Introduction

Prince – ‘Play that Funky Music’ is an iconic song that has left an indelible mark on the world of music. This electrifying track, originally written and performed by the band Wild Cherry, was famously covered by the legendary artist Prince, who added his unique flair and charisma to this already sensational tune. In this article, we’ll delve into the world of this song, exploring its origins, its connection to the remarkable Prince, and sharing some intriguing insights that may surprise you.Prince Dead at 57

Did You Know?

The Original Groove

The song ‘Play that Funky Music’ was first released by the American funk rock band Wild Cherry in 1976. It quickly became a massive hit, propelling the band to stardom. This disco-infused funk anthem was written by the band’s frontman, Rob Parissi, and has been celebrated for its infectious melody and unforgettable lyrics.

Prince’s Electrifying Cover

Prince, a musical genius in his own right, decided to take on this funk classic and put his own spin on it. In 2007, he performed a mesmerizing cover of ‘Play that Funky Music’ during his Super Bowl XLI halftime show. This rendition showcased Prince’s exceptional guitar skills and stage presence, leaving the audience in awe.

A Timeless Hit

‘Play that Funky Music’ is not just a song; it’s a timeless hit that has transcended generations. Both Wild Cherry’s original version and Prince’s cover continue to be played on the radio, at parties, and in movies, demonstrating the song’s enduring appeal.

Wild Cherry’s Legacy

Wild Cherry, the band behind the original track, may not have reached the same heights of stardom as Prince, but they left an indelible mark on the music scene with this song. Their contribution to the funk and disco genre is still celebrated by music enthusiasts today.

Prince’s Musical Mastery

Prince, often referred to as the “Purple One”, was a musical virtuoso known for his innovation and boundary-pushing. His cover of Play that Funky Music was just one example of how he could take a classic and make it his own, leaving an everlasting impact on music history.Prince Brings Funk to Columbia | Music Recall Magazine

Video

Lyrics: Play That Funky Music 

Hey, do it now

Hey, once I was a boogie singer
Playin’ in a rock-and-roll band
I never had no problems
Burnin’ down the one-night stands

And everything around me
Got to start to feelin’ so low
And I decided quickly
Yes, I did
To disco down and check out the show

Yeah they were dancin’ and singin’
And movin’ to the groovin’
And just when it hit me
Somebody turned around and shouted

“Play that funky music, white boy
Play that funky music right
Play that funky music, white boy
Lay down that boogie
And play that funky music ’til you die.”

‘Til you die?

I tried to understand this
I thought that they were out of their minds
How could I be so foolish
To not see I was the one behind

So still I kept on fighting
Well, losing every step by the way
… we can do
I said, I must go back there
I got to go back
And check to see if things still the same

When they were dancin’ and singin’
And movin’ to the groovin’
And just when it hit me
Somebody turned around and shouted

“Play that funky music, white boy
Play that funky music right
Play that funky music, white boy
Lay down that boogie
And play that funky music ’til you die.”

‘Til you die?
Oh, ’til you die

Gonna play some electrified funky music

Hey, wait a minute

Now first it wasn’t easy
Changing rock-and-rolling minds
And things were gettin’ shaky
I thought I’d have to leave it behind

Oh, but now it’s so much better (it’s so much better)
I’m funking out in every way
But I’ll never lose that feelin’ (you know, I won’t)
Of how I learned my lesson that day

When they were dancin’ and singin’
And movin’ to the groovin’
And just when it hit me
Somebody turned around and shouted

“Play that funky music, white boy
Play that funky music right
Play that funky music, white boy
Lay down that boogie
And play that funky music ’til you die.”

‘Til you die?
Oh, ’til you die

They shouted

“Play that funky music
Play that funky music
Play that funky music
You got to keep on playin’ funky music
Play that funky music
Play that funky music
Play that funky music
Gonna take you high and low.”

“Play that funky music, white boy
Play that funky music right
Play that funky music, white boy
Play that funky music right

Play that funky music, white boy
Play that funky music right
Play that funky music, white boy
Play that funky music right.”

You Missed

SHE HAD BEEN SINGING MOUNTAIN MUSIC SINCE BEFORE BLUEGRASS EVEN HAD A NAME. THEN, AT 80, WILMA LEE COOPER COLLAPSED ON THE OPRY STAGE WITH THE SONG STILL IN HER THROAT. Wilma Lee Cooper came out of Valley Head, West Virginia, where music was not something you studied in a conservatory. It was family. Church. Radio. Coal-country evenings. Her father worked in the mines. Her mother played pump organ. Wilma started singing when she was five, then sang with her family gospel group before she ever became part of country music history. She met Stoney Cooper in the early 1940s. He played fiddle. She sang and played guitar. Together they built a sound that sat between mountain gospel, old-time string band music, and the country music that had not yet decided how polished it wanted to become. They did not wait for genre labels. They drove. They broadcast. They played wherever people would listen. The roads were part of the act. Their daughter Carol Lee sometimes slept in the car under the upright bass while Wilma and Stoney went from show to show. They raised a family while keeping a band alive. They recorded songs like “Big Midnight Special,” “There’s a Big Wheel,” and “Wreck on the Highway.” By 1957, they had joined the Grand Ole Opry. The Smithsonian later called Wilma Lee the “First Lady of Bluegrass.” But that title came after decades of work. It came after she and Stoney had already spent years carrying the mountain sound through a country business that was moving toward smoother voices and cleaner suits. Then Stoney died in 1977. Wilma Lee did not leave with him. She stayed with the Opry. She kept leading the Clinch Mountain Clan. The old mountain voice remained onstage, older now but still carrying the same hard edge. She had already sung for more than sixty years by the time she walked onto the Ryman Auditorium stage on February 24, 2001. She was eighty. During that performance, Wilma Lee suffered a stroke. The career ended there. Not in a retirement announcement. Not in a farewell special. Onstage, in the place where she had kept the old sound alive for generations. The illness affected her speech and voice, and doctors doubted she would walk again. But Wilma Lee did return once more. In 2010, at the reopening of the Opry House after the Nashville flood, she came back for a group sing-along. Not to reclaim the old career. Not to prove anything. Just to stand in the room one more time and thank the people who had carried her. For most of her life, Wilma Lee Cooper sang as if the mountain had come down from West Virginia and entered the microphone. Her last great silence came on the same stage where she had spent decades refusing to let that mountain disappear.