The Greatest Oldies Music

Oldies Musics

Kate Bush – Wuthering Heights

Introduction

“Wuthering Heights” by Kate Bush is a haunting and ethereal ballad that not only marked the beginning of Kate Bush’s illustrious career but also remains a defining piece in the world of art-pop. Released in 1978, the song is an enchanting musical adaptation of Emily Brontë’s classic novel. Kate Bush’s unique vocal style and avant-garde approach set “Wuthering Heights” apart as a timeless and otherworldly composition. Join us as we explore the atmospheric beauty and literary inspiration behind Kate Bush’s iconic “Wuthering Heights.”

Did You Know?

  • “Wuthering Heights” made Kate Bush the first female artist to achieve a UK number one with a self-written song.
  • The song’s inspiration stems from Emily Brontë’s novel of the same name, capturing the haunting and passionate essence of the story’s protagonist, Cathy Earnshaw.
  • Kate Bush’s high-pitched and distinctive vocals, along with her avant-garde style, contributed to the song’s unique sound and visual appeal.
  • “Wuthering Heights” is not only a commercial success but also a critical triumph, solidifying Kate Bush’s reputation as an innovative and boundary-pushing artist.

Video

Lyrics: Wuthering Heights

Out on the wiley, windy moors
We’d roll and fall in green
You had a temper like my jealousy
Too hot, too greedy
How could you leave me
When I needed to possess you?
I hated you. I loved you, tooBad dreams in the night
They told me I was going to lose the fight
Leave behind my wuthering, wuthering
Wuthering Heights

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Ooh, it gets dark! It gets lonely
On the other side from you
I pine a lot. I find the lot
Falls through without you
I’m coming back, love
Cruel Heathcliff, my one dream
My only master

Too long I roam in the night
I’m coming back to his side, to put it right
I’m coming home to wuthering, wuthering
Wuthering Heights

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Ooh! Let me have it
Let me grab your soul away
Ooh! Let me have it
Let me grab your soul away
You know, it’s me – Cathy

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold
Let me in-a-your window

Heathcliff, it’s me, I’m Cathy
I’ve come home. I’m so cold

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MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?

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