George Harrison facts: Beatles singer's family, wife, children, songs and death... - Smooth

About the Song

George Harrison, the “quiet Beatle”, wrote “My Sweet Lord” as a spiritual ode that transcends religious boundaries. The song was inspired by his fascination with Hinduism and the teachings of Swami Vivekananda. In fact, the lyrics beautifully blend Sanskrit and English, a groundbreaking fusion at the time.

“My Sweet Lord” topped the charts worldwide and received critical acclaim, making it the first solo single by a member of The Beatles to achieve such success. This song continues to inspire listeners and is regarded as one of the greatest classics in the history of rock and spirituality.

George Harrison’s dedication to philanthropy and humanitarian work further defines his legacy. He organized the Concert for Bangladesh in 1971, a pioneering effort in rock music to raise funds for the war-torn nation, showcasing his commitment to making the world a better place.George Harrison - The Quiet Masterful Songwriter | uDiscover Music

Video

Lyrics: My Sweet Lord

My sweet Lord
Hm, my Lord
Hm, my Lord

I really want to see you
Really want to be with you
Really want to see you Lord
But it takes so long, my Lord

My sweet Lord
Hm, my Lord
Hm, my Lord

I really want to know you
Really want to go with you
Really want to show you Lord
That it won’t take long, my Lord (Hallelujah)

My sweet Lord (Hallelujah)
Hm, my Lord (Hallelujah)
My sweet Lord (Hallelujah)

I really want to see you
Really want to see you
Really want to see you, Lord
Really want to see you, Lord
But it takes so long, my Lord (Hallelujah)

My sweet Lord (Hallelujah)
Hm, my Lord (Hallelujah)
My, my, my Lord (Hallelujah)

I really want to know you (Hallelujah)
Really want to go with you (Hallelujah)
Really want to show you Lord (ahh)
That it won’t take long, my Lord (Hallelujah)

Hmm (Hallelujah)
My sweet Lord (Hallelujah)
My, my, Lord (Hallelujah)

Hm, my Lord (Hare Krishna)
My, my, my Lord (Hare Krishna)
Oh hm, my sweet Lord (Krishna, Krishna)
Oh-uuh-uh (Hare Hare)

Now, I really want to see you (Hare Rama)
Really want to be with you (Hare Rama)
Really want to see you Lord (ahh)
But it takes so long, my Lord (Hallelujah)

Hm, my Lord (Hallelujah)
My, my, my Lord (Hare Krishna)
My sweet Lord (Hare Krishna)
My sweet Lord (Krishna Krishna)
My Lord (Hare Hare)
Hm, hm (Guru Brahma)
Hm, hm (Guru Vishnu)
Hm, hm (Guru Devo)
Hm, hm (Maheśvaraḥ
My sweet Lord (Guru Sākṣāt)
My sweet Lord (Para Brahma)
My, my, my Lord (Tasmai Srī)
My, my, my, my Lord (Guru Namah)
My sweet Lord (Hare Rama)

[fade:]

(Hare Krishna)
My sweet Lord (Hare Krishna)
My sweet Lord (Krishna Krishna)
My Lord (Hare Hare)

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.