About the Song 

“Young Girl” is a song by American pop group Gary Puckett & The Union Gap. It was written by Jerry Fuller and released in 1968 as the second single from their debut album, Gary Puckett & The Union Gap Featuring “Young Girl”. The song topped the Billboard Hot 100 chart in the United States and reached number two on the UK Singles Chart.

The song is a pop ballad about a young man who is in love with a girl who is too young for him. The song’s lyrics are simple but effective, and the melody is catchy and memorable. The song’s distinctive sound is characterized by Puckett’s high-pitched vocals, the use of a harpsichord, and a string arrangement.

“Young Girl” has been covered by many artists over the years, including Donny Osmond, Michael Jackson, and The Beach Boys. The song remains a popular choice for weddings and other special occasions.

The song’s success can be attributed to a number of factors:

  • The song’s catchy melody and memorable lyrics
  • Puckett’s distinctive high-pitched vocals
  • The song’s appeal to a wide range of listeners
  • The song’s use in popular culture

“Young Girl” is a classic pop song that has stood the test of time. It is a song that is sure to continue to be enjoyed by listeners for many years to come.

Here are some additional details about the song:

  • The song was recorded in Los Angeles, California.
  • The song was produced by Jerry Fuller.
  • The song’s B-side was “I’m Losing You”.
  • The song was a commercial success, reaching number one on the Billboard Hot 100 chart and number two on the UK Singles Chart.
  • The song has been covered by many artists, including Donny Osmond, Michael Jackson, and The Beach Boys.

Here are some interesting facts about the song:

  • The song was inspired by Fuller’s daughter, who was 16 years old at the time.
  • The song was originally recorded by The Beatles, but it was not released.
  • The song was featured in the 1968 film The Graduate.

Video 

Lyrics: Young Girl 

Young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

With all the charms of a woman
You’ve kept the secret of your youth
You led me to believe you’re old enough
To give me Love
And now it hurts to know the truth

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Beneath your perfume and make-up
You’re just a baby in disguise
And though you know that it’s wrong to be
Alone with me
That come on look is in your eyes

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

So hurry home to your mama
I’m sure she wonders where you are
Get out of here before I have the time
To change my mind
‘Cause I’m afraid we’ll go too far

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Young girl
Get out of my mind
My love for you

You Missed

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FROM A ONE-ROOM COAL MINER’S SHACK TO THE PINNACLE OF NASHVILLE, LORETTA LYNN TURNED THE RAW STRUGGLES OF BUTCHER HOLLOW INTO AN IMMORTAL VOICE FOR EVERY WORKING-CLASS WOMAN.Long before the chandeliers of the Grand Ole Opry or the gold records lining her walls, Loretta Webb grew up in a tiny, uninsulated cabin in Butcher Hollow, Kentucky. Life there was measured in the heavy layer of coal dust settling over everything, bitter winters, and a mother’s miracle-working ability to stretch a meager meal across a house full of hungry kids. Her father bled for his family in the dark depths of the local mines, and that poverty wasn’t a poetic metaphor—it was simply the air they breathed.Marrying at just thirteen and a mother several times over before most girls had finished growing up, Loretta lived the unvarnished reality that most mainstream songwriters only tried to imitate. But she didn’t sing about hardship like a costume. She sang it like a living, breathing memory.When she finally stepped behind a microphone, she refused to soften the edges or play by polite, Nashville-approved rules. She wrote unflinchingly about cheating husbands, birth control, crushing debt, bone-deep exhaustion, and the quiet dignity of a woman who wouldn’t stay quiet just because a room got uncomfortable. When radio stations banned “The Pill” for being too scandalous, Loretta didn’t back down—she just stood her ground and let the controversy push her straight into the history books.She carried Butcher Hollow in every syllable she sang, giving a voice to generations of ordinary women who had been invisible to the cultural elite. Country music has seen its share of legends, but Loretta Lynn was something altogether rarer: living proof that the hardest, roughest life can still forge the most honest voice in American music.