in love, even when it feels almost too good to be true. The song radiates warmth and positivity, making it impossible not to smile while listening.

Musically, “I Woke Up in Love This Morning” blends pop and light rock, featuring an infectious groove, bright instrumentation, and a driving rhythm that makes it instantly memorable. The layered harmonies and polished production, hallmarks of The Partridge Family’s sound, add to its timeless appeal. However, it’s David Cassidy’s dynamic and expressive vocal performance that truly elevates the song. His voice effortlessly conveys the thrill of love, making every lyric feel genuine and heartfelt.

This song became a staple of The Partridge Family’s legacy, standing out as one of their most enduring hits. It remains a nostalgic gem for fans who grew up watching the show and listening to their music, bringing back memories of a time when pop songs were filled with optimism and romance.

Even decades later, “I Woke Up in Love This Morning” still feels fresh and uplifting. It’s a reminder of the golden era of ’70s pop, when melodies were irresistible, and love songs truly made you feel something.Why The Monkees' Songwriter Wrote So Many Songs for The Partridge Family

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Lyrics: I Woke Up In Love This Morning

Last night, I turned out the light, lay down and thought about you
I thought about the way that it could be
Two o’clock, wonderin’ what I’m doin’ here alone without you
So I close my eyes and dream you here to me and…I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mind
I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mindHello, girl, yes it’s five o’clock I know but you just listen
There’s something that I’ve got to let you know
This is you, this pillow that I’m huggin’ and I’m kissin’
And one more thing before I let you go…I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mind
I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mindDo dreams come true, well if they do, I’ll have you
Not just for a night, but for my whole life through

I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mind
I woke up in love this morning
I woke up in love this morning
Went to sleep with you on my mind

You Missed

SHE HAD BEEN SINGING MOUNTAIN MUSIC SINCE BEFORE BLUEGRASS EVEN HAD A NAME. THEN, AT 80, WILMA LEE COOPER COLLAPSED ON THE OPRY STAGE WITH THE SONG STILL IN HER THROAT. Wilma Lee Cooper came out of Valley Head, West Virginia, where music was not something you studied in a conservatory. It was family. Church. Radio. Coal-country evenings. Her father worked in the mines. Her mother played pump organ. Wilma started singing when she was five, then sang with her family gospel group before she ever became part of country music history. She met Stoney Cooper in the early 1940s. He played fiddle. She sang and played guitar. Together they built a sound that sat between mountain gospel, old-time string band music, and the country music that had not yet decided how polished it wanted to become. They did not wait for genre labels. They drove. They broadcast. They played wherever people would listen. The roads were part of the act. Their daughter Carol Lee sometimes slept in the car under the upright bass while Wilma and Stoney went from show to show. They raised a family while keeping a band alive. They recorded songs like “Big Midnight Special,” “There’s a Big Wheel,” and “Wreck on the Highway.” By 1957, they had joined the Grand Ole Opry. The Smithsonian later called Wilma Lee the “First Lady of Bluegrass.” But that title came after decades of work. It came after she and Stoney had already spent years carrying the mountain sound through a country business that was moving toward smoother voices and cleaner suits. Then Stoney died in 1977. Wilma Lee did not leave with him. She stayed with the Opry. She kept leading the Clinch Mountain Clan. The old mountain voice remained onstage, older now but still carrying the same hard edge. She had already sung for more than sixty years by the time she walked onto the Ryman Auditorium stage on February 24, 2001. She was eighty. During that performance, Wilma Lee suffered a stroke. The career ended there. Not in a retirement announcement. Not in a farewell special. Onstage, in the place where she had kept the old sound alive for generations. The illness affected her speech and voice, and doctors doubted she would walk again. But Wilma Lee did return once more. In 2010, at the reopening of the Opry House after the Nashville flood, she came back for a group sing-along. Not to reclaim the old career. Not to prove anything. Just to stand in the room one more time and thank the people who had carried her. For most of her life, Wilma Lee Cooper sang as if the mountain had come down from West Virginia and entered the microphone. Her last great silence came on the same stage where she had spent decades refusing to let that mountain disappear.