About the Song

In the realm of timeless love songs, few melodies resonate as deeply as Perry Como’s “And I Love You So.” Released in 1973, this heartfelt ballad has become a staple of romantic playlists, its tender lyrics and soothing melody capturing the essence of enduring love.

Como’s velvety vocals, infused with warmth and sincerity, perfectly convey the song’s message of unwavering affection. The lyrics, penned by Don McLean, paint a vivid picture of a love that transcends time and circumstance. The narrator declares, “I’ve loved you so long, it’s plain to see,” emphasizing the depth and permanence of their devotion.

The song’s arrangement complements Como’s vocals beautifully. The gentle strumming of the guitar provides a soft backdrop, while the understated orchestration adds a touch of elegance. The melody itself is deceptively simple, yet it lingers long after the last note has faded, a testament to its enduring power.

“And I Love You So” has become a popular choice for weddings, anniversaries, and other romantic occasions. Its heartfelt lyrics and soothing melody create an atmosphere of intimacy and affection, making it the perfect accompaniment to moments of love and commitment.

Beyond its romantic appeal, the song also speaks to the universal human need for connection and affection. The narrator’s unwavering love, expressed with such sincerity and depth, serves as a reminder of the power of human connection and the transformative nature of love.

“And I Love You So” stands as a testament to Perry Como’s enduring legacy as a master of romantic ballads. Its timeless melody, heartfelt lyrics, and Como’s inimitable vocals have ensured its place among the most cherished love songs of all time.

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Lyrics: And I Love You So

And I love you so
The people ask me how
How I’ve lived till now
I tell them I don’t knowI guess they understand
How lonely life has been
But life began again
The day you took my handAnd yes I know
How lonely life can be
The shadows follow me
And the night won’t set me free
But I don’t let the evening get me down
Now that your around meAnd you love me too
Your thoughts are just for me
You set my spirit free
I’m happy that you doThe book of life is brief
And once the page is read
All but life is dead
That is my beliefAnd yes I know
How lonely life can be
The shadows follow me
And the night won’t set me free
But I don’t let the evening get me down
Now that your around me

You Missed

Long before he ever teamed up with Kix Brooks, a young Ronnie Dunn found himself torn between two completely opposite worlds, pulled by a father who lived the honky-tonk life and a mother rooted firmly in the church. Eager to follow a path toward ministry, Dunn enrolled at Abilene Christian College in Texas, fully intending to become a preacher. When the sun went down, however, a very different reality took over. Dunn started slipping out to sing in local honky-tonks around Abilene, discovering an electric connection with crowds that a lecture hall simply couldn’t match. It wasn’t long before the college administration caught wind of his nocturnal habits. Summoned to the dean’s office, Dunn was hit with an ultimatum: abandon the honky-tonk stage or leave school behind. He chose the music. Without any guarantee of future success waiting for him outside, Dunn relocated to Tulsa, Oklahoma, grinding away on the nightclub circuit for years. He fronted the house band at Duke’s Country during the height of the Urban Cowboy craze and cut a few traditional singles for the independent Churchill label, though national stardom remained stubbornly out of reach. There were plenty of nights he questioned whether walking away from his education meant trading a pulpit for a gas station pump. Everything changed in 1988 when he clinched a win at the Marlboro Talent Search, providing the ticket he and his wife needed to finally move to Nashville. Producer Scott Hendricks worked on his demos, and Arista Nashville chief Tim DuBois saw an entirely different destiny, deciding to pair Dunn up with a struggling Louisiana songwriter named Kix Brooks. Neither man had ever dreamed of sharing a microphone, but the chemistry was instant. Their 1989 debut album, Brand New Man, dropped four consecutive No. 1 singles, setting off an legendary run that yielded forty-one Top 10 country hits, twenty chart-toppers, and the crown as country music’s best-selling duo. Years later, Dunn circled right back to the fork in the road that defined his youth. On his 2022 solo project, 100 Proof Neon, he penned “The Road to Abilene,” reflecting on the strict Texas college, the neon-lit bars, and the kid who packed up his bags to chase a six-string dream. By then, he no longer had to choose between the sacred and the secular; the deep gospel soul lived permanently in his voice, and the rough honky-tonks had taught him exactly how to wield it.