Introduction

Roberta Flack’s timeless ballad, “Killing Me Softly With His Song,” is a masterpiece that has touched the hearts of music enthusiasts for decades. This iconic song, originally released in 1973, has a unique ability to captivate and mesmerize its listeners, and it continues to be celebrated as one of the most soulful and evocative tracks in the history of music.Roberta Flack Has A.L.S. and Can No Longer Sing, Her Publicist Says - The  New York Times

Did You Know?

  • “Killing Me Softly With His Song” was originally written by Charles Fox and Norman Gimbel, and it was first recorded by Lori Lieberman in 1971. Roberta Flack’s rendition of the song, however, became the most famous and enduring version.
  • Roberta Flack, the artist behind this enchanting song, is a multi-talented American singer, songwriter, and musician. She gained fame for her extraordinary vocal prowess and her unique ability to infuse emotion into her performances, making her one of the most revered artists in the music industry.
  • The song has won numerous accolades, including the Grammy Award for Record of the Year in 1974, further solidifying its place in musical history. It has been covered by many artists across different genres, a testament to its enduring popularity.

Roberta Flack biography and career timeline | American Masters | PBS

Video

Lyrics: Killing Me Softly With His Song

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly with his song

I heard he sang a good song
I heard he had a style
And so I came to see him
To listen for a while
And there he was this young boy
A stranger to my eyes

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly with his song

I felt all flushed with fever
Embarrassed by the crowd
I felt he found my letters
And read each one out loud
I prayed that he would finish
But he just kept right on

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly with his song

He sang as if he knew me
In all my dark despair
And then he looked right through me
As if I wasn’t there
And he just kept on singing
Singing clear and strong

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly with his song

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me (softly)

He was strumming my pain
Yeah, he was singing my life
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly
With his song

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.