Introduction

“Tell It to My Heart” is an iconic song by the talented artist Taylor Dayne. Released in 1987, this track has become a timeless classic, loved by music enthusiasts worldwide. This introduction will delve into the allure of this track, offering insight into the artist and a few intriguing tidbits that you might not have known.Taylor Dayne: música, canciones, letras | Escúchalas en Deezer

Did You Know?

Taylor Dayne, born Leslie Wunderman on March 7, 1962, in Baldwin, New York, is the enchanting voice behind “Tell It to My Heart.” She embarked on her musical journey with a unique stage name, which combined her childhood friend’s last name, ‘Dayne,’ and a variation of ‘Taylor.’ Her stage presence and incredible vocal talent quickly propelled her to stardom.

“Tell It to My Heart” was Taylor Dayne’s debut single and a chart-topping sensation. The song reached #7 on the Billboard Hot 100 chart, and its international success made Taylor Dayne a household name. This dance-pop hit played a pivotal role in shaping the sound of the late 1980s and early 1990s.

Taylor Dayne’s powerful and soulful voice has earned her various accolades and a place among the music industry’s elite. She continued to produce hit songs and released several albums, securing her position as one of the era’s celebrated pop artists.MKAF Presents Pop Star Taylor Dayne - Emerald Coast Magazine

Video

Lyrics: Tell It to My Heart

I feel the night explode
When we’re together
Emotion overload
In the heat of pleasure

Take me I’m yours into your arms
Never let me go
Tonight I really need to know

Tell it to my heart
Tell me I’m the only one
Is this really love or just a game
Tell it to my heart
I can feel my body rock
Every time you call my name

The passion’s so complete
It’s never ending
As long as I receive
This message you’re sending

Body to body, soul to soul
Always feel you near
So say the words I long to hear

Tell it to my heart
Tell me I’m the only one
Is this really love or just a game
Tell it to my heart
I can feel my body rock
Every time you call my name

Love…love on the run
Breaking us down
Though we keep holding on
I don’t want to lose
No…I can’t let you go…

Tell it to my heart
Tell me I’m the only one
Is this really love or just a game
Tell it to my heart
I can feel my body rock
Every time you call my name

Tell it to my heart
Tell me from the stars
Tell it to my heart
Tell it to my heart
Tell me from the stars
Tell it to my heart

Never make it stop
Oh take it to the heart
Oh no no ah ah

Tell it to my heart
Tell me I’m the only one
Is this really love or just a game
Tell it to my heart
I can feel my body rock
Every time you call my name

You Missed

SHE HAD BEEN SINGING MOUNTAIN MUSIC SINCE BEFORE BLUEGRASS EVEN HAD A NAME. THEN, AT 80, WILMA LEE COOPER COLLAPSED ON THE OPRY STAGE WITH THE SONG STILL IN HER THROAT. Wilma Lee Cooper came out of Valley Head, West Virginia, where music was not something you studied in a conservatory. It was family. Church. Radio. Coal-country evenings. Her father worked in the mines. Her mother played pump organ. Wilma started singing when she was five, then sang with her family gospel group before she ever became part of country music history. She met Stoney Cooper in the early 1940s. He played fiddle. She sang and played guitar. Together they built a sound that sat between mountain gospel, old-time string band music, and the country music that had not yet decided how polished it wanted to become. They did not wait for genre labels. They drove. They broadcast. They played wherever people would listen. The roads were part of the act. Their daughter Carol Lee sometimes slept in the car under the upright bass while Wilma and Stoney went from show to show. They raised a family while keeping a band alive. They recorded songs like “Big Midnight Special,” “There’s a Big Wheel,” and “Wreck on the Highway.” By 1957, they had joined the Grand Ole Opry. The Smithsonian later called Wilma Lee the “First Lady of Bluegrass.” But that title came after decades of work. It came after she and Stoney had already spent years carrying the mountain sound through a country business that was moving toward smoother voices and cleaner suits. Then Stoney died in 1977. Wilma Lee did not leave with him. She stayed with the Opry. She kept leading the Clinch Mountain Clan. The old mountain voice remained onstage, older now but still carrying the same hard edge. She had already sung for more than sixty years by the time she walked onto the Ryman Auditorium stage on February 24, 2001. She was eighty. During that performance, Wilma Lee suffered a stroke. The career ended there. Not in a retirement announcement. Not in a farewell special. Onstage, in the place where she had kept the old sound alive for generations. The illness affected her speech and voice, and doctors doubted she would walk again. But Wilma Lee did return once more. In 2010, at the reopening of the Opry House after the Nashville flood, she came back for a group sing-along. Not to reclaim the old career. Not to prove anything. Just to stand in the room one more time and thank the people who had carried her. For most of her life, Wilma Lee Cooper sang as if the mountain had come down from West Virginia and entered the microphone. Her last great silence came on the same stage where she had spent decades refusing to let that mountain disappear.