SF1999

About the Song

George Strait, the “King of Country,” is known for his smooth vocals and heartfelt storytelling. “Write This Down,” released in 1999 on his album “Always Never the Same,” exemplifies these strengths. It’s a simple yet powerful ballad that transcends the boundaries of country music, becoming a universal declaration of love and a plea for remembrance.

The song opens with a sense of urgency. The narrator, presumably a man addressing his lover, implores her to “write this down” – a reminder of his affection. The lyrics, penned by Kent Robbins and Dana Hunt Black, capture the fear of unspoken emotions and the importance of expressing love clearly.

Strait’s signature voice, both warm and sincere, imbues the song with a sense of genuine tenderness. He conveys the narrator’s vulnerability, his desire to ensure his love is never forgotten. The repeated refrain, “Write this down / Take a little note to remind you / In case you didn’t know / Tell yourself I love you and I don’t want you to go,” is a powerful plea, a desperate attempt to etch his feelings into her memory.

The beauty of “Write This Down” lies in its simplicity. The song doesn’t rely on complex metaphors or elaborate storytelling. Instead, it focuses on the raw, unadulterated expression of love. The narrator suggests various ways to remember his message: a note on the refrigerator, a picture frame inscription, even a permanent etching on stone. The permanence of the message underscores the depth of his affection, a love that transcends the present moment.

“Write This Down” isn’t just a love song; it’s a reminder of life’s fleeting nature. The song encourages us to cherish those we love and express our feelings openly. It acknowledges the possibility of words left unspoken and the potential for regret. The act of writing down his love becomes a symbol of commitment, a testament to a bond that should never be taken for granted.

George Strait’s “Write This Down” has become a modern classic. Its simple yet evocative message resonates with listeners across generations. It’s a song that reminds us of the power of love, the importance of expressing our feelings, and the enduring nature of cherished memories.George Strait tour 2022-23: Best concert tickets and prices

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Lyrics: Write This Down

I never saw the end in sight; fools are kind of blind.
Thought everything was going alright, but I was running out of time.
‘Cause you had one foot out the door, I swear I didn’t see
But if you’re really going away, here’s some final words from me.[Chorus:]
Baby, write this down, take a little note to remind you in case you didn’t know,
Tell yourself I love you and I don’t want you to go, write this down.
Take my words, read ’em every day, keep ’em close by, don’t you let ’em fade away,
So you’ll remember what I forgot to say, write this down.I’ll sign it at the bottom of the page, I’ll swear under oath
‘Cause every single word is true, and I think you need to know,
So use it as a bookmark, stick it on your ‘frigerator door,
Hang it in a picture frame up above the mantel where you’ll see it for sure.

[Chorus]

You can find a chisel, I can find a stone.
Folks will be reading these words, long after we’re gone.

[Chorus]

Oh I love you and I don’t want you to go, baby write this down.

 

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“I CAN’T JUST LEAVE HER WITHOUT TELLING HER HOW IT IS,” RAY PRICE WHISPERED TO HIS ENGINEER IN THE STUDIO DARKNESS. He didn’t care about the chart positions or the industry accolades that had defined his career since the fifties. He needed the technology to capture a sincerity he had spent decades hiding behind the polish of the Ray Price Sound, ensuring the silence of his house wouldn’t be absolute. Ray Price and Janie Phillips shared a life defined by the rhythmic hum of the honky-tonk circuit and the quiet machinery of the music business. By 2012, however, the terminal weight of pancreatic cancer began to dictate the pace of their days. While the chemotherapy drained the vitality from his frame, Ray insisted on returning to the microphone. He chose a collection of love songs that felt like a long-overdue confession, building them out in a Nashville studio while keeping the project shielded from the one person who had been his professional and personal anchor for decades. Janie was kept at a distance, unaware that the distance was intentional. Ray was crafting a final, hidden correspondence. Each session at the microphone required a monumental effort, a man straining against his own biology to ensure the pitch remained true and the phrasing stayed sharp. He finished the work in October 2013, exhausted but satisfied, calling the record the finest thing he had ever managed to capture. He died in December, before the world ever heard a note. When the record eventually surfaced, Janie found herself standing in the spotlight she had spent forty-three years avoiding. She stepped into the radio stations and the silence of their home, carrying the voice of a man who had finally learned how to say what mattered most once he was no longer there to speak it himself.