The Greatest Oldies Music

Oldies Musics

It’s Not Unusual – Tom Jones

TOM JONES — Bent Rej Photography

About the Song

In the realm of popular music, there are songs that capture the zeitgeist of a generation, becoming anthems that transcend time and cultural boundaries. Tom Jones’s “It’s Not Unusual” stands as one such iconic masterpiece, a soulful ballad that has captivated audiences for over five decades. Released in 1965, the song marked Jones’s meteoric rise to stardom, propelling him into the international spotlight and establishing him as a force to be reckoned with in the music industry.

“It’s Not Unusual” is a testament to the power of a well-crafted song, seamlessly blending elements of pop, soul, and orchestral arrangements to create a sound that is both timeless and captivating. The song’s opening notes, a dramatic flourish of strings and horns, immediately set the stage for a journey into emotional depths, while Jones’s powerful vocals, imbued with raw emotion and vulnerability, carry the listener through a whirlwind of love, loss, and self-discovery.

The song’s lyrics, penned by the songwriting duo of Les Reed and Gordon Mills, delve into the complexities of human relationships, exploring themes of heartbreak, longing, and the resilience of the human spirit. Jones delivers each line with a palpable intensity, his voice soaring and plunging through the octaves as he conveys the protagonist’s emotional turmoil. The lyrics, though simple in their construction, resonate deeply, capturing the universal truths of love and loss that have touched countless individuals across generations.

“It’s Not Unusual”‘s impact extends far beyond its musical brilliance. The song has become synonymous with Tom Jones’s larger-than-life persona, his charismatic stage presence, and his powerful vocal delivery. The song’s accompanying music video, featuring Jones’s signature dance moves and expressive facial gestures, further cemented its place in popular culture, becoming an indelible part of Jones’s enduring legacy.

The song’s influence on popular music is undeniable. “It’s Not Unusual” has been covered by countless artists, from Elvis Presley and Nancy Sinatra to Michael Bublé and Paloma Faith, each interpretation adding their own unique flair to the song’s enduring melody. The song’s presence in film and television is equally noteworthy, appearing in soundtracks ranging from “The Full Monty” to “Ocean’s Eleven,” further solidifying its status as a cultural touchstone.

“It’s Not Unusual” remains a timeless classic, a song that continues to captivate audiences with its emotional depth, powerful vocals, and enduring message. It is a testament to the enduring power of music to transcend boundaries, speak to the human spirit, and leave an indelible mark on popular culture.Tom Jones before The Voice - an ex bandmate reveals tales of tunes, girls and Krays - Irish Mirror Online

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Lyrics: It’s Not Unusual

It’s not unusual to be loved by anyone
It’s not unusual to have fun with anyone
But when I see you hanging about with anyone
It’s not unusual to see me cry,
I wanna dieIt’s not unusual to go out at any time
But when I see you out and about it’s such a crime
If you should ever wanna be loved by anyone,
It’s not unusual it happens every day
No matter what you say
You’ll find it happens all the time
Love will never do what you want it to
Why can’t this crazy love be mine?It’s not unusual to be mad with anyone
It’s not unusual to be sad with anyone
But if I ever find
That you’ve changed at anytime
It’s not unusual to find that I’m in love with you

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.

HE SOLD 75 MILLION RECORDS. HE STILL WAKES UP BEFORE SUNRISE TO CHECK ON HIS CATTLE. Randy Owen could have lived anywhere. Nashville mansion. Beach house. Penthouse with a view of Music Row. Instead, he went back to Fort Payne, Alabama — the same dirt he grew up on. He bought the land his family once sharecropped. Turned it into a 3,000-acre cattle ranch. Herefords and Angus. He grew up picking cotton. Dropped out of school in ninth grade. A principal talked him into going back. He got an English degree, then helped build the best-selling country band in history — 42 number ones, 75 million records. Most mornings, he eats lunch at a gas station café where nobody treats him like a star. They just hadn’t seen him in a few days and wanted to know what he’d been up to. Today’s country stars sing about dirt roads from studio apartments in Nashville. Randy Owen bought the dirt road.

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CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.