The Contours - Classic Motown

About the Song

“Do You Love Me” is a classic soul song written by Berry Gordy Jr. and recorded by The Contours in 1962. It became a number-one hit on the Billboard Hot 100 chart and has been covered by many famous artists.

The song is a heartfelt plea from a man to the woman he loves. The lyrics are simple but profound, expressing the desire to be loved and the fear of rejection.

“Do You Love Me” has some notable features:

  • Upbeat tempo: The fast and strong tempo with driving beat creates excitement and engagement in the song.
  • Vocals: Billy Gordon’s powerful and soulful vocals successfully conveyed the message of the song.
  • Chorus: The simple yet catchy chorus “Do you love me? Do you love me? Tell me now” has become a classic line in music.

“Do You Love Me” is a song that has had a major impact on American music. It is considered one of the greatest soul songs of all time and has been used in many movies and TV shows.

Here is some additional information about the song:

  • Year of release: 1962
  • Genre: Soul
  • Composer: Berry Gordy Jr.
  • Recorded by: The Contours
  • Charting: #1 Billboard Hot 100
  • Album: Do You Love Me (1962)

“Do You Love Me” is a timeless song that has stood the test of time. It brings the listener excitement, elation, and sincere emotions about love.

In addition, the song also has some famous cover versions performed by artists such as:

  • The Beatles
  • The Rolling Stones
  • Otis Redding
  • Stevie Wonder

Each version brings its own unique touch to the song, but all of them capture the vibrant energy and lasting influence of “Do You Love Me”.MOTOWN MONDAYS! SPOTLIGHTS ON THE CONTOURS – Motor City Radio Flashbacks

Video

Lyrics: Do You Love Me

You broke my heart
‘Cause I couldn’t dance
You didn’t even want me around
And now I’m back to let you know
I can really shake ’em down

Do you love me? (I can really move)
Do you love me? (I’m in the groove)
Now do you love me (do you love me?)
Now that I can dance? (dance)

Watch me now (work, work)
Oh, work it out, baby (work, work)
Well, you’re drivin’ me crazy (work, work)
With a little bit of soul now (work)

I can mash potato (I can mash potato)
And do the twist (I can do the twist)
Now tell me, baby (tell me, baby)
Do you like it like this? (do you like it like this?)
Tell me (tell me)
Tell me

Do you love me? (do you love me?)
Now do you love me? (do you love me?)
Now do you love me (do you love me?)
Now that I can dance? (dance)
Dance

Watch me now (work, work)
Oh, shake it up, shake it (work, work)
Oh, shake ’em, shake ’em down (work, work)
Oh, little bit of soul now (work)

(Work, work)
Oh, shake it, shake it, baby (work, work)
Oh, you’re driving me crazy (work, work)
Oh, don’t get lazy (work)

I can mash potato (I can mash potato)
Do the twist (I can do the twist)
Well, now tell me, baby (tell me, baby)
Do you like it like this? (do you like it like this?)
Tell me (tell me)
Tell me

Oh, do you love me? (do you love me?)
Now do you love me? (do you love me?)
Now do you love me? (do you love me?)
(Now, now, now)

(Hey! work, work)
Oh, work it out, baby (work, work)
Well, you’re driving me crazy (work, work)
Oh, don’t you get lazy (work)

(Work, work)
Oh, hey, baby (work, work)
Well, you’re driving me crazy (work, work)

You Missed

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?