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God Bless The U.S.A. – Lee Greenwood

Lee Greenwood - Wikipedia

About the Song

Lee Greenwood’s “God Bless The U.S.A.” stands as a cornerstone of American patriotism in music. Released in 1984, this stirring anthem has transcended generations, becoming a rallying cry for national pride and a powerful expression of gratitude for the freedoms cherished by Americans.

The song’s origins lie in a deeply personal experience for Greenwood. The downing of Korean Air Lines Flight 007 in 1983 filled him with a surge of emotions – grief for the lives lost and a renewed appreciation for his own country. Fueled by this experience, Greenwood penned “God Bless The U.S.A.” as a tribute to the nation’s resilience and the sacrifices made to preserve its freedoms.

The song opens with a soaring guitar riff that instantly evokes a sense of grandeur. Greenwood’s vocals, powerful and sincere, take center stage as he declares his love for his country. The lyrics are a potent mix of patriotism and gratitude. Greenwood paints a picture of a nation built on hard work, perseverance, and a unwavering belief in liberty.

“God Bless The U.S.A.” is more than just a catchy melody; it’s a song that evokes strong emotions. Greenwood’s lyrics resonate with veterans who have served their country, everyday citizens who appreciate their freedoms, and anyone who feels a sense of national pride.

The song’s impact extends far beyond the music charts. It’s been adopted by countless sports teams, political rallies, and even military ceremonies. “God Bless The U.S.A.” has become a powerful symbol of American identity, uniting people from all walks of life in a shared sense of patriotism.

Whether you view it as a musical masterpiece or a straightforward expression of national pride, “God Bless The U.S.A.” remains an undeniable force in American culture. It’s a song that continues to spark conversations about patriotism, the value of freedom, and the sacrifices made to preserve them.Country music icon Lee Greenwood will perform “God Bless The U.S.A.” at Gatornats | NHRA

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Lyrics: God Bless The U.S.A.

If tomorrow all the things were gone I’d worked for all my life
And I had to start again with just my children and my wife
I’d thank my lucky stars to be livin’ here today
‘Cause the flag still stands for freedom and they can’t take that awayAnd I’m proud to be an American where at least I know I’m free
And I won’t forget the men who died, who gave that right to me
And I’d gladly stand up next to you and defend her still today
‘Cause there ain’t no doubt I love this land
God bless the USAFrom the lakes of Minnesota, to the hills of Tennessee
Across the plains of Texas, from sea to shining sea
From Detroit down to Houston and New York to LA
Well, there’s pride in every American heart
And it’s time we stand and sayThat I’m proud to be an American where at least I know I’m free
And I won’t forget the men who died, who gave that right to me
And I’d gladly stand up next to you and defend her still today
‘Cause there ain’t no doubt I love this land
God bless the USAAnd I’m proud to be an American where at least I know I’m free
And I won’t forget the men who died, who gave that right to me
And I’d gladly stand up next to you and defend her still today
‘Cause there ain’t no doubt I love this land
God bless the USA

 

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A cot waited in a rehearsal hall at RCA Victor’s New York studio while Jimmie Rodgers made his final recordings. Between songs, he lay down to recover enough strength for another take. It was May 1933. Rodgers was 35 and had battled tuberculosis since 1924. As his health deteriorated, his earnings had dwindled. Victor was paying $250 per recorded side, and he wanted to provide for his wife, Carrie, and their daughter, Anita. The sessions started on May 17. Within days, standing to sing became impossible. He worked from an easy chair, supported by pillows that brought him close enough to the microphone, then returned to the cot. On May 24, two musicians accompanied him through three songs. After they left, Rodgers recorded one more with only his guitar: “Years Ago.” He had completed twelve songs in eight days. The following night at the Taft Hotel, severe coughing gave way to hemorrhaging in his lungs. The hotel doctor could not be located. Rodgers fell into a coma and died on May 26, roughly 36 hours after his last recording. Before music made him famous, he had worked as a railroad brakeman. A Southern Railway train carried his body home to Meridian, Mississippi, in a baggage car. According to accounts of the journey, the engineer kept sounding the whistle along the way.

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Randy Owen sometimes stopped his tour bus at truck stops to call radio DJs from pay phones. Alabama had already made him a country star. These calls were about persuading stations to help children at St. Jude. He knew what it meant to grow up with little. On his family’s sharecropper farm near Fort Payne, Alabama, he picked cotton and corn to help put food on the table. At school, other children mocked his scarred hands and the cotton dust on his clothes. Years later, after millions of record sales, Owen met St. Jude founder Danny Thomas in Atlanta. Thomas asked him to bring the country music community into the hospital’s fundraising work. When illness prevented Thomas from speaking at Nashville’s Country Radio Seminar, Owen took his place and proposed a nationwide radio effort. Winning support required persistence. He later described himself as “begging, pleading” with DJs. Some stations remained unconvinced. The first Country Cares radiothon aired on November 19, 1989: twelve hours, 45 artists and more than 800 stations. It raised approximately $1 million. By its 35th year in 2024, the initiative had brought in more than $1 billion. Owen has said helping St. Jude may be his most important work beyond being a husband and father. That enormous total began with individual requests, including calls made beside the highway between shows. Owen kept asking stations to participate. Across the country, their listeners kept answering.

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Lorrie Morgan saved the card Keith Whitley gave her at the Nashville airport for her flight home. When she finally opened it, her husband was dead. It was early May 1989. Lorrie was heading to Alaska to promote her first RCA album, while Keith was enjoying the strongest run of his career. Just weeks earlier, “I’m No Stranger to the Rain” had become his third consecutive No. 1. At home, success had brought little reassurance. Keith had struggled with alcohol for years. A period of sobriety beginning in 1987 lasted about six months. Lorrie later described the fear surrounding his drinking as living with a ticking time bomb. In her 1997 memoir, she recalled tying her leg to his while they slept so she would know if he got up to drink. During her trip, he began drinking again that weekend. On Tuesday morning, May 9, his brother-in-law, Lane Palmer, visited the house in Goodlettsville. They drank coffee and discussed golf and lunch. Palmer left around 8:30 a.m. When he returned roughly an hour later, Keith was lying on the bed, fully dressed and unconscious. The medical examiner determined that he died from acute alcohol poisoning. Traveling back to Nashville, Lorrie read the card she had set aside. She later said its words left her feeling that Keith had been trying to tell her something—a feeling she was left to carry without the chance to ask him.

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