TOM JONES — Bent Rej Photography

About the Song

In the realm of popular music, there are songs that capture the zeitgeist of a generation, becoming anthems that transcend time and cultural boundaries. Tom Jones’s “It’s Not Unusual” stands as one such iconic masterpiece, a soulful ballad that has captivated audiences for over five decades. Released in 1965, the song marked Jones’s meteoric rise to stardom, propelling him into the international spotlight and establishing him as a force to be reckoned with in the music industry.

“It’s Not Unusual” is a testament to the power of a well-crafted song, seamlessly blending elements of pop, soul, and orchestral arrangements to create a sound that is both timeless and captivating. The song’s opening notes, a dramatic flourish of strings and horns, immediately set the stage for a journey into emotional depths, while Jones’s powerful vocals, imbued with raw emotion and vulnerability, carry the listener through a whirlwind of love, loss, and self-discovery.

The song’s lyrics, penned by the songwriting duo of Les Reed and Gordon Mills, delve into the complexities of human relationships, exploring themes of heartbreak, longing, and the resilience of the human spirit. Jones delivers each line with a palpable intensity, his voice soaring and plunging through the octaves as he conveys the protagonist’s emotional turmoil. The lyrics, though simple in their construction, resonate deeply, capturing the universal truths of love and loss that have touched countless individuals across generations.

“It’s Not Unusual”‘s impact extends far beyond its musical brilliance. The song has become synonymous with Tom Jones’s larger-than-life persona, his charismatic stage presence, and his powerful vocal delivery. The song’s accompanying music video, featuring Jones’s signature dance moves and expressive facial gestures, further cemented its place in popular culture, becoming an indelible part of Jones’s enduring legacy.

The song’s influence on popular music is undeniable. “It’s Not Unusual” has been covered by countless artists, from Elvis Presley and Nancy Sinatra to Michael Bublé and Paloma Faith, each interpretation adding their own unique flair to the song’s enduring melody. The song’s presence in film and television is equally noteworthy, appearing in soundtracks ranging from “The Full Monty” to “Ocean’s Eleven,” further solidifying its status as a cultural touchstone.

“It’s Not Unusual” remains a timeless classic, a song that continues to captivate audiences with its emotional depth, powerful vocals, and enduring message. It is a testament to the enduring power of music to transcend boundaries, speak to the human spirit, and leave an indelible mark on popular culture.Tom Jones before The Voice - an ex bandmate reveals tales of tunes, girls and Krays - Irish Mirror Online

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Lyrics: It’s Not Unusual

It’s not unusual to be loved by anyone
It’s not unusual to have fun with anyone
But when I see you hanging about with anyone
It’s not unusual to see me cry,
I wanna dieIt’s not unusual to go out at any time
But when I see you out and about it’s such a crime
If you should ever wanna be loved by anyone,
It’s not unusual it happens every day
No matter what you say
You’ll find it happens all the time
Love will never do what you want it to
Why can’t this crazy love be mine?It’s not unusual to be mad with anyone
It’s not unusual to be sad with anyone
But if I ever find
That you’ve changed at anytime
It’s not unusual to find that I’m in love with you

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BROUGHT IN SOLELY TO SATISFY A RADIO SPONSOR’S ODD DEMAND, ELEVEN-YEAR-OLD ROSE MADDOX STEPPED UP TO THE MICROPHONE AND BECAME THE UNTAMED, ELECTRIFYING HEART OF AMERICA’S MOST COLORFUL HILLBILLY BAND. Rose Maddox didn’t enter country music through a polished Nashville doorway paved with industry blueprints. She arrived via the brutal reality of Depression-era migration, pulling her family away from backbreaking fieldwork in California’s Central Valley where music wasn’t glamour—it was the only way to breathe after a grueling day of picking fruit. In 1937, her brother Fred managed to secure a radio slot for the family in Modesto, hitting a sudden roadblock when the sponsor insisted on having a girl singer. Out of pure necessity rather than career design, eleven-year-old Rose stepped forward. The moment she opened her mouth, however, that simple sponsorship checkbox became the entire focal point. Her voice was bright, razor-sharp, and entirely fearless, sounding less like a child helping out her kin and more like someone kicking the front door off its hinges from the inside. Dubbing themselves “America’s Most Colorful Hillbilly Band,” the Maddox brothers and Rose delivered a high-octane cocktail of honky-tonk drive, boogie-woogie, gospel heat, and flashy road-show swagger. Dressed in loud, eye-catching suits, they played with a raw ferocity that West Coast country had never witnessed. Long before country music knew how to frame women who were funny, stylish, and fiercely commanding, Rose stood right at the front—refusing to ever be treated as mere stage decoration. After the family band’s legendary run dissolved, she forged a formidable solo path, diving deep into bluegrass and earning a well-deserved Grammy nomination for $35 and a Dream, an album title that tipped its hat to her family’s hardscrabble journey west. The young girl once thrown on stage to fill a sponsor’s quota ultimately became the gold standard of raw authenticity—proving to generations of future artists that country music has always possessed an unquenchable fire.