Behind the Making of Johnny Cash's 'New' Album, 'Songwriter'

About the Song 

Johnny Cash’s “Ragged Old Flag,” released in 1974 on the album of the same name, isn’t your typical patriotic anthem. It’s a song that celebrates America with a critical eye, acknowledging its flaws while holding onto a deep respect for the ideals it represents.

Cash, a legend known for his baritone voice and his exploration of social and political issues, wrote “Ragged Old Flag” during a time of national turmoil. The Watergate scandal had shaken public trust in government, and the Vietnam War was leaving a deep scar on the nation’s psyche.

The song opens with a simple acoustic guitar figure, setting a contemplative mood. Cash’s vocals, characteristically gravelly yet imbued with sincerity, tell the story through a conversation between an old man and a newcomer in a small town. The old man, despite acknowledging the flag’s tattered state (“Kinda proud of that ragged old flag”), expresses unwavering faith in the American dream and the potential of its people.

“Ragged Old Flag” isn’t blind patriotism. The lyrics grapple with the complexities of American history, mentioning wars and social injustices. However, the song ultimately expresses a belief in America’s ability to overcome its flaws and strive towards a better future. Cash doesn’t shy away from the difficult aspects of the nation’s story, but he emphasizes the importance of holding onto hope and ideals.

The song’s enduring appeal lies in its nuanced approach to patriotism. It allows listeners to celebrate their country while acknowledging its imperfections. Cash’s powerful delivery and the song’s simple yet evocative lyrics resonate with anyone who grapples with the complexities of loving a nation with a flawed history.

“Ragged Old Flag” transcended its time. The song’s message of critical patriotism found renewed relevance after the September 11th attacks, becoming an anthem for those who mourned the tragedy while holding onto faith in the nation’s resilience.

In conclusion, Johnny Cash’s “Ragged Old Flag” is more than just a song; it’s a conversation starter. It reminds us that patriotism can be complex, that love for one’s country can coexist with a desire to see it improve. It’s a song that continues to resonate with listeners across generations, challenging us to reflect on what it truly means to be American.Johnny Cash Scores His First Top 10 Hit On A Billboard Chart–20 Years After  His Death

Video

Lyrics: Ragged Old Flag

I walked through a county courthouse square
On a park bench, an old man was sittin’ there.
I said, “Your old court house is kinda run down,
He said, “Naw, it’ll do for our little town”.
I said, “Your old flag pole is leaned a little bit,
And that’s a ragged old flag you got hangin’ on it”.
He said, “Have a seat”, and I sat down,
“Is this the first time you’ve been to our little town”
I said, “I think it is”
He said “I don’t like to brag, but we’re kinda proud of
That Ragged Old Flag

“You see, we got a little hole in that flag there,
When Washington took it across the Delaware.
and It got powder burned the night Francis Scott Key sat watching it,
writing “Say Can You See”
It got a rip in New Orleans, with Packingham & Jackson
tugging at its seams.
and It almost fell at the Alamo
beside the Texas flag,
But she waved on though.
She got cut with a sword at Chancellorsville,
And she got cut again at Shiloh Hill.
There was Robert E. Lee and Beauregard and Bragg,
And the south wind blew hard on
That Ragged Old Flag

“On Flanders Field in World War I,
She got a big hole from a Bertha Gun,
She turned blood red in World War II
She hung limp, and low, a time or two,
She was in Korea, Vietnam, She went where she was sent
by her Uncle Sam.
She waved from our ships upon the briny foam
and now they’ve about quit wavin’ back here at home
in her own good land here She’s been abused,
She’s been burned, dishonored, denied an’ refused,
And the government for which she stands
Has been scandalized throughout out the land.
And she’s getting thread bare, and she’s wearin’ thin,
But she’s in good shape, for the shape she’s in.
Cause she’s been through the fire before
and i believe she can take a whole lot more.

“So we raise her up every morning
And we bring her down slow every night,
We don’t let her touch the ground,
And we fold her up right.
On second thought
I *do* like to brag
Cause I’m mighty proud of
That Ragged Old Flag”

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SHE STEPPED UP TO THE MICROPHONE TO SING A LOVE SONG WITH A MAN WHO WAS ALREADY GONE. When Lorrie Morgan walked into the studio to record “‘Til a Tear Becomes a Rose,” she wasn’t just performing a track for a Greatest Hits album. She was stepping into a haunting, high-stakes duet with her late husband, Keith Whitley, who had passed away just a year earlier. The technology was simple, but the emotional weight was crushing. Keith’s voice was already on the tape, preserved from an old demo he’d recorded with his friend Ricky Skaggs. There was no studio collaboration, no sharing a smile between takes, and no husband to hold once the final note faded. Lorrie had to stand in the silence, put on her headphones, and wait for Keith’s voice to come through—then harmonize with a ghost. When the song was released in 1990, it didn’t just climb the charts; it hit a nerve that few country songs ever reach. It felt raw, immediate, and painfully real. That fall, when the industry gathered for the CMA Awards, the song took home the trophy for Vocal Event of the Year. The two names—Lorrie Morgan and Keith Whitley—were etched together on the award, a cruel reminder of a partnership that had been tragically severed in its prime. While Lorrie stood alone to accept the honor, the recording remained a permanent monument to what they had been. It wasn’t just a song about sorrow or a performance about heartbreak; it was a widow using her own voice to reach across the silence and sing one last time with the man she couldn’t hold again. It stands today as a testament to the fact that while death can end a marriage, it can’t always silence the music that two people built together.

A PERFECT FINALE: ALAN JACKSON HANGS UP HIS HAT AND WELCOMES HIS FIFTH GRANDCHILD.For a man who built a career on songs that capture the milestones of life—the memories, the heartbreaks, and the quiet joys—the timing of Alan Jackson’s latest chapter feels like something written into a country standard.On June 27, 2026, Alan Jackson took the stage at Nashville’s Nissan Stadium for his final, massive farewell concert, “Last Call: One More for the Road – The Finale.” With over 50,000 fans in the stands and a roster of country’s biggest names joining him, the mood was one of celebration and reflection. During the show, Alan shared a sweet, prophetic moment with the crowd, pointing out his daughter Dani, who was heavily pregnant at the time. “We have three wonderful daughters and sons-in-law, and now we’ve got 4.75 grandchildren,” he joked. “One’s due any minute. She’s out there… I feel sad for her being here tonight, she’s about to go into labor with all this sound going on.” He wasn’t off by much. Twelve days after that final bow, the Jackson family grew once more. On July 9, 2026, Dani and her husband, Sam Carrington, welcomed Samuel Hudson Carrington—”Hudson”—the couple’s first child and Alan and Denise’s fifth grandchild. Alan shared the news on Instagram with a touching photo of himself and Denise cradling the newborn. It’s a milestone that brings a beautiful full-circle moment to the Jackson household. With all three of his daughters—Mattie, Ali, and Dani—having been pregnant at the same time, this “baby boom” has been the perfect way for Alan to transition from the spotlight of his touring career to the quiet, cherished life of a grandfather. For the man who spent decades singing “Remember When,” this is a new “remember when” in the making: one legendary farewell, one beautiful hello, and a retirement that couldn’t have been timed more perfectly.

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