About the Song

Roy Orbison’s 1961 ballad, “Crying”, transcends the boundaries of a simple love song. It’s a raw and desperate plea, a torrent of emotions laid bare through Orbison’s signature soaring vocals and dramatic composition. The song became a defining moment in his career, establishing him as a master of portraying heartache and vulnerability.

“Crying” opens with a sense of urgency. The driving rhythm section and Orbison’s yearning vocals capture the desperation of a man consumed by his emotions. He describes a frantic drive, fueled by a feverish need to reach his love. The lyrics paint a vivid picture of longing, with lines like “This fever for you was just burning me up inside” leaving no room for doubt about the intensity of his feelings.

The song’s emotional core lies in the constant refrain, “Crying over you” . Orbison repeats the line with a heartbreaking sincerity, conveying the depths of his despair. The vulnerability he exposes resonates with anyone who has ever experienced the all-consuming pain of heartbreak.

“Crying” isn’t just about romantic love; it’s about the universal human experience of yearning and loss. Orbison’s dramatic delivery, often described as operatic, adds a layer of grandeur to the song’s emotional intensity. The orchestral flourishes and dramatic pauses in the arrangement further emphasize the emotional turmoil within the lyrics.

“Crying” became a signature song for Orbison, a staple of his live shows and a cornerstone of his musical legacy. It has been covered by countless artists across genres, each adding their own interpretation to the timeless themes of love and loss.

“Crying” is more than just a song; it’s an emotional journey. It’s a testament to Roy Orbison’s ability to capture the depths of human emotion and translate them into powerful music. With its raw vulnerability and dramatic flair, “Crying” continues to resonate with listeners, solidifying its place as a classic of the heartbreak genre.

Video 

Lyrics: Crying

I was all right for awhile
I could smile for awhile
But I saw you last night
You held my hand so tight
As you stopped to say, “Hello”Oh, you wished me well
You, you couldn’t tell
That I’d been crying over you
Crying over youWhen you said, “So long”
Left me standing all alone
Alone and crying, crying
Crying, cryingIt’s hard to understand
But the touch of your hand
Can start me cryingI thought that I was over you
But it’s true, so true
I love you even more
Than I did before

But, darling, what can I do?
For you don’t love me
And I’ll always be crying over you
Crying over you

Yes, now you’re gone
And from this moment on
I’ll be crying, crying
Crying, crying
Yeah, crying, crying
Over you

You Missed

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?