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Johnny Cash – Ragged Old Flag

Behind the Making of Johnny Cash's 'New' Album, 'Songwriter'

About the Song 

Johnny Cash’s “Ragged Old Flag,” released in 1974 on the album of the same name, isn’t your typical patriotic anthem. It’s a song that celebrates America with a critical eye, acknowledging its flaws while holding onto a deep respect for the ideals it represents.

Cash, a legend known for his baritone voice and his exploration of social and political issues, wrote “Ragged Old Flag” during a time of national turmoil. The Watergate scandal had shaken public trust in government, and the Vietnam War was leaving a deep scar on the nation’s psyche.

The song opens with a simple acoustic guitar figure, setting a contemplative mood. Cash’s vocals, characteristically gravelly yet imbued with sincerity, tell the story through a conversation between an old man and a newcomer in a small town. The old man, despite acknowledging the flag’s tattered state (“Kinda proud of that ragged old flag”), expresses unwavering faith in the American dream and the potential of its people.

“Ragged Old Flag” isn’t blind patriotism. The lyrics grapple with the complexities of American history, mentioning wars and social injustices. However, the song ultimately expresses a belief in America’s ability to overcome its flaws and strive towards a better future. Cash doesn’t shy away from the difficult aspects of the nation’s story, but he emphasizes the importance of holding onto hope and ideals.

The song’s enduring appeal lies in its nuanced approach to patriotism. It allows listeners to celebrate their country while acknowledging its imperfections. Cash’s powerful delivery and the song’s simple yet evocative lyrics resonate with anyone who grapples with the complexities of loving a nation with a flawed history.

“Ragged Old Flag” transcended its time. The song’s message of critical patriotism found renewed relevance after the September 11th attacks, becoming an anthem for those who mourned the tragedy while holding onto faith in the nation’s resilience.

In conclusion, Johnny Cash’s “Ragged Old Flag” is more than just a song; it’s a conversation starter. It reminds us that patriotism can be complex, that love for one’s country can coexist with a desire to see it improve. It’s a song that continues to resonate with listeners across generations, challenging us to reflect on what it truly means to be American.Johnny Cash Scores His First Top 10 Hit On A Billboard Chart–20 Years After His Death

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Lyrics: Ragged Old Flag

I walked through a county courthouse square
On a park bench, an old man was sittin’ there.
I said, “Your old court house is kinda run down,
He said, “Naw, it’ll do for our little town”.
I said, “Your old flag pole is leaned a little bit,
And that’s a ragged old flag you got hangin’ on it”.
He said, “Have a seat”, and I sat down,
“Is this the first time you’ve been to our little town”
I said, “I think it is”
He said “I don’t like to brag, but we’re kinda proud of
That Ragged Old Flag

“You see, we got a little hole in that flag there,
When Washington took it across the Delaware.
and It got powder burned the night Francis Scott Key sat watching it,
writing “Say Can You See”
It got a rip in New Orleans, with Packingham & Jackson
tugging at its seams.
and It almost fell at the Alamo
beside the Texas flag,
But she waved on though.
She got cut with a sword at Chancellorsville,
And she got cut again at Shiloh Hill.
There was Robert E. Lee and Beauregard and Bragg,
And the south wind blew hard on
That Ragged Old Flag

“On Flanders Field in World War I,
She got a big hole from a Bertha Gun,
She turned blood red in World War II
She hung limp, and low, a time or two,
She was in Korea, Vietnam, She went where she was sent
by her Uncle Sam.
She waved from our ships upon the briny foam
and now they’ve about quit wavin’ back here at home
in her own good land here She’s been abused,
She’s been burned, dishonored, denied an’ refused,
And the government for which she stands
Has been scandalized throughout out the land.
And she’s getting thread bare, and she’s wearin’ thin,
But she’s in good shape, for the shape she’s in.
Cause she’s been through the fire before
and i believe she can take a whole lot more.

“So we raise her up every morning
And we bring her down slow every night,
We don’t let her touch the ground,
And we fold her up right.
On second thought
I *do* like to brag
Cause I’m mighty proud of
That Ragged Old Flag”

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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CANCER MAY HAVE TAKEN HIS STRENGTH, BUT IT NEVER STOLE THE FIRE FROM HIS SOUL. Toby Keith spent his entire life sounding like a man who couldn’t be pushed around—a kid from the Oklahoma oil fields who learned early on that you don’t wait for success; you earn it with calloused hands and a blunt, honest pen. He was the voice of the 90s, the man who turned “Should’ve Been a Cowboy” into a national anthem. But in 2021, life threw him a fight that no stage or spotlight could drown out. Stomach cancer didn’t care about his platinum records or his swagger. As the illness tore through him, his frame grew frail, his face thinned, and for the first time, the loudest man in the room had every reason to go quiet. The world expected him to fade into the shadows. Toby chose to stand in the light instead. When he walked onto the stage at the 2023 People’s Choice Country Awards to sing “Don’t Let the Old Man In,” he didn’t try to play the part of the invincible star. He sang like a man staring death in the eye and refusing to blink. He wasn’t pretending to be young; he was simply refusing to let sickness dictate the terms of his end. He passed on February 5, 2024, at 62. But the image that remains isn’t the tragedy of his final days—it’s the defiance of that night. They always called Toby loud. They called him stubborn. In the end, he proved them right. He turned his refusal to surrender into his final, most haunting melody. He didn’t just sing about not letting the “old man” in—he showed us exactly how to stand your ground when the clock starts running out.

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THE BOTTLE TOOK HIS YEARS. THE ROAD TOOK HIS PEACE. BUT GEORGE JONES STILL HAD THE ONE THING COUNTRY MUSIC COULD NEVER REPLACE. George Jones was born in Saratoga, Texas, and raised poor in East Texas, singing on street corners for change before the world ever called him a legend. His voice did not sound polished. It sounded wounded. Every note bent like a man trying to tell the truth while barely surviving it. For years, George fought the same demons that made his songs feel so real. The drinking. The missed shows. The wrecked marriages. The nights when Nashville wondered if the greatest voice in country music might destroy himself before the world fully understood him. Then came the song that changed everything. In 1980, George recorded “He Stopped Loving Her Today” — a song he first thought was too sad, too slow, too impossible to become a hit. But when he sang it, country music stopped breathing for a moment. It was not just about a man who loved until death. In George’s voice, it sounded like every heartbreak he had ever failed to escape. The song won awards. It revived his career. It became the performance people still measure country heartbreak against. George Jones died on April 26, 2013, at 81. Some remembered the chaos. Some remembered “No Show Jones.” But country music remembered the voice. Because when George Jones opened his mouth, even regret sounded like it had a soul.

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NOBODY BECOMES A LEGEND BY STANDING AT THE BOTTOM OF A HARMONY. EXCEPT HAROLD REID. Don Reid sang the words. Jimmy Fortune reached the high notes. Phil Balsley held the middle. But Harold Reid held the floor beneath all of them. He was the bass of The Statler Brothers — not always the first voice people hummed on the way home, but the one they felt before they understood why the song worked. Take Harold out of a Statler record and the song still plays. It just does not land the same way. Something underneath is gone. That was his power. He was also funny enough to own a room before the first chorus ever arrived. In a group known for faith, family, and harmony, Harold gave the Statlers something just as important: warmth. He made the crowd laugh, then dropped his voice so low it felt like the whole song had found its foundation. Near the end, he told Jimmy Fortune he had been a blessed man and was ready whenever the Lord called him. When Harold passed in 2020, Jimmy wrote the plainest truth: “Our hearts are broken tonight.” Some singers want you to look at them. Harold Reid made you feel what was missing when he was gone.