About the SongLittle River Band - Lady 7in 1978 (VG+/VG+) '*

Lady by Little River Band is a classic rock song that has captivated audiences for decades. Released in 1977, the song became a massive hit, reaching number one on the Billboard Hot 100 chart.

The song’s catchy melody and driving rhythm create a sense of energy and excitement. The lyrics express a deep love and admiration for a special woman, celebrating her beauty, intelligence, and strength.

The chorus, “Lady, you’re the finest woman I’ve ever known,” is both romantic and heartfelt, capturing the song’s underlying message of adoration and devotion. The song’s arrangement is energetic and upbeat, with a prominent guitar riff and a driving bassline.

Lady has become a beloved classic, often played at weddings and other special occasions. Its enduring popularity is a testament to the song’s timeless message and Little River Band’s enduring appeal as a rock band.Picture background

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Lyrics: “Lady”

 

Look around you, look up here
Take time to make time, make time to be there
Look around, be a part
Feel for the winter, but don’t have a cold heartAnd I love you best
You’re not like the rest
You’re there when I need you
You’re there when I need
I’m gonna need you

A long time ago I had a lady to love
She made me think of things I never thought of
Now she’s gone and I’m on my own
A love song has come into my mind
A love song, it was there all the time

So, lady, let me take a look at you now
You’re there on the dance floor making me want you somehow
Oh, lady, I think it’s only fair I should say to you
Don’t be thinking that I don’t want you, ’cause maybe I do

Look around, come to me
I have no answers, but know where I wanna be
I look around, play a part
I was born in the winter and cooled by a warm heart

And I love you best
You’re not like the rest
You’re there when I need you
You’re there when I need
I’m gonna need you

So, lady, let me take a look at you now
You’re there on the dance floor making me want you somehow
Oh, lady, I think it’s only fair I should say to you
Don’t be thinking that I don’t want you, ’cause maybe I do
Don’t be thinking that I don’t want you, lady, I do

 

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For Vince Gill, the memory of singing with Dolly Parton came down to their final note together at the 1995 CMA Awards. Thirty-one years later, on the day she died, he shared that performance again. “We are all crushed here at our house,” he wrote. He called the closing note of their duet one of the most beautiful sounds he had ever heard. Their recording of “I Will Always Love You” began with Dolly’s album *Something Special*. That summer, she revisited three of her classics, including the farewell she had written for Porter Wagoner in 1973. It had already topped the country chart twice in her own voice, and Whitney Houston’s 1992 recording had brought it to listeners worldwide. For this version, Dolly invited Vince to join her. They performed it on the Grand Ole Opry on August 26, 1995, during a TNN broadcast. Radio programmers began playing the duet before Columbia officially issued it as a single. That unsolicited airplay carried it onto Billboard’s country chart at No. 53. On October 4, they sang it again at the CMA Awards. Vince, then 38, was hosting the broadcast at the Grand Ole Opry House. He stepped away from those duties to sing beside the woman who had written the song when he was sixteen. As the performance ended, their voices met on one sustained note. Decades later, that was the moment he singled out. Released as a single that November, the duet reached No. 15, received a Grammy nomination and won the 1996 CMA award for Vocal Event of the Year. But Vince’s remembrance centered on what he had heard standing beside her. Dolly died in Nashville on August 25, 2026, at 80, after a brief battle with cancer. Two days later, Vince appeared at the Midland Theatre in Kansas City. He told the audience how deeply his family was hurting, then began “I Will Always Love You.” This time, he sang it alone. Fan footage captured him struggling with his emotions throughout the performance. When he stepped back to compose himself, people in the audience carried the words. Musicians behind him wiped their eyes. He reached the closing note without Dolly’s voice beside his. After finishing, he moved away from the microphone, placed a hand over his chest and lowered his head.