The Greatest Oldies Music

Country

Toby Keith – My List

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About the Song

Toby Keith, a country music icon known for his anthemic songs and bravado, takes a more lighthearted approach with “My List.” Released in 2002 on his album “Pull My Chain,” the song offers a humorous glimpse into the priorities of a laid-back country character.

“My List” isn’t your typical tear-jerking ballad or rowdy party anthem. Instead, it’s a tongue-in-cheek look at the simple pleasures in life. Keith, with his signature gruff charm, sings about the things that truly matter to him: a cold beer, a loyal dog, a truck with a working radio, and of course, “a woman who understands.”

The lyrics, penned by Tim James and Rand Bishop, are filled with playful imagery and relatable experiences. Lines like “don’t need a mansion, just a place to call my own” and “don’t need a fancy car, just one that gets me down the road” capture the essence of small-town values and the importance of finding contentment in the simple things.

The song’s lighthearted tone is further accentuated by the upbeat melody. A catchy guitar riff and a driving rhythm section create a carefree atmosphere, perfectly complementing the laid-back attitude of the lyrics. Keith’s signature vocals add a touch of authenticity, making the list feel genuine and relatable.

Despite its lightheartedness, “My List” offers a subtle message about living a life true to oneself. It celebrates the importance of finding joy in the everyday and prioritizing what truly matters. The song reminds us that happiness doesn’t come from material possessions or chasing grand ambitions, but from appreciating the simple things that bring us comfort and joy.

While not one of Keith’s most critically acclaimed songs, “My List” remains a fan favorite. Its catchy melody, relatable lyrics, and lighthearted humor make it a perfect singalong anthem for a summer afternoon or a night with friends. It serves as a reminder that sometimes, the best things in life are the simplest ones.Picture background

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Lyrics: My List 

Under an old brass paperweight is my list of things to do today
Go to the bank and the hardware store, put a new lock on the cellar door
I cross ’em off as I get ’em done but when the sun is set
There’s still more than a few things left I haven’t got to yetGo for a walk, say a little prayer
Take a deep breath of mountain air
Put on my glove and play some catch
It’s time that I make time for that
Wade the shore and cast a line
Look up a long lost friend of mine
Sit on the porch and give my girl a kiss
Start livin’, that’s the next thing on my listWouldn’t change the course of fate but cuttin’ the grass just had to wait
‘Cause I’ve got more important things like pushin’ my kid on the backyard swing
I won’t break my back for a million bucks I can’t take to my grave
So why put off for tomorrow what I could get done todayLike go for a walk, say a little prayer
Take a deep breath of mountain air
Put on my glove and play some catch
It’s time that I make time for that
Wade the shore and cast a line
Look up a long lost friend of mine
Sit on the porch and give my girl a kiss
Start livin’, that’s the next thing on my listRaise a little hell, laugh ’til it hurts
Put an extra five in the plate at church
Call up my folks just to chat
It’s time that I make time for that
Stay up late, then oversleep
Show her what she means to me
Catch up on all the things I’ve always missed
Just start livin’, that’s the next thing on my list

Under an old brass paperweight
Is my list of things to do today

 

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CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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THE FINAL SONG WASN’T FOR THE CROWD — IT WAS FOR TRICIA. 40 years of life, laughter, and trials led to this one moment. They say that at the very end, what remains isn’t the fame or the hits, but the people who stood by you when the world was watching, and more importantly, when it wasn’t. Toby Keith spent his life singing for millions, but his most important performance was always for the woman who knew him before the world did. In his final, quietest hours, he didn’t need a stage. He needed the hand that had held his through every season of his life. That is the true story of a country legend. Not the drama of the headlines, but the simple, unshakeable loyalty of a man who knew exactly who mattered most when the lights finally dimmed.

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CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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