The Greatest Oldies Music

Oldies Musics

The Isley Brothers – Love The One You’re With

Introduction

The Isley Brothers, legendary pioneers of soul and R&B music, have left an indelible mark on the music industry with their timeless classics. One such gem is “Love The One You’re With,” a soulful anthem that has captivated hearts and minds since its release. In this article, we delve into the magic of this song, exploring its origins, the talented artists behind it, and uncovering fascinating details that add depth to the musical journey.

Did You Know?

The Isley Brothers

The Isley Brothers, comprising siblings Ronald, Rudolph, and O’Kelly, have been a force in the music scene since the 1950s. With a career spanning decades, they have seamlessly navigated through various genres, from doo-wop to funk, earning a reputation as versatile musical innovators. “Love The One You’re With” showcases their ability to infuse soulful melodies with meaningful lyrics, a hallmark of their enduring legacy.

“Love The One You’re With”

Released in 1971, “Love The One You’re With” became an instant classic. The song’s soul-stirring vocals, coupled with its uplifting message, struck a chord with listeners worldwide. Written by Stephen Stills and originally performed by Crosby, Stills, Nash & Young, The Isley Brothers’ rendition added a distinctive touch, making it a standout in their extensive repertoire.

Video

Lyrics: Love The One You’re With

If you’re down and confused
And you don’t remember who you’re talking to
Concentration slips away
Because you’re baby is so far away

Well, there’s a rose in a fisted glove
And the eagle flies with the dove
And if you can’t be with the one you love, honey
Love the one you’re with
You got to love the one you’re with
You got to love the one you’re with
You got to love the one you’re with

Don’t be angry, don’t be sad
Don’t sit crying talking ’bout the good times you’ve had
Well, there’s a girl sitting right next to you
And she’s just waiting for something to do

Well, there’s a rose in a fisted glove
And the eagle flies with the dove
And if you can’t be with the one you love, honey
Love the one you’re with
You got to love the one you’re with
You got to love the one you’re with

Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo
Doo doo doo, doo doo doo

Lord, love the one you’re with
You got to love the one you’re with
You got to love the one you’re with
Why don’t you love

Turn your heartaches right into joy, now
She’s a girl, yeah, and you’re a boy
I want you to get it together and make it nice
Well, you ain’t gonna need anymore advice

Hey, there’s a rose in a fisted glove
And the eagle flies with the dove
Sometimes you can’t be with the one you love, honey
Love the one you’re with
You got to love the one you’re with
You got to love the one you’re with
You got to love the one you’re with
You got to love the one you’re with

You gotta love (love the one you’re with)
You gotta love (love the one you’re with)
Oh, love (love the one you’re with)
You gotta love (love the one you’re with)
Woah yeah (love the one you’re with)
You gotta love, love the one you’re with
(love the one you’re with)
You gotta love (love the one you’re with)

Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo
Doo, doo, doo, doo, doo, doo, doo, doo
Doo doo doo, doo doo doo

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.