The Three Degrees

About the Song

“Dirty Ol’ Man” by The Three Degrees is a classic disco track that showcases the group’s signature harmonies and infectious energy. Released in 1973, the song quickly became a hit, reaching the top 10 on the Billboard Hot 100 chart.

The song’s catchy melody and upbeat tempo make it a perfect dance floor filler. The lyrics, which playfully accuse an older man of being a “dirty ol’ man,” are both cheeky and empowering. The Three Degrees’ vocals are full of personality and charisma, and their harmonies are perfectly blended.

“Dirty Ol’ Man” is a classic example of 1970s disco music, with its lush arrangements, funky basslines, and infectious grooves. The song’s popularity has endured over the years, and it remains a beloved classic among fans of disco and soul music.

In addition to its commercial success, “Dirty Ol’ Man” also garnered critical acclaim. The song was nominated for a Grammy Award in 1974 for Best R&B Performance by a Group.

“Dirty Ol’ Man” is a timeless disco anthem that continues to inspire and delight listeners. Its catchy melody, infectious energy, and empowering lyrics make it a must-listen for fans of classic dance music.

Stream The Three Degrees - Dirty Old Man (dnb remix) by Sukatumi | Listen online for free on SoundCloud

Video

Lyrics: Dirty Ol’ Man

Dirty
You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody elseNow I’ve done told you
That you can look but please don’t touch
‘Cause you don’t understand what I mean
Can’t you see I’m not old enoughYou say that ain’t, ain’t nothing but a number
You’re much too experienced for me
Ooh, all you wanna do is take my love
All you want is another victory

Dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

Next time you see me
You can speak but please don’t stuck
‘Cause I believed every word you said
And here I am with a broken heart

You won your game now
Don’t waste it on a date
No, no, no, no, no

‘Cause you’re a married man
And I’m still free
Ooh, all you wanna do is take my love
All you want is another victory

Dirty ol’ man
You can’t keep your hands to yourself
Dirty ol’ man
Go mess around with somebody else

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

Dirty

All you wanna do is to use me
All you wanna do is to take advantage of me
Dirty, dirty, dirty, dirty

Dirty, dirty, dirty, dirty ol’ man

You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

You’re a dirty ol’ man
You can’t keep your hands to yourself

You Missed

TOM T. HALL WROTE THE GREATEST HITS IN COUNTRY MUSIC HISTORY JUST SO HE COULD EVENTUALLY AFFORD TO STOP PLAYING THEM. After the neon lights of the Nashville touring circuit began to fade, the legendary storyteller retreated to a quiet farm on the outskirts of town. Beside his wife, Dixie, he dismantled the persona of a star and returned to the raw, bluegrass roots of his Kentucky youth. The farmhouse became a sanctuary where the commercial pressure of radio cycles dissolved into the simple necessity of a well-turned phrase. They weren’t hunting for hits anymore; they were building a home for the songs that didn’t fit anywhere else. Fox Hollow was a studio built on contradictions. While the industry demanded polish and massive overheads, the Halls opened their doors to struggling bluegrass pickers without ever sending a bill. Dixie became the engine of this creative refuge, overseeing thousands of songs and mentoring young musicians with groceries, spare hours, and steady advice. The studio functioned less like a business and more like an open kitchen where the only currency was a finished melody and the shared history of a mountain tune. In the quiet years following his retirement from the road, the man who shaped the modern narrative of country music found his most profound work in the solitude of that farm. Surrounded by tape reels and the honest noise of young artists finding their voice, he and Dixie transformed their legacy into a living archive. The music remained, stripped of the spotlight, anchored firmly to the floorboards of a room where every note was written for the sake of the song itself.