Introduction

Nina Simone, the legendary American singer, songwriter, and civil rights activist, left an indelible mark on the music industry with her hauntingly powerful voice and a repertoire of songs that stirred the souls of millions. One of her most iconic and enduring creations is “Sinnerman.” This song is not just a piece of music but a testament to Nina Simone’s unparalleled talent and the cultural significance it holds.Nina Simone: “I'll Tell You What Freedom Is to Me. No Fear.” — LeadArt  Magazine

Did You Know?

1. The Origins of “Sinnerman”: “Sinnerman” is a traditional African American spiritual song, deeply rooted in the gospel and folk traditions. It has a rich history that dates back to the early 20th century, with various renditions by different artists. Nina Simone’s adaptation, however, stands out as the definitive version that has stood the test of time.

2. Nina Simone – The High Priestess of Soul: Eunice Kathleen Waymon, famously known as Nina Simone, was a multi-talented artist known not only for her incredible vocal prowess but also for her skills as a pianist, composer, and civil rights activist. Her music was an anthem for the civil rights movement, and “Sinnerman” embodies the spirit of resilience and defiance.

3. A Message of Redemption: “Sinnerman” is not just a song; it’s a spiritual journey. The lyrics revolve around the themes of sin, redemption, and the fear of divine retribution. With her emotive rendition, Nina Simone brings forth the raw emotion that transcends the listener into a world of introspection and self-discovery.

4. A Cultural Phenomenon: Over the years, “Sinnerman” has been featured in numerous films, TV series, and commercials, making it a timeless piece that continues to resonate with audiences of all generations. It has become a symbol of resistance, hope, and the triumph of the human spirit.

5. Nina Simone’s Legacy: Nina Simone’s influence on music and society is immeasurable. Her music continues to inspire artists across genres, and her activism laid the groundwork for many social justice movements. She remains an icon, reminding us of the power of art to effect change.Nina Simone and the problem with the Rock & Roll Hall of Fame | EW.com

Video

Lyrics: Sinnerman

Oh, Sinnerman, where you gonna run to?
Sinnerman, where you gonna run to?
Where you gonna run to?
All on that day

Well I run to the rock, please hide me
I run to the Rock, please hide me
I run to the Rock, please hide me, Lord
All on that day

But the rock cried out, I can’t hide you
The Rock cried out, I can’t hide you
The Rock cried out, I ain’t gonna hide you guy
All on that day

I said, “Rock, what’s a matter with you, Rock?”
“Don’t you see I need you, Rock?”
Lord, Lord, Lord
All on that day

So I run to the river, it was bleeding
I run to the sea, it was bleeding
I run to the sea, it was bleeding
All on that day

So I run to the river, it was boiling
I run to the sea, it was boiling
I run to the sea, it was boiling
All on that day

So I run to the Lord, please hide me Lord
Don’t you see me praying?
Don’t you see me down here praying?

But the Lord said, “Go to the devil”
The Lord said, “Go to the devil”
He said, “Go to the devil”
All on that day

So I ran to the devil, he was waiting
I ran to the devil, he was waiting
Ran to the devil, he was waiting
All on that day

I cried, power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power

Bring down
(Power to the Lord)
Bring down
(Power to the Lord)
Bring down
(Power to the Lord)
Bring down
(Power to the Lord)

Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)

Oh yeah, oh yeah, oh yeah

Well I run to the river, it was boiling
I run to the sea, it was boiling
I run to the sea, it was boiling
All on that day

So I ran to the Lord
I said, “Lord hide me, please hide me”
“Please help me”
All on that day

He said, “Child, where were you
When you ought a been praying?”
I said,”Lord, Lord, hear me praying”
Lord, Lord, hear me praying
Lord, Lord, hear me praying”
All on that day

Sinnerman you ought a be praying
Ought a be praying, Sinnerman
Ought a be praying
All on that day

I cried, power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)

Go down
(Power to the Lord)
Go down
(Power to the Lord)
Go down
(Power to the Lord)

Power
(Power to the Lord)
Power
(Power to the Lord)
Power
(Power to the Lord)

Oh woh, power, power, Lord
Don’t you knew
Don’t you know, I need you Lord?
Don’t you know that, I need you?
Don’t you know that, I need you?
Power, power, power Lord

You Missed

For Vince Gill, the memory of singing with Dolly Parton came down to their final note together at the 1995 CMA Awards. Thirty-one years later, on the day she died, he shared that performance again. “We are all crushed here at our house,” he wrote. He called the closing note of their duet one of the most beautiful sounds he had ever heard. Their recording of “I Will Always Love You” began with Dolly’s album *Something Special*. That summer, she revisited three of her classics, including the farewell she had written for Porter Wagoner in 1973. It had already topped the country chart twice in her own voice, and Whitney Houston’s 1992 recording had brought it to listeners worldwide. For this version, Dolly invited Vince to join her. They performed it on the Grand Ole Opry on August 26, 1995, during a TNN broadcast. Radio programmers began playing the duet before Columbia officially issued it as a single. That unsolicited airplay carried it onto Billboard’s country chart at No. 53. On October 4, they sang it again at the CMA Awards. Vince, then 38, was hosting the broadcast at the Grand Ole Opry House. He stepped away from those duties to sing beside the woman who had written the song when he was sixteen. As the performance ended, their voices met on one sustained note. Decades later, that was the moment he singled out. Released as a single that November, the duet reached No. 15, received a Grammy nomination and won the 1996 CMA award for Vocal Event of the Year. But Vince’s remembrance centered on what he had heard standing beside her. Dolly died in Nashville on August 25, 2026, at 80, after a brief battle with cancer. Two days later, Vince appeared at the Midland Theatre in Kansas City. He told the audience how deeply his family was hurting, then began “I Will Always Love You.” This time, he sang it alone. Fan footage captured him struggling with his emotions throughout the performance. When he stepped back to compose himself, people in the audience carried the words. Musicians behind him wiped their eyes. He reached the closing note without Dolly’s voice beside his. After finishing, he moved away from the microphone, placed a hand over his chest and lowered his head.