The Faces – Ooh La La (1973)

Introduction

“Ooh La La” by The Faces is a soulful journey through folk-rock, released in 1973. The Faces, led by Rod Stewart and Ron Wood, created a masterpiece that encapsulates the spirit of the early ’70s. The song’s unique blend of heartfelt lyrics and captivating melodies makes it a timeless gem in the vast landscape of rock music. Join us as we delve into the magic of “Ooh La La” and explore the soul-stirring sound that continues to resonate with music enthusiasts.

Did You Know?

“Ooh La La” is notable for its distinctive vocals, performed by Ronnie Lane, the bassist of The Faces, providing a contrast to Rod Stewart’s usual lead vocals.
Despite not achieving significant commercial success upon release, the song has gained a cult following and is now considered one of The Faces’ signature tracks.
The Faces, known for their energetic live performances, showcased their musical chemistry in “Ooh La La,” combining folk influences with rock elements.
The song has been featured in various films and television shows, contributing to its enduring popularity.

Video

Lyrics: Ooh La La

Poor old Grandad
Laughed at all his words
Thought he was a bitter man
He spoke of women’s ways
“They trap you, use you
Before you even know
Love is blind, you’re far too kind
Don’t ever let it show”

I wish that I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger

Can-can such a pretty show
Steal your heart away
But backstage back on Earth again
The dressing rooms are gray
They come on strong but it ain’t too long
They make you feel a man
Use you and soon you’ll find
You’re just a boy again

Wish that I knew what I know now
When I was younger
Wish that I knew what I know now
When I was stronger

When you want a kiss, you get her cheek
Makes you wonder where you are
If you want some more but she’s fast asleep
And she’s twinkling with the stars
Poor old grandson, there’s nothing I can say
You’ll have to learn, just like me
And that’s the hardest way

Wish that I knew what I know now
When I was younger
Wish that I knew what I know now
When I was stronger
That I knew what I know now
When I was younger
I wish that I knew what I know now
When I was stronger

Ooh-la-la-la-la

When people look back on Elvis Presley’s final years, they sometimes reduce his story to a single question about medication. But the truth is far more complex and far more human. Behind the headlines was a man living with significant health problems, chronic pain, exhaustion, and the relentless demands of a life that rarely allowed him to rest. Every night, millions expected Elvis Presley. Very few wondered how much it cost the man behind the name.

There are moments in life that no amount of success can protect us from, and for Elvis Presley, one of those moments came in October 1973. It was the day Lisa Marie left Graceland to begin living with her mother after Elvis and Priscilla’s marriage had come to an end. The world saw the headlines of a famous divorce. Elvis felt something far more personal. He was watching the little girl who had become the center of his world walk away from the home they had shared.

THE CHAOS STOPS. THE NOISE FADES. AND IN THE FINAL SECONDS, TOBY KEITH STEPS BACK INTO THE LIGHT. For most of the video for “Think As You Drunk,” Riley Green leans into the kind of high-octane, rowdy trouble that country music fans have been raising hell to for decades. He’s losing boots, stumbling through bars, and ending up in handcuffs—with his corgi, Carl, watching the whole mess with a look of pure, sober judgment. It’s the kind of reckless, fun-loving anthem that keeps the honky-tonks loud on a Friday night. But then, just as the dust settles, the mood completely shifts. As the track winds down, the familiar, unmistakable roar of Toby Keith’s voice cuts through, playing “As Good As I Once Was.” The camera stops following the chaos and lingers on a framed photo of Toby, center stage, holding a red Solo cup high in the air—a classic pose for the man who turned that cup into a national symbol. In that quiet moment, the jokes fall away. Riley Green doesn’t need a tearful monologue or a scripted tribute; he lets the music and the image do the heavy lifting. It is a masterful, respectful tip of the hat from one generation of country stars to the man who laid the blueprint for the modern drinking anthem. The tribute is more than just a nod in a video; it’s a commitment. A portion of the proceeds from the song is headed to the Toby Keith Foundation, directly supporting children fighting cancer and their families. While Carl the corgi might win the “funniest moment” award, Toby Keith gets the final word—a hauntingly perfect reminder of the legacy he left behind.

SHE STEPPED UP TO THE MICROPHONE TO SING A LOVE SONG WITH A MAN WHO WAS ALREADY GONE. When Lorrie Morgan walked into the studio to record “‘Til a Tear Becomes a Rose,” she wasn’t just performing a track for a Greatest Hits album. She was stepping into a haunting, high-stakes duet with her late husband, Keith Whitley, who had passed away just a year earlier. The technology was simple, but the emotional weight was crushing. Keith’s voice was already on the tape, preserved from an old demo he’d recorded with his friend Ricky Skaggs. There was no studio collaboration, no sharing a smile between takes, and no husband to hold once the final note faded. Lorrie had to stand in the silence, put on her headphones, and wait for Keith’s voice to come through—then harmonize with a ghost. When the song was released in 1990, it didn’t just climb the charts; it hit a nerve that few country songs ever reach. It felt raw, immediate, and painfully real. That fall, when the industry gathered for the CMA Awards, the song took home the trophy for Vocal Event of the Year. The two names—Lorrie Morgan and Keith Whitley—were etched together on the award, a cruel reminder of a partnership that had been tragically severed in its prime. While Lorrie stood alone to accept the honor, the recording remained a permanent monument to what they had been. It wasn’t just a song about sorrow or a performance about heartbreak; it was a widow using her own voice to reach across the silence and sing one last time with the man she couldn’t hold again. It stands today as a testament to the fact that while death can end a marriage, it can’t always silence the music that two people built together.