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How “Young Girl” Became a Hit for Gary Puckett & The Union Gap

About the Song 

“Young Girl” is a song by American pop group Gary Puckett & The Union Gap. It was written by Jerry Fuller and released in 1968 as the second single from their debut album, Gary Puckett & The Union Gap Featuring “Young Girl”. The song topped the Billboard Hot 100 chart in the United States and reached number two on the UK Singles Chart.

The song is a pop ballad about a young man who is in love with a girl who is too young for him. The song’s lyrics are simple but effective, and the melody is catchy and memorable. The song’s distinctive sound is characterized by Puckett’s high-pitched vocals, the use of a harpsichord, and a string arrangement.

“Young Girl” has been covered by many artists over the years, including Donny Osmond, Michael Jackson, and The Beach Boys. The song remains a popular choice for weddings and other special occasions.

The song’s success can be attributed to a number of factors:

  • The song’s catchy melody and memorable lyrics
  • Puckett’s distinctive high-pitched vocals
  • The song’s appeal to a wide range of listeners
  • The song’s use in popular culture

“Young Girl” is a classic pop song that has stood the test of time. It is a song that is sure to continue to be enjoyed by listeners for many years to come.

Here are some additional details about the song:

  • The song was recorded in Los Angeles, California.
  • The song was produced by Jerry Fuller.
  • The song’s B-side was “I’m Losing You”.
  • The song was a commercial success, reaching number one on the Billboard Hot 100 chart and number two on the UK Singles Chart.
  • The song has been covered by many artists, including Donny Osmond, Michael Jackson, and The Beach Boys.

Here are some interesting facts about the song:

  • The song was inspired by Fuller’s daughter, who was 16 years old at the time.
  • The song was originally recorded by The Beatles, but it was not released.
  • The song was featured in the 1968 film The Graduate.

Video 

Lyrics: Young Girl 

Young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

With all the charms of a woman
You’ve kept the secret of your youth
You led me to believe you’re old enough
To give me Love
And now it hurts to know the truth

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Beneath your perfume and make-up
You’re just a baby in disguise
And though you know that it’s wrong to be
Alone with me
That come on look is in your eyes

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

So hurry home to your mama
I’m sure she wonders where you are
Get out of here before I have the time
To change my mind
‘Cause I’m afraid we’ll go too far

Whoa, oh, oh, young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Young girl
Get out of my mind
My love for you is way out of line
Better run, girl
You’re much too young, girl

Young girl
Get out of my mind
My love for you

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HIS FATHER TOLD HIM TO PUT DOWN THE GUITAR. NASHVILLE FORGOT HIM. TWICE. HE CAME BACK IN A WHEELCHAIR AND STILL WOULDN’T SHUT UP. Vern Gosdin grew up hauling rocks and chopping cotton in Woodland, Alabama. His father tried music once, failed, and forbade his son from ever touching a guitar. Vern left home and never looked back — never saw his father again. He moved to California. Then Chicago. Then Nashville. Two record labels went bankrupt under him. Nobody called. Nobody came looking. So he quit, moved to Georgia, and sold glass for a living. But he kept a guitar in his truck. In the late ’70s, he crawled back to Nashville — older, broker, and angrier than every pretty boy on country radio. He didn’t sound trendy. He sounded like a man who’d been through hell and could prove it. Then he wrote “Chiseled in Stone” and beat every superstar in town for CMA Song of the Year. Tammy Wynette called him “the only singer who can hold a candle to George Jones.” In 1998, a stroke stole his voice. He kept writing from a wheelchair. 101 songs. Still fighting. They called him “The Voice.” Nashville called him too late. Does knowing how many times Vern Gosdin had to start over make “Chiseled in Stone” hit even harder now?

SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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“YOU MAKE THE COFFEE, I’LL MAKE THE BED.” — GLEN CAMPBELL DIDN’T NEED A LOVE POEM. HE JUST NEEDED AN OKLAHOMA MORNING. In December 1971, Glen Campbell released “Oklahoma Sunday Morning.” It peaked at #15 on the country charts—not his biggest hit by a long shot. But something about this track stuck. It wasn’t about fame or tragedy; it was about coffee, making the bed, and packing a lunch. It was the kind of love that doesn’t make headlines. But the way Glen sang it, you realized he wasn’t just describing a routine. He was singing about the only place that truly felt like home. A kid from a sharecropper’s family of twelve in Delight, Arkansas—who went on to sell 45 million records—poured something deeply personal into this quiet track. Fifty years later, folks across Oklahoma still know every word. Some songs don’t need to reach #1. They just need to be true.