Frankie Valli facts: Four Seasons singer's age, wife, children and career revealed - Smooth

About the Song

Released in 1967, “Can’t Take My Eyes Off You” is a timeless pop ballad that has captured the hearts of millions of listeners around the world. The song was a massive hit, reaching number one on the Billboard Hot 100 chart and becoming one of the most popular songs of the 1960s.

The song was written by Bob Crewe and Bobby Gaudio, and it features the soulful vocals of Frankie Valli. The lyrics express the deep love and infatuation that the singer feels for his lover, declaring that he can’t take his eyes off her. The song’s powerful message of love and devotion has resonated with audiences for decades.

“Can’t Take My Eyes Off You” was a critical and commercial success, earning numerous awards and accolades. It was also a popular music video, which helped to promote the song even further.

The song has been covered by many artists over the years, and it remains a popular choice for weddings and other special occasions. It is a classic pop song that will continue to be enjoyed for many years to come.  

Here are some additional facts about “Can’t Take My Eyes Off You”:

  • It was the first single from Frankie Valli’s solo album “The Four Seasons”.
  • It was also included on the soundtrack of the 1967 film “The Graduate”.
  • The song was produced by Bob Crewe.
  • It was recorded at Record Plant Studios in New York City.
  • The song reached number one on the Billboard Hot 100 chart for four weeks.
  • It was also number one on the R&B chart for ten weeks.
  • The song was nominated for a Grammy Award for Best Contemporary Vocal Performance by a Male Artist in 1968.

Frankie Valli - Four Seasons, Age & Spouse

Video

Lyrics: Can’t Take My Eyes Off You

You’re just too good to be true
Can’t take my eyes off you
You’d be like heaven to touch
I wanna hold you so much

At long last love has arrived
And I thank God I’m alive
You’re just too good to be true
Can’t take my eyes off you

Pardon the way that I stare
There’s nothing else to compare
The sight of you leaves me weak
There are no words left to speak

But if you feel like I feel
Please let me know that it’s real
You’re just too good to be true
Can’t take my eyes off you

I love you, baby
And if it’s quite alright, I need you, baby
To warm a lonely night, I love you, baby
Trust in me when I say

Oh, pretty baby
Don’t bring me down, I pray, oh pretty baby
Now that I found you, stay
And let me love you, baby
Let me love you

You’re just too good to be true
Can’t take my eyes off you
You’d be like heaven to touch
I wanna hold you so much

At long last love has arrived
And I thank God I’m alive
You’re just too good to be true
Can’t take my eyes off you

I love you, baby
And if it’s quite alright I need you, baby
To warm a lonely night, I love you, baby
Trust in me when I say

Oh, pretty baby
Don’t bring me down, I pray, oh pretty baby
Now that I found you, stay, oh pretty baby
Trust in me when I say

Oh, pretty baby

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.