The Greatest Oldies Music

Oldies Musics Rock

Making Love Out of Nothing At All – Air Supply

Air Supply - Making Love Out of Nothing at All - Arista (45RPM) (7 Inch)(RC322)

About the Song 

Ah, soft rock wouldn’t be the same without Air Supply’s “Making Love Out of Nothing At All.” Released in 1983, this quintessential ballad became an instant classic, topping charts worldwide and solidifying Air Supply’s place in pop music history. But what exactly makes this song so enduring?

“Making Love Out of Nothing At All” is more than just a love song. It’s a testament to the power of connection, the ability to forge intimacy even in the face of uncertainty. The lyrics, penned by Jim Steinman, explore a complex web of emotions. The singer acknowledges his flaws and vulnerabilities – he knows how to “fake it” and “scheme,” but he also knows “just where to touch you.” This vulnerability creates a sense of authenticity that resonates with listeners.

The song’s melody, a perfect blend of soft rock and pop sensibilities, complements the lyrics beautifully. The gentle piano intro sets the mood, and Russell Hitchcock’s soaring vocals take center stage, conveying both passion and tenderness. The arrangement, with its subtle strings and driving percussion, builds to a powerful climax before returning to a sense of quiet intimacy.

“Making Love Out of Nothing At All” isn’t without its complexities. The line “I’m never gonna tell you everything I’ve got to tell you” adds a touch of ambiguity, leaving listeners to ponder the nature of the relationship and the unspoken truths between the lovers. However, this ambiguity also contributes to the song’s enduring appeal. It allows listeners to project their own experiences and emotions onto the narrative, making it a deeply personal experience.

The enduring popularity of “Making Love Out of Nothing At All” is a testament to its ability to capture the essence of love and connection. It’s a song that reminds us of the beauty and fragility of human relationships, the power of vulnerability, and the magic that can be created when two souls come together.Air Supply - Album by Air Supply | Spotify

Video 

Lyrics: Making Love Out of Nothing At All

I know just how to whisper
And I know just how to cry
I know just where to find the answers
And I know just how to lieI know just how to fake it
And I know just how to scheme
I know just when to face the truth
And then I know just when to dreamAnd I know just where to touch you
And I know just what to prove
I know when to pull you closer
And I know when to let you loose

And I know the night is fading
And I know the time’s gonna fly
And I’m never gonna tell you everything I gotta tell you
But I know I gotta give it a try

And I know the roads to riches
And I know the ways to fame
I know all the rules and then I know how to break ’em
And I always know the name of the game

But I don’t know how to leave you
And I’ll never let you fall
And I don’t know how you do it
Making love out of nothing at all

(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love)
Out of nothing at all
(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love) Out of nothing at all

Every time I see you all the rays of the sun are all
Streaming through the waves in your hair
And every star in the sky is taking aim at your eyes
Like a spotlight

The beating of my heart is a drum and it’s lost
And it’s looking for a rhythm like you
You can take the darkness from the pit of the night
And turn it to a beacon burning endlessly bright

I’ve gotta follow it cause everything I know
Well it’s nothing till I give it to you

I can make the runner stumble
I can make the final block
And I can make every tackle at the sound of the whistle
I can make all the stadiums rock

I can make tonight forever
Or I can make it disappear by the dawn
And I can make you every promise that has ever been made
And I can make all your demons be gone

But I’m never gonna make it without you
Do you really wanna see me crawl
And I’m never gonna make it like you do
Making love out of nothing at all

(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love) Out of nothing at all
(Making love, love)

Out of nothing at all (Making love)
Out of nothing at all (Making love)
Out of nothing at all (Making love, love)

Out of nothing at all (Making love)
Out of nothing at all (Making love)
Out of nothing at all (Making love, love, love)

 

Related Post

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?

“I DON’T WANT TO DISAPPEAR” — AT 67, RANDY TRAVIS JUST REMINDED COUNTRY MUSIC THAT SOME VOICES NEVER REALLY LEAVE. Most singers would have walked away after what Randy Travis survived. A 2013 stroke changed his speech, weakened his body, and left fans wondering if the voice behind “Forever and Ever, Amen” would ever stand near a stage again. But Randy Travis never treated silence like the end. Now, with the More Life Tour, he sits beside his original band while James Dupré carries the songs Randy Travis made immortal — and somehow, the room still feels like Randy Travis is singing every word. No big speech. No dramatic promise. Just that quiet smile, the same faith, and a man who refuses to let country music remember him only in the past. But what really happened after his voice went quiet… and why “More Life” means more than a tour name?

HER MOTHER SEWED EVERY COSTUME BY HAND. HER DAUGHTER WAS ONLY 5 WHEN THE PLANE WENT DOWN. In 1962, Patsy Cline walked into a tiny lounge at The Mint Casino in Las Vegas. No big-name backup. No fancy production. Just her voice and a room full of strangers who didn’t know what was about to hit them. She headlined for 35 STRAIGHT NIGHTS. Four shows a night. Nearly eight hours on stage every single day. The first few nights, she had laryngitis so bad she had to lip sync her own records. But she kept showing up. She always kept showing up. Her mother Hilda was right there with her — the same woman who had sewn every one of Patsy’s stage dresses by hand. Every stitch, every rhinestone, every hem carried something words can’t explain. A mother’s quiet belief that her daughter belonged under those lights. A casino worker named Gordon never even saw Patsy’s face — he only heard her voice drifting through the walls from his shift in the cage. He was 98 years old when he finally told someone about it. And the memory still shook him. Patsy went home to Tennessee. Bought a house with the money from that Vegas run. Three months later, the plane went down. She was 30. But the people who were in that room for those 35 nights? They say one performance changed everything — a night when every glass went still, every voice went quiet, and Patsy Cline proved something the music world wasn’t ready to hear…

You Missed

Country

“HE BUILT A HOUSE FOR KIDS WITH CANCER LONG BEFORE CANCER CAME FOR HIM. The world knew Toby Keith as the guy with 33 No.1 hits and stadiums full of screaming fans. But quietly, away from the spotlight, he built OK Kids Korral — a place for children fighting cancer. He stood in desert heat through 16 USO tours, singing for 250,000 soldiers who just needed a piece of home. Then cancer found him. September 2023. He walked onto the People’s Choice stage looking thin but steady. Joked about fitting into “”skinny jeans”” now. Then he sang “”Don’t Let the Old Man In”” — and the room went dead silent. His wife Tricia wiped her eyes. Nobody moved. 😢 Toby never measured his life by the applause he got. He measured it by the strength he gave away. What happened in the final moments of that performance still stays with everyone who was in that room…”

Country Oldies Musics

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?

Country Oldies Musics

“I DON’T WANT TO DISAPPEAR” — AT 67, RANDY TRAVIS JUST REMINDED COUNTRY MUSIC THAT SOME VOICES NEVER REALLY LEAVE. Most singers would have walked away after what Randy Travis survived. A 2013 stroke changed his speech, weakened his body, and left fans wondering if the voice behind “Forever and Ever, Amen” would ever stand near a stage again. But Randy Travis never treated silence like the end. Now, with the More Life Tour, he sits beside his original band while James Dupré carries the songs Randy Travis made immortal — and somehow, the room still feels like Randy Travis is singing every word. No big speech. No dramatic promise. Just that quiet smile, the same faith, and a man who refuses to let country music remember him only in the past. But what really happened after his voice went quiet… and why “More Life” means more than a tour name?

Country Oldies Musics

HER MOTHER SEWED EVERY COSTUME BY HAND. HER DAUGHTER WAS ONLY 5 WHEN THE PLANE WENT DOWN. In 1962, Patsy Cline walked into a tiny lounge at The Mint Casino in Las Vegas. No big-name backup. No fancy production. Just her voice and a room full of strangers who didn’t know what was about to hit them. She headlined for 35 STRAIGHT NIGHTS. Four shows a night. Nearly eight hours on stage every single day. The first few nights, she had laryngitis so bad she had to lip sync her own records. But she kept showing up. She always kept showing up. Her mother Hilda was right there with her — the same woman who had sewn every one of Patsy’s stage dresses by hand. Every stitch, every rhinestone, every hem carried something words can’t explain. A mother’s quiet belief that her daughter belonged under those lights. A casino worker named Gordon never even saw Patsy’s face — he only heard her voice drifting through the walls from his shift in the cage. He was 98 years old when he finally told someone about it. And the memory still shook him. Patsy went home to Tennessee. Bought a house with the money from that Vegas run. Three months later, the plane went down. She was 30. But the people who were in that room for those 35 nights? They say one performance changed everything — a night when every glass went still, every voice went quiet, and Patsy Cline proved something the music world wasn’t ready to hear…