The Three Degrees

About the Song

“Dirty Ol’ Man” by The Three Degrees is a classic disco track that showcases the group’s signature harmonies and infectious energy. Released in 1973, the song quickly became a hit, reaching the top 10 on the Billboard Hot 100 chart.

The song’s catchy melody and upbeat tempo make it a perfect dance floor filler. The lyrics, which playfully accuse an older man of being a “dirty ol’ man,” are both cheeky and empowering. The Three Degrees’ vocals are full of personality and charisma, and their harmonies are perfectly blended.

“Dirty Ol’ Man” is a classic example of 1970s disco music, with its lush arrangements, funky basslines, and infectious grooves. The song’s popularity has endured over the years, and it remains a beloved classic among fans of disco and soul music.

In addition to its commercial success, “Dirty Ol’ Man” also garnered critical acclaim. The song was nominated for a Grammy Award in 1974 for Best R&B Performance by a Group.

“Dirty Ol’ Man” is a timeless disco anthem that continues to inspire and delight listeners. Its catchy melody, infectious energy, and empowering lyrics make it a must-listen for fans of classic dance music.

Stream The Three Degrees - Dirty Old Man (dnb remix) by Sukatumi | Listen online for free on SoundCloud

Video

Lyrics: Dirty Ol’ Man

Dirty
You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody elseNow I’ve done told you
That you can look but please don’t touch
‘Cause you don’t understand what I mean
Can’t you see I’m not old enoughYou say that ain’t, ain’t nothing but a number
You’re much too experienced for me
Ooh, all you wanna do is take my love
All you want is another victory

Dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

Next time you see me
You can speak but please don’t stuck
‘Cause I believed every word you said
And here I am with a broken heart

You won your game now
Don’t waste it on a date
No, no, no, no, no

‘Cause you’re a married man
And I’m still free
Ooh, all you wanna do is take my love
All you want is another victory

Dirty ol’ man
You can’t keep your hands to yourself
Dirty ol’ man
Go mess around with somebody else

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

A dirty, dirty
Dirty ol’ man

Dirty

All you wanna do is to use me
All you wanna do is to take advantage of me
Dirty, dirty, dirty, dirty

Dirty, dirty, dirty, dirty ol’ man

You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

You’re a dirty ol’ man
You can’t keep your hands to yourself
You’re a dirty ol’ man
Go mess around with somebody else

You’re a dirty ol’ man
You can’t keep your hands to yourself

You Missed

SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?