The Greatest Oldies Music

Oldies Musics

‘Cheek to Cheek’ – Ella Fitzgerald and Louis Armstrong

Stream Ella Fitzgerald And Louis Armstrong - Ella And Louis (1956) - [Classic Vocal Jazz Music] by Lotfi Jallouli | Listen online for free on SoundCloud

About the Song

When the names Ella Fitzgerald and Louis Armstrong are mentioned together, a picture of pure musical magic instantly comes to mind. Their collaboration on the classic “Cheek to Cheek” is a shining example of why they are considered two of the greatest jazz vocalists of all time.

Released in 1956 as part of their album “Ella and Louis,” “Cheek to Cheek” is a timeless piece that captures the essence of romance and joy. The song, originally composed by Irving Berlin for the Fred Astaire film Top Hat, found new life in the hands of these two legendary artists.

Ella Fitzgerald’s crystal-clear voice, with its effortless phrasing and impeccable intonation, complements Louis Armstrong’s warm, gravelly tones perfectly. Their voices intertwine like a delicate dance, creating a sound that is both intimate and exhilarating. Armstrong’s signature scat solo adds a playful and improvisational element to the song, while Fitzgerald’s vocal acrobatics showcase her extraordinary range and artistry.

“Cheek to Cheek” is more than just a song; it’s an invitation to lose oneself in the moment, to let go of worries, and to simply enjoy the magic of music. The lyrics, filled with images of happiness and carefree abandon, perfectly capture the spirit of the song. When Fitzgerald sings, “I love to climb a mountain and to reach the highest peak, but it doesn’t really matter, dancing cheek to cheek,” she expresses a sentiment that resonates with listeners of all ages.

Beyond the technical brilliance of the performance, “Cheek to Cheek” is a testament to the enduring power of music to bring people together. The chemistry between Fitzgerald and Armstrong is palpable, and their shared love of the music shines through in every note. It is a performance that transcends generations, a timeless classic that continues to enchant and inspire.

Whether you’re a seasoned jazz aficionado or simply someone who appreciates great music, “Cheek to Cheek” is a song that will leave a lasting impression. It is a reminder of the beauty of human connection and the transformative power of music.

The Story of 'Ella and Louis,' 60 Years Later - Longreads

Video

Lyrics: Cheek To Cheek

Heaven, I’m in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we’re out together dancing cheek to cheek
Yes, heaven, I’m in heaven
And the cares that hung around me through the week
Seem to vanish like a gambler’s lucky streak
When we’re out together dancing cheek to cheek
Oh I’d love to climb a mountain
And reach the highest peak
But it doesn’t thrill me half as much
As dancing cheek to cheek
Oh I’d love to go out fishing
In a river or a creek
But I don’t enjoy it half as much
As dancing cheek to cheek
Now, mama, dance with me
I want my arms about you
The charms about you
Will carry me through, yes

Heaven, I’m in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we’re out together dancing cheek to cheek
(Sing it Ella, swing it)

Heaven, I’m in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we’re out together dancing cheek to cheek

Heaven, I’m in heaven
And the cares that hung around me through the week
Seem to vanish like a gambler’s lucky streak
When we’re out together dancing cheek to cheek
Oh I’d love to climb a mountain
And reach the highest peak
But it doesn’t thrill me half as much
As dancing cheek to cheek
Oh I love to go out fishing
In a river or a creek
But I don’t enjoy it half as much
As dancing cheek to cheek
Come on and dance with me
I want my arm about you
The charm about you
Will carry me through to

Heaven, I’m in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we’re out together dancing cheek to cheek

Yes, dance with me
I want my arm(s) about you
The charm(s) about you
Will carry me through to

Heaven, I’m in heaven
And my heart beats so that I can hardly speak
And I seem to find the happiness I seek
When we’re out together dancing cheek to cheek
Cheek to cheek
Cheek to cheek
Cheek to cheek

Related Post

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?

“I DON’T WANT TO DISAPPEAR” — AT 67, RANDY TRAVIS JUST REMINDED COUNTRY MUSIC THAT SOME VOICES NEVER REALLY LEAVE. Most singers would have walked away after what Randy Travis survived. A 2013 stroke changed his speech, weakened his body, and left fans wondering if the voice behind “Forever and Ever, Amen” would ever stand near a stage again. But Randy Travis never treated silence like the end. Now, with the More Life Tour, he sits beside his original band while James Dupré carries the songs Randy Travis made immortal — and somehow, the room still feels like Randy Travis is singing every word. No big speech. No dramatic promise. Just that quiet smile, the same faith, and a man who refuses to let country music remember him only in the past. But what really happened after his voice went quiet… and why “More Life” means more than a tour name?

HER MOTHER SEWED EVERY COSTUME BY HAND. HER DAUGHTER WAS ONLY 5 WHEN THE PLANE WENT DOWN. In 1962, Patsy Cline walked into a tiny lounge at The Mint Casino in Las Vegas. No big-name backup. No fancy production. Just her voice and a room full of strangers who didn’t know what was about to hit them. She headlined for 35 STRAIGHT NIGHTS. Four shows a night. Nearly eight hours on stage every single day. The first few nights, she had laryngitis so bad she had to lip sync her own records. But she kept showing up. She always kept showing up. Her mother Hilda was right there with her — the same woman who had sewn every one of Patsy’s stage dresses by hand. Every stitch, every rhinestone, every hem carried something words can’t explain. A mother’s quiet belief that her daughter belonged under those lights. A casino worker named Gordon never even saw Patsy’s face — he only heard her voice drifting through the walls from his shift in the cage. He was 98 years old when he finally told someone about it. And the memory still shook him. Patsy went home to Tennessee. Bought a house with the money from that Vegas run. Three months later, the plane went down. She was 30. But the people who were in that room for those 35 nights? They say one performance changed everything — a night when every glass went still, every voice went quiet, and Patsy Cline proved something the music world wasn’t ready to hear…

You Missed

Country

“HE BUILT A HOUSE FOR KIDS WITH CANCER LONG BEFORE CANCER CAME FOR HIM. The world knew Toby Keith as the guy with 33 No.1 hits and stadiums full of screaming fans. But quietly, away from the spotlight, he built OK Kids Korral — a place for children fighting cancer. He stood in desert heat through 16 USO tours, singing for 250,000 soldiers who just needed a piece of home. Then cancer found him. September 2023. He walked onto the People’s Choice stage looking thin but steady. Joked about fitting into “”skinny jeans”” now. Then he sang “”Don’t Let the Old Man In”” — and the room went dead silent. His wife Tricia wiped her eyes. Nobody moved. 😢 Toby never measured his life by the applause he got. He measured it by the strength he gave away. What happened in the final moments of that performance still stays with everyone who was in that room…”

Country Oldies Musics

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?

Country Oldies Musics

“I DON’T WANT TO DISAPPEAR” — AT 67, RANDY TRAVIS JUST REMINDED COUNTRY MUSIC THAT SOME VOICES NEVER REALLY LEAVE. Most singers would have walked away after what Randy Travis survived. A 2013 stroke changed his speech, weakened his body, and left fans wondering if the voice behind “Forever and Ever, Amen” would ever stand near a stage again. But Randy Travis never treated silence like the end. Now, with the More Life Tour, he sits beside his original band while James Dupré carries the songs Randy Travis made immortal — and somehow, the room still feels like Randy Travis is singing every word. No big speech. No dramatic promise. Just that quiet smile, the same faith, and a man who refuses to let country music remember him only in the past. But what really happened after his voice went quiet… and why “More Life” means more than a tour name?

Country Oldies Musics

HER MOTHER SEWED EVERY COSTUME BY HAND. HER DAUGHTER WAS ONLY 5 WHEN THE PLANE WENT DOWN. In 1962, Patsy Cline walked into a tiny lounge at The Mint Casino in Las Vegas. No big-name backup. No fancy production. Just her voice and a room full of strangers who didn’t know what was about to hit them. She headlined for 35 STRAIGHT NIGHTS. Four shows a night. Nearly eight hours on stage every single day. The first few nights, she had laryngitis so bad she had to lip sync her own records. But she kept showing up. She always kept showing up. Her mother Hilda was right there with her — the same woman who had sewn every one of Patsy’s stage dresses by hand. Every stitch, every rhinestone, every hem carried something words can’t explain. A mother’s quiet belief that her daughter belonged under those lights. A casino worker named Gordon never even saw Patsy’s face — he only heard her voice drifting through the walls from his shift in the cage. He was 98 years old when he finally told someone about it. And the memory still shook him. Patsy went home to Tennessee. Bought a house with the money from that Vegas run. Three months later, the plane went down. She was 30. But the people who were in that room for those 35 nights? They say one performance changed everything — a night when every glass went still, every voice went quiet, and Patsy Cline proved something the music world wasn’t ready to hear…